The Golden Age of English Polyphony

~ Release by The Sixteen, Harry Christophers (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Aeternae laudis lilium
recording engineer:
Mark Sutton (engineer) (on 1982-09-25)
producer:
Andrew Keener (engineer/editor/producer) (on 1982-09-25)
choir vocals:
The Sixteen (UK choir) (on 1982-09-25)
conductor:
Harry Christophers (conductor) (on 1982-09-25)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1988)
recorded at:
Church of St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1982-09-25)
recording of:
Eterne laudis lilium (a 5) (on 1982-09-25)
composer:
Robert Fayrfax (composer)
Robert Fayrfax11:42
2Missa Albanus: Gloria
recording engineer:
Mark Sutton (engineer) (on 1982-09-25)
producer:
Andrew Keener (engineer/editor/producer) (on 1982-09-25)
choir vocals:
The Sixteen (UK choir) (on 1982-09-25)
conductor:
Harry Christophers (conductor) (on 1982-09-25)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1988)
recorded at:
Church of St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1982-09-25)
recording of:
Missa Albanus: Gloria (on 1982-09-25)
composer:
Robert Fayrfax (composer)
part of:
Missa Albanus (a 5)
Robert Fayrfax9:14
3Missa Albanus: Credo
recording engineer:
Mark Sutton (engineer) (on 1982-09-25)
producer:
Andrew Keener (engineer/editor/producer) (on 1982-09-25)
choir vocals:
The Sixteen (UK choir) (on 1982-09-25)
conductor:
Harry Christophers (conductor) (on 1982-09-25)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1988)
recorded at:
Church of St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1982-09-25)
recording of:
Missa Albanus: Credo (on 1982-09-25)
composer:
Robert Fayrfax (composer)
part of:
Missa Albanus (a 5)
Robert Fayrfax9:32
4Missa Albanus: Sanctus and Benedictus
recording engineer:
Mark Sutton (engineer) (on 1982-09-25)
producer:
Andrew Keener (engineer/editor/producer) (on 1982-09-25)
choir vocals:
The Sixteen (UK choir) (on 1982-09-25)
conductor:
Harry Christophers (conductor) (on 1982-09-25)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1988)
recorded at:
Church of St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1982-09-25)
recording of:
Missa Albanus: Sanctus / Benedictus (on 1982-09-25)
composer:
Robert Fayrfax (composer)
part of:
Missa Albanus (a 5)
Robert Fayrfax9:53
5Missa Albanus: Agnus Dei
recording engineer:
Mark Sutton (engineer) (on 1982-09-25)
producer:
Andrew Keener (engineer/editor/producer) (on 1982-09-25)
choir vocals:
The Sixteen (UK choir) (on 1982-09-25)
conductor:
Harry Christophers (conductor) (on 1982-09-25)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1988)
recorded at:
Church of St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1982-09-25)
recording of:
Missa Albanus: Agnus Dei (on 1982-09-25)
composer:
Robert Fayrfax (composer)
part of:
Missa Albanus (a 5)
Robert Fayrfax9:20
2▼Digital Media
#TitleArtistRatingLength
6Archangeli Michaelis interventione
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
Anonymous1:18
7Leroy Kyrie
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Kyrie "Leroy" (a 4) (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
John Taverner5:17
8Missa O Michael: Gloria
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Missa O Michael: Gloria (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
part of:
Missa O Michael
John Taverner9:48
9Missa O Michael: Credo
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Missa O Michael: Credo (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
part of:
Missa O Michael
John Taverner10:13
10Missa O Michael: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Missa O Michael: Sanctus (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
part of:
Missa O Michael
John Taverner8:44
11Missa O Michael: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Missa O Michael: Agnus Dei (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
part of:
Missa O Michael
John Taverner8:31
12Dum transisset Sabbatum I
recording engineer:
Antony Howell (engineer) (from 1988-09-06 until 1988-09-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-09-06 until 1988-09-07)
conductor:
Harry Christophers (conductor) (from 1988-09-06 until 1988-09-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-09-06 until 1988-09-07)
recording of:
Dum transisset Sabbatum (I, for 5 voices) (from 1988-09-06 until 1988-09-07)
composer:
John Taverner (16th century composer)
John Taverner6:42
13Gaude plurimum
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Gaude plurimum (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
John Taverner13:29
14Ex eius tumba
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Ex eius tumba: Sospitati dedit aegros (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
John Taverner15:01
3▼Digital Media
#TitleArtistRatingLength
15Missa Corona spinea: Gloria
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Missa corona spinea: I. Gloria (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
part of:
Missa corona spinea
John Taverner10:27
16Missa Corona spinea: Credo
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Missa corona spinea: II. Credo (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
part of:
Missa corona spinea
John Taverner9:52
17Missa Corona spinea: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Missa corona spinea: III. Sanctus (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
part of:
Missa corona spinea
John Taverner9:50
18Missa Corona spinea: Agnus Dei I
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Missa corona spinea: IV. Agnus Dei I (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
part of:
Missa corona spinea
John Taverner3:08
19Missa Corona spinea: Agnus Dei II
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
Missa corona spinea: V. Agnus Dei II (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
part of:
Missa corona spinea
John Taverner5:50
20In pace, in idipsum
recording engineer:
Antony Howell (engineer) (from 1989-02-09 until 1989-02-10)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1989-02-09 until 1989-02-10)
conductor:
Harry Christophers (conductor) (from 1989-02-09 until 1989-02-10)
phonographic copyright (℗) by:
Hyperion Records Limited, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-02-09 until 1989-02-10)
recording of:
In pace, in idipsum (from 1989-02-09 until 1989-02-10)
composer:
John Taverner (16th century composer)
John Taverner6:05
21O splendor gloriae
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
O splendor gloriae (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
John Taverner10:24
22Te Deum
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Te Deum (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
John Taverner13:07
23Alleluia. Veni, electa mea
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Alleluya V. Veni electa mea (from 1991-06-10 until 1991-06-11)
writer:
John Taverner (16th century composer)
John Taverner4:11
4▼Digital Media
#TitleArtistRatingLength
24Missa Gloria tibi Trinitas: Gloria
recording engineer:
Antony Howell (engineer) (on 1984-03-17)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (on 1984-03-17)
conductor:
Harry Christophers (conductor) (on 1984-03-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1984-03-17)
recording of:
Missa "Gloria tibi Trinitas": I. Gloria (on 1984-03-17)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner12:29
25Missa Gloria tibi Trinitas: Credo
recording engineer:
Antony Howell (engineer) (on 1984-03-17)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (on 1984-03-17)
conductor:
Harry Christophers (conductor) (on 1984-03-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1984-03-17)
recording of:
Missa "Gloria tibi Trinitas": II. Credo (on 1984-03-17)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner10:17
26Missa Gloria tibi Trinitas: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (on 1984-03-17)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (on 1984-03-17)
conductor:
Harry Christophers (conductor) (on 1984-03-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1984-03-17)
recording of:
Missa "Gloria tibi Trinitas": III. Sanctus (on 1984-03-17)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
recording of:
Missa "Gloria tibi Trinitas": IV. Benedictus (on 1984-03-17)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner9:26
27Missa Gloria tibi Trinitas: Agnus Dei
recording engineer:
Antony Howell (engineer) (on 1984-03-17)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (on 1984-03-17)
conductor:
Harry Christophers (conductor) (on 1984-03-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1984-03-17)
recording of:
Missa "Gloria tibi Trinitas": V. Agnus Dei (on 1984-03-17)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner8:35
28In nomine a 4
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Fretwork (consort of viols) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
In Nomine (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
John Taverner2:28
29Audivi vocem de caelo
recording engineer:
Antony Howell (engineer) (on 1984-03-17)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (on 1984-03-17)
conductor:
Harry Christophers (conductor) (on 1984-03-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1984-03-17)
recording of:
Audivi vocem de caelo (on 1984-03-17)
composer:
John Taverner (16th century composer)
John Taverner4:16
30Dum transisset Sabbatum II
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Dum transisset Sabbatum (unspecified version) (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
John Taverner6:35
5▼Digital Media
#TitleArtistRatingLength
31Hodie nobis caelorum rex
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Hodie nobis caelorum Rex (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
John Taverner5:00
32Mater Christi sanctissima
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Mater Christi sanctissima (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
John Taverner7:21
33Magnificat a 4 – Nesciens mater
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Nesciens mater (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
John Taverner11:47
34Quemadmodum a 6
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Fretwork (consort of viols) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Quemadmodum a 6 (from 1992-11-03 until 1992-12-04)
lyricist:
[anonymous] (special purpose artist)
composer:
John Taverner (16th century composer)
John Taverner4:21
35Missa Mater Christi sanctissima: Gloria
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Missa Mater Christi Sanctissima: Gloria (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner8:17
36Missa Mater Christi sanctissima: Credo
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Missa Mater Christi Sanctissima: Credo (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner8:04
37Missa Mater Christi sanctissima: Sanctus
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Missa Mater Christi Sanctissima: Sanctus (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner6:18
38Missa Mater Christi sanctissima: Benedictus
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Missa Mater Christi Sanctissima: Benedictus (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner4:56
39Missa Mater Christi sanctissima: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1992-11-03 until 1992-12-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-11-03 until 1992-12-04)
conductor:
Harry Christophers (conductor) (from 1992-11-03 until 1992-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-11-03 until 1992-12-04)
recording of:
Missa Mater Christi Sanctissima: Agnus Dei (from 1992-11-03 until 1992-12-04)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner6:43
6▼Digital Media
#TitleArtistRatingLength
40The Western Wynde Mass: Gloria
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Western Wynde Mass: I. Gloria (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
John Taverner6:33
41The Western Wynde Mass: Credo
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Western Wynde Mass: II. Credo (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
John Taverner6:55
42The Western Wynde Mass: Sanctus
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Western Wynde Mass: III. Sanctus & Benedictus (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
John Taverner4:46
43The Western Wynde Mass: Benedictus
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
partial recording of:
Western Wynde Mass: III. Sanctus & Benedictus (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
John Taverner2:42
44The Western Wynde Mass: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1991-06-10 until 1991-06-11)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-06-10 until 1991-06-11)
conductor:
Harry Christophers (conductor) (from 1991-06-10 until 1991-06-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-06-10 until 1991-06-11)
recording of:
Western Wynde Mass: IV. Agnus Dei (from 1991-06-10 until 1991-06-11)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
John Taverner7:27
45O Wilhelme, pastor bone
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
O Wilhelme, pastor bone (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
John Taverner3:46
46Missa Sancti Wilhelmi devotio, ‘Small devotion’: Gloria
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Missa Sancti Wilhelmi ("Small Devotion"): Gloria (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
part of:
Missa Sancti Wilhelmi ("Small Devotion")
John Taverner6:39
47Missa Sancti Wilhelmi devotio, ‘Small devotion’: Credo
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Missa Sancti Wilhelmi ("Small Devotion"): Credo (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
part of:
Missa Sancti Wilhelmi ("Small Devotion")
John Taverner7:45
48Missa Sancti Wilhelmi devotio, ‘Small devotion’: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Missa Sancti Wilhelmi ("Small Devotion"): Sanctus - Benedictus (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
part of:
Missa Sancti Wilhelmi ("Small Devotion")
John Taverner7:01
49Missa Sancti Wilhelmi devotio, ‘Small devotion’: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1990-04-20 until 1990-04-21)
executive producer:
Cecile Kelly (producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-04-20 until 1990-04-21)
conductor:
Harry Christophers (conductor) (from 1990-04-20 until 1990-04-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-04-20 until 1990-04-21)
recording of:
Missa Sancti Wilhelmi ("Small Devotion"): Agnus Dei (from 1990-04-20 until 1990-04-21)
composer:
John Taverner (16th century composer)
part of:
Missa Sancti Wilhelmi ("Small Devotion")
John Taverner4:54
7▼Digital Media
#TitleArtistRatingLength
50Missa Cantate: Gloria
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: I. Gloria (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard8:53
51Missa Cantate: Credo
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: II. Credo (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard10:27
52Missa Cantate: Sanctus and Benedictus
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: III. Sanctus (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: IV. Benedictus (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard6:17
53Missa Cantate: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Missa Cantate: V. Agnus Dei I (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: VI. Agnus Dei II (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
recording of:
Missa Cantate: VII. Agnus Dei III (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
part of:
Missa Cantate
John Sheppard5:50
54Salvator mundi, Domine
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Salvator mundi, Domine (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:38
55Verbum caro factum est
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Verbum cara factum est (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:45
56Laudem dicite Deo
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Laudem dicite Deo (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:33
57Reges Tharsis et insulae
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Reges Tharsis et insule (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:46
58In manus tuas I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
In manus tuas I (from 1988-01-23 until 1988-01-24)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:16
59Filiae Hierusalem
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Filiae Hierusalem (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:26
60In pace, in idipsum
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
In pace in idipsum (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:23
61Paschal Kyrie
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Paschal Kyrie (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:51
62Jesu salvator saeculi, verbum
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Jesu salvator saeculi, verbum (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard5:00
8▼Digital Media
#TitleArtistRatingLength
63The Western Wynde Mass: Gloria
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: I. Gloria (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard4:39
64The Western Wynde Mass: Credo
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: II. Credo (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard5:08
65The Western Wynde Mass: Sanctus
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: III. Sanctus (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard3:16
66The Western Wynde Mass: Benedictus
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: IV. Benedictus (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard1:32
67The Western Wynde Mass: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: V. Agnus Dei (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard4:36
68Second Service: Evening Canticle 1. Magnificat
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
The Second Service: Magnificat (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
The Second Service
John Sheppard5:49
69Second Service: Evening Canticle 2. Nunc dimittis
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
The Second Service: Nunc Dimittis (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
The Second Service
John Sheppard3:08
70Te Deum
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Te Deum (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
John Sheppard13:49
71Spiritus Sanctus procedens I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Spiritus sanctus procedens (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:35
72Iusti in perpetuum vivent
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Iusti in perpetuum vivent (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:29
73Libera nos, salva nos I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Libera nos, salva nos I (from 1988-01-23 until 1988-01-24)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard2:56
74Libera nos, salva nos II
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Libera nos, salva nos II (from 1991-09-10 until 1991-09-11)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard1:48
75Audivi vocem de caelo
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Audivi vocem de caelo (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:05
76Deus tuorum militum I
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Deus Tuorum Militum I (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:10
77Ave maris stella
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Ave maris stella à 6 (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard5:09
78Jesu salvator saeculi, redemptis
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Jesu salvator saeculi, redemptis (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:19
9▼Digital Media
#TitleArtistRatingLength
79Spiritus Sanctus procedens II
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Spiritus Sanctus procedens II (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard8:41
80Beata nobis gaudia
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Beata nobis gaudia (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:01
81In manus tuas II
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
In manus tuas II (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:08
82Gaude, gaude, gaude Maria
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Gaude, gaude, gaude Maria (from 1991-09-10 until 1991-09-11)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard13:41
83Haec dies quam fecit Dominus
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Haec dies quam fecit Dominus (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard2:05
84Impetum fecerunt unanimes
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Impetum fecerunt unanimes (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:12
85Dum transisset Sabbatum I
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Dum transisset Sabbatum (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:59
86Sancte Dei pretiose
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Sancte Dei pretiose (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard2:52
87Sacris solemniis
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Sacris solemniis (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:57
88Hostis Herodes impie
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Hostis Herodes impie (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
John Sheppard5:16
89Dum transisset Sabbatum II
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Dum transisset Sabbatum No. II (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:27
90In manus tuas III
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
In manus tuas III (from 1992-02-13 until 1992-02-14)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:32
91Aeterne rex altissime
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Eterne rex, altissime (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:32
10▶Digital Media

Credits

Release

liner notes:Stephen Rice (conductor) (in 2009)
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Viola Scheffel (Übersetzung)
copyrighted (©) by and phonographic copyright (℗) by:Hyperion Records Limited, London (holding company - do not use this as a release label) (in 2009)
purchase for download:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
https://www.prestomusic.com/classical/products/7982408--the-golden-age-of-english-polyphony [info]
ASIN:US: B002P2S9R2 [info]
purchase for mail-order:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]

Release group

includes:‘Western Wynde’ Mass by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Cathedral Music by William Mundy (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 2 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 3 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 4 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music, Volume 1 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Albanus / Aeterne laudis lilium by Robert Fayrfax (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa corona spinea / Gaude plurimum / In pace by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Gloria tibi Trinitas / Audivi vocem de caelo by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Mater Christi Sanctissima by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor), Fretwork (consort of viols)
Missa O Michael / Leroy Kyrie / Dum transisset Sabbatum by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Sancti Wilhelmi devotio by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)