Taste the Rainbow

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2023 UMG Recordings, Inc.
℗ 2023 UMG Recordings, Inc.

Available Regions (as of 2025-08-22)

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Excluded Regions (as of 2025-08-22)

🇦🇩 Andorra, 🇦🇬 Antigua & Barbuda, 🇦🇲 Armenia, 🇦🇴 Angola, 🇦🇿 Azerbaijan, 🇧🇧 Barbados, 🇧🇩 Bangladesh, 🇧🇫 Burkina Faso, 🇧🇮 Burundi, 🇧🇯 Benin, 🇧🇳 Brunei, 🇧🇸 Bahamas, 🇧🇹 Bhutan, 🇧🇼 Botswana, 🇧🇾 Belarus, 🇧🇿 Belize, 🇨🇩 Congo (DRC), 🇨🇬 Congo, 🇨🇻 Cabo Verde, 🇩🇯 Djibouti, 🇩🇲 Dominica, 🇪🇹 Ethiopia, 🇫🇯 Fiji, 🇫🇲 Micronesia, 🇬🇦 Gabon, 🇬🇩 Grenada, 🇬🇪 Georgia, 🇬🇲 Gambia, 🇬🇳 Guinea, 🇬🇶 Equatorial Guinea, 🇬🇼 Guinea-Bissau, 🇬🇾 Guyana, 🇭🇹 Haiti, 🇮🇶 Iraq, 🇯🇲 Jamaica, 🇯🇴 Jordan, 🇰🇬 Kyrgyzstan, 🇰🇮 Kiribati, 🇰🇲 Comoros, 🇰🇳 St. Kitts & Nevis, 🇰🇿 Kazakhstan, 🇱🇦 Laos, 🇱🇨 St. Lucia, 🇱🇮 Liechtenstein, 🇱🇷 Liberia, 🇱🇸 Lesotho, 🇱🇾 Libya, 🇲🇨 Monaco, 🇲🇩 Moldova, 🇲🇬 Madagascar, 🇲🇭 Marshall Islands, 🇲🇱 Mali, 🇲🇳 Mongolia, 🇲🇴 Macao SAR, 🇲🇷 Mauritania, 🇲🇺 Mauritius, 🇲🇻 Maldives, 🇲🇼 Malawi, 🇲🇿 Mozambique, 🇳🇦 Namibia, 🇳🇪 Niger, 🇳🇵 Nepal, 🇳🇷 Nauru, 🇵🇬 Papua New Guinea, 🇵🇰 Pakistan, 🇵🇷 Puerto Rico, 🇵🇸 Palestinian Authority, 🇵🇼 Palau, 🇷🇼 Rwanda, 🇸🇧 Solomon Islands, 🇸🇨 Seychelles, 🇸🇱 Sierra Leone, 🇸🇲 San Marino, 🇸🇷 Suriname, 🇸🇹 São Tomé & Príncipe, 🇸🇿 Eswatini, 🇹🇩 Chad, 🇹🇬 Togo, 🇹🇯 Tajikistan, 🇹🇱 Timor-Leste, 🇹🇴 Tonga, 🇹🇻 Tuvalu, 🇹🇿 Tanzania, 🇺🇬 Uganda, 🇺🇿 Uzbekistan, 🇻🇨 St. Vincent & Grenadines, 🇻🇺 Vanuatu, 🇼🇸 Samoa, 🇿🇲 Zambia, 🇿🇼 Zimbabwe, 🇦🇫 Afghanistan, 🇦🇮 Anguilla, 🇨🇨 Cocos (Keeling) Islands, 🇨🇫 Central African Republic, 🇨🇰 Cook Islands, 🇨🇽 Christmas Island, 🇪🇷 Eritrea, 🇫🇰 Falkland Islands, 🇮🇴 British Indian Ocean Territory, 🇰🇾 Cayman Islands, 🇲🇸 Montserrat, 🇳🇫 Norfolk Island, 🇳🇺 Niue, 🇵🇳 Pitcairn Islands, 🇸🇯 Svalbard & Jan Mayen, 🇸🇴 Somalia, 🇹🇨 Turks & Caicos Islands, 🇹🇰 Tokelau, 🇹🇲 Turkmenistan, 🇻🇬 British Virgin Islands, 🇾🇪 Yemen

Anmerkung zuletzt geändert am 2025-08-22 20:09 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Shake Your Groove Thing
recording of:
Shake Your Groove Thing
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb55:46
2Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:06
3More Than a Woman (SG's Paradise edit)
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Bee Gees5:58
4Bad Girls
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
remixer:
Dj Iraí Campos
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 2)
recording of:
Bad Girls
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.654:55
5Never Can Say Goodbye (single version)
arranger:
City Life (arranger for Gloria Gaynor) und Harold Wheeler
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
Gloria Gaynor2:59
6Never Knew Love Like This Before
Stephanie Mills5:27
7I Love the Nightlife (Disco 'Round)
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges5:40
8This Will Be (An Everlasting Love)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:50
9Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
10Pretty Girl Lie
recording engineer und Programmierung:
Ed Carlile
Produzent(in):
King Ed
Mix:
Dan Grech‐Marguerat
Akustikgitarre, Bass, Klavier, Perkussion, Schlagzeug und Synthesizer:
Ed Carlile
E-Gitarre:
Baby Queen (South African pop female vocalist) und Harrison Koisser
Sologesang:
Arabella Latham (South African pop female vocalist)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2023)
recording of:
Pretty Girl Lie
Texter und Komponist(in):
Arabella Latham (South African pop female vocalist) und Edward James Carlile
Baby Queen3:38
11I Don't Feel Like Dancin'
recording engineer:
Babydaddy
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Dan Grech‐Marguerat
Produzent(in):
Scissor Sisters
assistierende(r) Mix:
Adam "Batman" Haggar
Ko-Mix:
Dan Grech‐Marguerat und Scissor Sisters
Mix:
Dan Grech‐Marguerat, Neil Harris und Scissor Sisters
Bassgitarre:
Babydaddy
Klavier:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Paddy Boom
Musikvideos:
I Don’t Feel Like Dancin’ (music video) von Scissor Sisters
recording of:
I Don't Feel Like Dancin'
Verfasser(in):
Elton John (English singer, songwriter, pianist, and composer), Scott Hoffman und Jason Sellards
publisher:
B2D2 Music, Filthy Gorgeous Music, HST Management Ltd. und Universal–Songs of PolyGram International, Inc.
Scissor Sisters44:48
12Man! I Feel Like a Woman!
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 30) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 92)
recording of:
Man! I Feel Like a Woman!
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain33:53
13Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:53
14Relax (Come Fighting)
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
15Take a Chance on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1977-08-15)
Bassgitarre:
Rutger Gunnarsson (am 1977-08-15, am 1977-08-17, am 1977-10-24)
E-Gitarre [lead guitar]:
Lasse Wellander (am 1977-08-15)
Keyboard:
Benny Andersson (ABBA) (am 1977-08-15)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-17)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-15)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1977, in 1986) und Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978)
aufgenommen bei:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-08-15, am 1977-08-17) und Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-10-24)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1977-11-01)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 32)
recording of:
Take a Chance on Me (in 1977)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
ABBA4.154:07
16I'm Coming Out
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 385) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 436)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross3.95:25
17Get Down on It (single version)
phonographisches Urheberrecht (℗) von:
De-Lite Recorded Sound Corp. (not for release) (in 1981)
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & The Gang4.53:33
18Time (Clock of the Heart)
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in):
Steve Levine (producer) und Mike Ross (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bass und Moog [Moog bass]:
Michael Craig (Culture Club bassist)
Gitarre und Röhrenglocken:
Roy Hay (Member of Culture Club and composer for film and television)
Saxophon:
Steve Grainger (saxophonist)
Schlagzeug und Tamburin:
Jon Moss
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George
Saiteninstrumente arranger:
Trevor Bastow
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich
engineered at:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Time (Clock of the Heart) von Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:44
19You Make Me Feel (Mighty Real)
Sylvester6:40
20Heart of Glass (Special mix)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Remix von:
Heart of Glass von Blondie (US rock band)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie44:30
21Lessons in Love (Shep Pettibone remix)
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
zusätzliche(r) Produzent(in):
Shep Pettibone
remixer:
Shep Pettibone
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 427:48
22Where My Girls At? (Honey Dijon remix)
7025:23
23100% Pure Love
zusätzliche Schlagzeug-Programmierung:
Sean Spencer (American DJ and record producer)
Techniker(in):
Brian "G" und David Sussman
Koproduzent(in):
The Basement Boys (house music production team)
Produzent(in):
Kenny Hicks (Sologesang)
Mix:
The Basement Boys (house music production team)
Gitarre:
Wayne Cooper (in 1993)
Keyboard:
Fruity (house keyboardist Thomas Roberts Jr.) (in 1993), Mark Harris (US keyboardist, arranger and composer, active in Italy) (in 1993) und Gary Hudgins (in 1993)
Solo-Orgel:
Gary Hudgins (in 1993)
arranger:
The Basement Boys (house music production team)
Sologesang arranger:
Kenny Hicks
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1994)
aufgenommen bei:
The Basement Boys Studio in Baltimore, Maryland, Vereinigte Staaten (in 1993)
recording of:
100% Pure Love (in 1993)
Verfasser(in):
Thomas Davis (house), Teddy Douglas, Jay Steinhour und Crystal Waters
publisher:
BMG Music, Control (ASCAP), Basement Boys Music (in 1994) und C-Water Music (in 1994)
Crystal Waters4:38
24(Keep Feeling) Fascination
Produzent(in):
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
Musikvideos:
(Keep Feeling) Fascination von The Human League
Samples von:
Hot Dance Classics, Volume 2 von Various Artists (Diverse Interpreten, add compilations to this artist)
recording of:
(Keep Feeling) Fascination
Verfasser(in):
Jo Callis und Philip Oakey
The Human League3.253:44
25Rumors
Club Nouveau4:57
26Together Again
Assistent recording engineer:
Xavier Smith
recording engineer und Mix:
Steve Hodge (engineer and producer)
drum machine-Programmierung:
Alex Richbourg
leitende(r) Produzent(in):
René Elizondo Jr. und Janet Jackson
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Sologesang:
Janet Jackson
instruments arranger und vocals arranger:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
arranged for und produced for:
Flyte Tyme Productions
recording of:
Together Again
Verfasser(in):
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. und Flyte Tyme Tunes Inc.
Janet Jackson4.55:01