El Mesías (Messiah) (1)

~ Release by Handel; Academy & Chorus of St. Martin in the Fields, Neville Marriner (see all versions of this release, 5 available)

Tracklist

1CD
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1Messiah: Part I, no. 1. Symphony
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:04
2Messiah: Part I, no. 2. Recitativo “Comfort Ye” / no. 3. Air “Ev’ry Valley” (Tenor)
producer:
Chris Hazell
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:23
3Messiah: Part I, no. 4. Chorus “And the Glory of the Lord”
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:57
4Messiah: Part I, no. 5. Recitative “Thus saith the Lord” / no. 6. Air “But who may abide” (Bass)
producer:
Chris Hazell
bass vocals:
Gwynne Howell (operatic bass) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:29
5Messiah: Part I, no. 7. Chorus “And he shall purify”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:08
6Messiah: Part I, no. 8. Recitative “Behold, a virgin shall conceive” / no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:01
7Messiah: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” / no. 11. Air “The people that walked in darkness” (Bass)
producer:
Chris Hazell
bass vocals:
Gwynne Howell (operatic bass) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:14
8Messiah: Part I, no. 12. Chorus “For Unto us a Child is Born”
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:35
9Messiah: Part I, no. 13. Pastoral Symphony (Pifa)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:53
10Messiah: Part I, nos. 14-16. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” / “And the angel said unto them” / “And suddenly there was with the angel” (Soprano)
producer:
Chris Hazell
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:10
11Messiah: Part I, no. 17. Chorus “Glory to God in the highest”
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:45
12Messiah: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:11
13Messiah: Part I, no. 19. Recitativo “Then shall the eyes of the blind” / no. 20. Aria “He Shall Feed His Flock” (Alto)
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:59
14Messiah: Part I, no. 21. Chorus “His yoke is easy”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:01
15Messiah: Part II, no. 22. Chorus “Behold the Lamb of God”
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:59
16Messiah: Part II, no. 23. Air “He was despised” (Alto)
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel11:17