The Very Best of Elisabeth Schwarzkopf

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Fidelio: Akt I. »Ach wär’ ich schon«
sound engineer:
Douglas Larter (in 1950-10)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1950-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1950-10)
conductor:
Alceo Galliera (organist, conductor and composer) (in 1950-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1950-10)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1950-10)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:54
2Le nozze di Figaro: Atto I. « Non so più »
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:40
3Le nozze di Figaro: Atto II.: « Porgi amor »
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:48
4Le nozze di Figaro: Atto III. « E Susanna non vien! … Dove sono »
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:59
5Don Giovanni: Atto II. « In quali eccessi, o numi… Mi tradì »
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (in 1959-10)
producer:
Walter Legge (British classical producer)
soprano vocals [Donna Elvira]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1959-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959-10)
conductor:
Carlo Maria Giulini (conductor) (in 1959-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1959-10)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1959-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1959-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart5:39
6Così fan tutte: Atto I. « L’intatta fede… Come scoglio »
sound engineer:
Douglas Larter (in 1962-09)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1962-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1962-09)
conductor:
Karl Böhm (Austrian conductor) (in 1962-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-09)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1962-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:26
7Der Freischütz: Akt II. »Wie nahte mir der Schlummer … Leise, fromme Weise«
sound engineer:
Douglas Larter (in 1956-04)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-04)
conductor:
Walter Süsskind (conductor) (in 1956-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-04)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (Agathes Gebet) (in 1956-04)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber8:39
8Tannhäuser: Akt II. »Dich, teure Halle«
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner5:17
9Lohengrin: Akt I. »Einsam in trüben Tagen«
sound engineer:
Douglas Larter (in 1956-04)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956-04)
vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-04)
conductor:
Walter Süsskind (conductor) (in 1956-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-04)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”) (in 1956-04)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner6:03
10Die verkaufte Braut: Akt III. »Endlich allein … Wie fremd und tot«
sound engineer:
Douglas Larter (in 1956-09)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956-09)
vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-09)
conductor:
Heinrich Schmitz (in 1956-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-09)
recording of:
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot" (in 1956-09)
composer:
Bedřich Smetana (composer)
additional librettist:
Max Kalbeck
librettist:
Karel Sabina
part of:
Die verkaufte Braut (The Bartered Bride)
Bedřich Smetana5:47
11Hänsel und Gretel: Akt I. »Brüderchen, komm, tanz mit mir«
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:49
12Der Rosenkavalier: Akt I. »Da geht er hin, der aufgeblas’ne schlechte Kerl«
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-12-10 until 1956-12-22)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:23
13Ariadne auf Naxos: »Es gibt ein Reich, wo alles rein ist«
producer:
Walter Legge (British classical producer)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:46
14Arabella: Akt III. »Das war sehr gut«
producer:
Walter Legge (British classical producer)
baritone vocals [Mandryka]:
Josef Metternich (baritone) (on 1954-10-06)
soprano vocals [Arabella]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-10-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-10-06)
conductor:
Lovro von Matačić (conductor) (on 1954-10-06)
balance engineer:
Douglas Larter (on 1954-10-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1954-10-06)
recording of:
Arabella, op. 79: Act III. "Das war sehr gut, Mandryka" (Arabella) (on 1954-10-06)
composer:
Richard Strauss (German composer) (in 1932)
librettist:
Hugo von Hofmannsthal
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt III
Richard Strauss5:57
2▼CD
#TitleArtistRatingLength
1Jauchzet Gott in allen Landen, Cantata 51
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:13
2Bist du bei mir
producer:
Walter Legge (British classical producer) (on 1954-01-04)
piano:
Gerald Moore (pianist) (on 1954-01-04)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-04)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1954-01-04)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Gottfried Heinrich Stölzel2:59
3Ridente la calma, K 152
producer:
Walter Legge (British classical producer)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Ridente la calma, K. 210a/152 (for voice and piano, Mozart) (from 1955-04-13 until 1955-04-16)
composer:
Josef Mysliveček (composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 152) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 210a)
is based on:
Armida: "Il caro mio bene"
Wolfgang Amadeus Mozart3:22
4An die Musik, D 547
producer:
Walter Legge (British classical producer)
piano:
Edwin Fischer (pianist) (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (from 1952-10-04 until 1952-10-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:40
5Das Lied im Grünen, D 917
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Das Lied im Grünen, D. 917
lyricist:
Johann Anton Friedrich Reil (German writer)
composer:
Franz Schubert (composer) (in 1827)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 917)
Franz Schubert4:36
6Nachtviolen, D 752
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Nachtviolen, D. 752
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 752)
Franz Schubert2:49
7Der Musensohn, D 764
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Der Musensohn, D. 764
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:08
8Italienisches Liederbuch: 1. Auch kleine Dinge
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Italienisches Liederbuch: No. 1. Auch kleine Dinge (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:38
9Italienisches Liederbuch: 15. Mein Liebster ist so klein
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Italienisches Liederbuch: No. 15. Mein Liebster ist so klein (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf1:35
10Italienisches Liederbuch: 45. Verschling’ der Abgrund
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Italienisches Liederbuch: No. 45. Verschling' der Abgrund meines Liebsten Hütte (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf1:19
11Italienisches Liederbuch: 46. Ich hab’ in Penna einen Liebsten wohnen
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Italienisches Liederbuch: No. 46. Ich hab' in Penna (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf1:04
12Sechs Lieder für einer Frauenstimme: 4. Wiegenlied im Sommer
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: Nr. 4. Wiegenlied im Sommer
lyricist:
Robert Reinick (German poet)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf3:18
13Sechs Lieder für einer Frauenstimme: 6. Mausfallensprüchlein
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: Nr. 6. Mausfallensprüchlein
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
librettist:
Eduard Mörike (German Romantic poet, † 1875)
revised by:
Mary Goetze (editor)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:12
14Spanisches Liederbuch: 12. In dem Schatten meiner Locken
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Spanisches Liederbuch: Weltliche Lieder: No. 2. In dem Schatten meiner Locken
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
part of:
Spanisches Liederbuch: Part 2. Weltliche Lieder
Hugo Wolf2:31
15Goethe‐Lieder: Mignon (Kennst du das Land?)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-06-08 until 1957-06-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-06-08 until 1957-06-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1957-06-08 until 1957-06-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-06-08 until 1957-06-10)
recording of:
Goethe-Lieder: Nr. 9. Mignon "Kennst du das Land" (from 1957-06-08 until 1957-06-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf7:00
16Gsätlzi
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-05-18 until 1956-05-19)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-05-18 until 1956-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-05-18 until 1956-05-19)
recording of:
Gsätlzi (for voice and piano, Gund) (from 1956-05-18 until 1956-05-19)
composer:
[traditional] (special purpose artist)
arranger:
Robert Gund (composer)
Swiss Folksong1:50
17Vier letzte Lieder: 1. Frühling
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1965-09-01 until 1965-09-03)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:43
18Vier letzte Lieder: 4. Im Abendrot
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-09-01 until 1965-09-03)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1965-09-01 until 1965-09-03)
conductor:
George Szell (conductor, pianist, composer) (from 1965-09-01 until 1965-09-03)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1997)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1965-09-01 until 1965-09-03)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (from 1965-09-01 until 1965-09-03)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss8:26
19Muttertändelei, op. 43/2
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
George Szell (conductor, pianist, composer)
recording of:
Muttertändelei, op. 43 no. 2 (for voice and orchestra)
lyricist:
Gottfried August Bürger
composer:
Richard Strauss (German composer) (in 1899)
arranger:
Richard Strauss (German composer) (in 1900)
arrangement of:
Muttertändelei, op. 43 no. 2 (for voice and piano)
Richard Strauss2:08
20Zueignung, op. 10/1
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
George Szell (conductor, pianist, composer)
recording of:
Zueignung, op. 10 no. 1 (catch-all for arrangements)
composer:
Richard Strauss (German composer) (in 1885)
arrangement of:
Zueignung, op. 10 no. 1 (for voice and piano)
version of:
Zueignung, op. 10 no. 1 (orchestrated by Strauss)
Richard Strauss1:56
21Die Fledermaus: Akt II. »Klänge der Heimat«
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:45
22Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim«
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
partial recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár4:56
23Der Opernball: Akt II. »Im Chambre séparée«
sound engineer:
Douglas Larter (in 1957-07)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1957-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957-07)
conductor:
Otto Ackermann (conductor) (in 1957-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-07)
recording of:
Der Opernball: Akt II. "Im chambre séparée" (in 1957-07)
composer:
Richard Heuberger (Austrian composer)
librettist:
Victor Léon (librettist) and Heinrich von Waldberg
part of:
Der Opernball: Akt II
Richard Heuberger3:11
24Wien, du Stadt meiner Träume
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein)
lyricist and composer:
Rudolf Sieczyński (in 1914)
publisher:
Adolf Robitschek Musikverlag
Rudolf Sieczyński3:13