100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Die vier Jahreszeiten - Meisterwerke des Barock
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1Die vier Jahreszeiten Concerto Nr. 1 in E-Dur "Der Frühling": I. Allegro - Largo e pianissimo sempre Allegro
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi10:27
2Ouvertüre Nr. 13: Air
timpani:
Ralph Peinkofer (percussionist)
trumpet:
Wolfgang Basch Trumpet Ensemble
violin:
Wolfgang Hock
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach34:32
3Kanon in D
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel24:25
4Suite Nr. 2 in D-Dur: Allegro "Wassermusik"
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Water Music Suite no. 2 in D major, HWV 349
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Händel-Werke-Verzeichnis (number: HWV 349)
part of:
Water Music, HWV 348–350
Georg Friedrich Händel9:40
5Reigen seeliger GeisterChristoph Willibald Gluck37:27
6Violinkonzert in E-Dur, BWV 1042: I. Allegro
violin:
Christian Altenburger (German violinist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:32
7Xerxes: Largo
instruments and orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel33:07
8Flötenkonzert in F-Dur, Op. 10 Nr. 1 "La Tempesta di Mare": Allegro - Largo - Presto
flute:
Zoltán Gyöngyössy (flutist)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/12) and Ryom-Verzeichnis (number: RV 433)
part of:
6 Flute Concertos, op. 10
Antonio Vivaldi7:16
9Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: IX.I Allegro - Adagio - IX.II Allegro
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1048)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach9:06
10Feuerwerksmusik: Ouvertüre
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel7:29
2CD: Eine kleine Nachtmusik - Mozart-Meisterwerke
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1Serenade Nr. 13 in G-Dur, KV 622 "Eine kleine Nachtmusik": I. Allegro
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:45
2Konzert für Klarinette und Orchester in A-Dur, KV 622: II. Adagio
clarinet:
Béla Kovács (clarinetist)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Janos Rolla (violinist and conductor)
partial recording of:
Concerto for Clarinet in A major, K. 622
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
dedicated to:
Anton Paul Stadler
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 622) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 622)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart37:02
3Symphonie Nr. 40 in g-moll, KV 550: I. Molto allegro
orchestra:
Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 550), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 550) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 550)
revision of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart47:40
4Konzert für Klavier und Orchester Nr. 26 in D-Dur, KV 537 "Krönungskonzert": III. Allegretto
piano:
Gyula Kiss (Hungarian classical pianist)
orchestra:
Ungarisches Rundfunkorchester (Budapest Symphony Orchestra)
conductor:
György Lehel (conductor)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: III. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
Wolfgang Amadeus Mozart11:29
5Serenade Nr. 10 in B-Dur, KV 362 "Gran Partita": III.Adagio
instruments:
Linos Ensemble
orchestra:
Linos-Ensemble
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 361) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 370a)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:00
6Klaviersonate in A-Dur, KV 331: Türkischer MarschWolfgang Amadeus Mozart3:35
7Konzert für Flöte, Harfe und Orchester in C-Dur, KV 299: II. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:39
8Symphonie Nr. 41 in C-Dur, KV 551 "Jupiter": IV. Molto allegro
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Hans Graf (conductor)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:24
9Die Zauberflöte, KV 620: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:11
10Requiem, KV 626: Agnus Dei - Lux aterna
choir vocals:
RIAS-Kammerchor (German chamber choir)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: VII. Communio: Lux aeterna (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart8:48
3CD: Für Elise - Meisterwerke der Klaviermusik
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1Konzert für Klavier und Orchester Nr. 1 in b-moll: I. Allegro ma non troppo
piano:
Jenő Jandó (pianist)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Ligeti (violinist and conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Peter Iljitsch Tschaikowski9:00
2Für Elise
piano:
Evelyne Dubourg (pianist), Misha Goldstein (pianist) and Leonard Hokanson (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven32:54
3Walzer Nr. 1 in Es-Dur, Op. 18 "Grande Valse brillante"
piano:
Halina Czerny‐Stefańska (pianist)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Frederic Chopin5:43
4Konzert für Klavier und Orchester in a-moll, Op. 16: II. Adagio
piano:
Daniel Gerard (classical pianist, Alfred Scholz related), Björn Lundgren (pianist) and Dubravka Tomšič (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre symphonique de la Radio Ljubljana (name used by Alfred Scholz, may be incorrect), Philharmonia Slavonica (Alfred Scholz pseudonym), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg7:11
5Mephisto-Walzer Nr. 1 "Der Tanz in der Dorfschenke"
piano:
Donatella Failoni
recording of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1860)
dedicated to:
Carl Tausig
part of:
The Music of Liszt (number: S. 514)
Franz Liszt12:08
6Les Saisons, Op. 37a: Bacarole
piano:
Jenö Jando (pianist)
recording of:
The Seasons, op. 37a: VI. June “Barcarolle” (ended)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Iljitsch Tschaikowski5:14
7Konzert für Klavier und Orchester Nr. 2 in B-Dur, Op.83: II. Allegro appassionatoJohannes Brahms9:26
8Klaviersonate Nr. 14 in cis-moll, Op. 27, Nr. 2 "Mondscheinsonate": I. Adagio sostenutoLudwig van Beethoven25:26
9Impromptu Nr. 4 in As-Dur, D 899
piano:
Jenő Jandó (pianist)
Franz Schubert6:48
10Konzert für Klavier und Orchester Nr. 5 in Es-Dur, Op. 73 "Emperor": III. Rondo. AllegroLudwig van Beethoven11:14
4CD: Aus einer neuen Welt - Die großen Symphonien
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1Symphonie Nr. 5 in c-moll, Op. 67: I. Allegro con brio
orchestra:
Ungarische Nationalphilharmonie
conductor:
János Ferencsik (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:36
2Symphonie Nr. 94 in G-Dur "Mit den Paukenschlag": II. AndanteJoseph Haydn6:33
3Symphonie Nr. 8 in h-moll, D 759 "Unvollendete": I. Allegro moderatoFranz Schubert13:41
4Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": I. Allegro vivace
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn Bartholdy8:19
5Symphonie Nr. 9 in e-moll, Op. 95 "Aus der neuen Welt": II. Largo
orchestra:
Prague Festival Orchestra
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák3:33
6Symphonie Nr. 1 in B-Dur, Op. 38 "Frühlings-Symphonie": III. Scherzo. Molto vivace
orchestra:
Stuttgart Radio Symphony Orchestra
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:47
7Symphonie Fantastique: IV. Allegretto non troppoHector Berlioz5:05
8Symphonie Nr. 6 in h-moll, Op. 74 "Pathétique": II. Allegro con grazia
orchestra:
Prague Festival Orchestra
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Iljitsch Tschaikowski7:55
9Symphonie Nr. 2 in c-moll "Auferstehung": IV. "Urlicht" aus "Des Knaben Wunderhorn" Sehr feierlich, aber schlicht
alto vocals:
Vessela Zorova (mezzo-soprano) (in 1987-01)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic) (in 1987-01)
conductor:
Emil Tabakov (conductor) (in 1987-01)
recorded at:
Зала „България“ (Bulgarian Concert Hall, Bulgaria Hall) in Sofia, Sofia-Grad, Bulgaria (in 1987-01)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1987-01)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:33
10Symphonie Nr. 1 in c-moll, Op. 68: IV. Finale. Allegro non troppo, ma con brio
orchestra:
Berliner Sinfonie-Orchester (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006)
conductor:
Kurt Sanderling (conductor)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms12:39
5CD: Schwanensee - Zauber des Ballett
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1Eugen Onegin: Polonaise
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Iljitsch Tschaikowski24:47
2La Gioconda: Tanz der Stunden
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli9:37
3Schwanensee: III.I Tanz der Schwäne III.II Mazurka
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
recording of:
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Peter Iljitsch Tschaikowski5:42
4Chowanschtschina: Tanz der persischen SklavenModest Mussorgsky7:09
5Coppélia: Csardas
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Heinz Fricke (conductor)
recording of:
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes4:16
6Carmen: Danse bohèmePeter Iljitsch Tschaikowski4:34
7Der Nußknacker, Op. 71: Pas de deux "Die Zuckerfee und der Prinz"
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (Dance of the Prince & the Sugar-Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Peter Iljitsch Tschaikowski9:28
8Giselle: VIII.I Marche des vignerons - VIII.II Variation de Giselle & Finale "1. Akt"Adolphe Adam11:17
9Sylvia - La Nymphe de Diane: IX.I Intermezzo - IX.II Cortège de Bacchus
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Sylvia : Acte I. No. 3b. Intermezzo
composer:
Léo Delibes (French composer)
part of:
Sylvia : Acte I
recording of:
Sylvia: Ballet Suite: IV. March - Cortège de Bacchus
composer:
Léo Delibes (French composer) (from 1876 until 1880)
part of:
Sylvia: Ballet Suite
Léo Delibes9:23
10Dornröschen: Pas d’action - Adagio
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Iljitsch Tschaikowski5:50
6CD: Liebestraum - Romantische Miniaturen
#TitleArtistRatingLength
1Op. 11 Nr. 5: Menuett
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:38
2Ave Maria
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:51
3Liebestraum
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt6:05
4Serenade Melancolique, Op. 26
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Sérénade mélancolique in B-flat minor, op. 26 (for violin and orchestra)
premiered in:
Moscow, Russia (on 1876-01-28)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1875-02)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 26), The Tchaikovsky Handbook (number: TH 56) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 58)
Peter Iljitsch Tschaikowski8:51
5Crisantemi
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
I Crisantemi, SC 65 (for string orchestra)
composer:
Giacomo Puccini (Italian composer) (in 1890)
orchestration of:
Crisantemi (for string quartet)
Giacomo Puccini6:38
6Holberg Suite: Air, Andante religioso
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg6:46
7Nocturne in Es-Dur
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (catch‐all for arrangements)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
arrangement of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Frederic Chopin5:07
8Souvenier de Florence, Adagio cantabile e con moto
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Souvenir de Florence in D minor, op. 70: II. Adagio cantabile e con moto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
Peter Iljitsch Tschaikowski11:02
9Notturno, Op. 40
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Nocturne in B major, op. 40, B. 47 (for string orchestra)
composer:
Antonín Dvořák (composer) (from 1882 until 1883)
part of:
Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 47) and Works of Antonín Dvořák by opus number (number: op. 40)
Antonín Dvořák7:31
10Poème in Es-Dur, Op. 25
solo cello:
Károly Botvay (cellist and conductor)
solo violin and violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Poème, op. 25 (for violin and orchestra)
composed in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1896-04 until 1896-06-29)
composer:
Ernest Chausson (composer) (from 1896-04 until 1896-06-29)
dedicated to:
Eugène Ysaÿe (Belgian violinist, composer and conductor)
premiered at:
[concert] (1896-12-27)
publisher:
Breitkopf & Härtel (in 1897-05)
part of:
Works of Ernest Chausson by opus number (number: op. 25)
Ernest Chausson15:18
7CD: Zigeunerweisen - Virtuose Violine
#TitleArtistRatingLength
1Zapateado
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Ungarisches Staatsorchester (Hungarian National Philharmonic)
conductor:
András Kórodi (conductor)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:34
2Violinromanze Nr. 1 in G-Dur, Op. 40
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Hungarian State Orchestra (Hungarian National Philharmonic)
conductor:
G. Gyorivanyi-Rath
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven7:59
3Konzert für Violine und Orchester Nr. 1, Op. 6: III. Rondo
violin:
Mária Bálint (violinist)
orchestra:
Radio-Symphonie-Orchester Budapest (Budapest Symphony Orchestra)
conductor:
György Lehel (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21: III. Rondò - Allegro spiritoso
composer:
Niccolò Paganini (Italian composer and violinist) (from 1815 until 1816)
part of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21
Niccolò Paganini6:38
4Romanze in G-Dur, Op. 26
violin:
Miklós Szenthelyi (violinist)
orchestra:
Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic)
conductor:
György Győriványi Ráth
recording of:
Romance, op. 26 (for violin and orchestra)
composer:
Johan Svendsen (composer and conductor) (in 1881)
part of:
Works of Johan Svendsen by opus number (number: op. 26)
Johan Severin Svendsen8:04
5Konzert für Violine und Orchester in D-Dur, Op. 77
violin:
Veselin Eshkenazi
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:44
6Romanze in f-moll
violin:
Szenthelyi Miklós (Miklós Szenthelyi, violinist)
orchestra:
Budapest Philharmonic Orchestra and Hungarian State Orchestra (Hungarian National Philharmonic)
conductor:
Győriványi Ráth György
recording of:
Romance in F minor, op. 11, B. 39 (for violin and orchestra)
premiered in:
Praha (Prague), Czechia (on 1877-12-09)
composer:
Antonín Dvořák (composer)
premiered at:
Romance in F minor, op. 11, B. 39 (1877-12-09)
publisher:
N. Simrock (in 1879)
part of:
Works of Antonín Dvořák by opus number (number: op. 11) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 39)
is based on:
String Quartet no. 5 in F minor, op. 9, B. 37: II. Andante con moto quasi allegretto
Antonín Dvořák10:33
7Scherzo tarantelle, Op. 16
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Scherzo-tarantelle, op. 16
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski4:57
8Konzert für Violine und Orchester Nr. 1 in g-moll, Op. 26: II. Adagio
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:02
9Zigeunerweisen, Op. 20,1
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate8:59
10Konzert für Violine und Orchester in D-Dur, Op. 35
violin:
Viviane Hagner (violinist)
orchestra:
Radio-Symphonieorchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Peter Iljitsch Tschaikowski10:30
8CD: Die Moldau - Meisterwerke symphonischer Dichtung
#TitleArtistRatingLength
1Die Moldau
orchestra:
Vienna Symphonic Orchestra (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:47
2Scheherazade, Op. 35 - Symphonische Suite nach "Tausendundeiner Nacht": I. Das Meer und Sindbads Schiff Lento - Allegro non troppo
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakoff9:48
3Holbergs Zeit, Op. 40: I. Praelude. Allegro vivace
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:46
4Espana
orchestra:
Plovdiv Philharmonic Orchestra
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:31
5La Mer: II. Jeux de vagues "Spiel der Wellen"
orchestra:
MDR Sinfonieorchester (MDR Leipzig Radio Symphony Orchestra)
conductor:
Max Pommer (conductor)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:01
6Vier Tondichtungen für großes Orchester nach A. Böcklin, Op. 128: IV. Bacchanal
conductor:
Jörg‐Peter Weigle (chorus master) (in 1988-10)
performer:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1988-10)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1988-10)
recording of:
Four Tone Poems after A. Böcklin, op. 128: IV. Bacchanal (in 1988-10)
composer:
Max Reger (German composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger5:03
7Elegische Melodie, Op. 34 Nr. 1: Herzwunden
orchestra:
Prague Festival Orchestra
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg4:24
8Les Prèludes (Auszug)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
partial recording of:
Les Préludes, S. 97
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
Franz Liszt5:22
9Capriccio espagnol, Op. 34: Variazioni
Nikolai Rimsky-Korsakoff4:49
10Capriccio Italien Op. 45
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Peter Iljitsch Tschaikowski15:03
9CD: Die Himmel rühmen - Berühmte Chöre
#TitleArtistRatingLength
1Der Messias: Hallelujah
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
RIAS Berlin Sinfonietta
conductor:
Marcus Creed (conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel33:54
2Ave verum, KV 618
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marcus Creed (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:31
3Die Himmel rühmenLudwig van Beethoven2:18
4Gesang der Geister über dem Wasser, op. posth. 167, D 714
choir vocals:
Männerchor des Rundfunkchores Berlin (Berlin Radio Chorus)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Dietrich Knothe (conductor)
recording of:
Gesang der Geister über dem Wassern, D. 714 (for male voices & strings)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 714)
Franz Schubert9:55
5Die Schöpfung: Terzett mit Chor: In holder Anmut stehn - Der Herr ist groß in seiner Macht
baritone vocals:
Michael Volle (baritone)
soprano vocals:
Teresa Seidl (US soprano)
tenor vocals:
Christian Elsner (German tenor)
orchestra:
Chor und Orchester der Staatsphilharmonie Krakau
conductor:
Roland Bader (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn6:59
6Landerkennung op. 31
baritone vocals:
Hans‐Joachim Ribbe (bass-baritone)
choir vocals:
Männerchor des Rundfunkchores Leipzig
orchestra:
Rundfunk Sinfonieorchester Leipzig (MDR Leipzig Radio Symphony Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Landkjenning, op. 31
lyricist:
Bjørnstjerne Bjørnson
composer:
Edvard Grieg (composer)
part of:
Works of Edvard Grieg by opus number (number: op. 31)
Edvard Grieg8:27
7Ave Maria
choir vocals:
Dresdner Kreuzchor
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner3:28
8Messa da Requiem: 8.1. Sanctus - 8.2. Libera me
choir vocals:
Bulgarischer Nationalchor (National Philharmonic Choir “Svetoslav Obretenov”)
soprano vocals:
Olga Romanko (soprano)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Messa da requiem: VII. Libera me (soprano, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
quotes lyrics from:
Libera me, Domine (Gregorian chant)
version of:
Messa per Rossini: VII. Responsorium. Libera me, Domine
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi15:49
9Ave Maria op. 23, Nr. 2Felix Mendelssohn Bartholdy5:57
10Ein deutsches Requiem: Schlußchor: Selig sind die Toten, die in dem Herren sterben
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
MDR Sinfonieorchester (MDR Leipzig Radio Symphony Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:41
10CD: Walkürenritt - Meisterwerke der Oper
#TitleArtistRatingLength
1Carmen: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:20
2Nabucco: Va, pensiero, sull’ali dorat "Gefangenenchor"
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chorus of the Munich State Opera (Alfred Scholz related)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor), Georgi Robev (conductor) and Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:22
3Der Barbier von Sevilla: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini47:48
4Die Puritaner: Cinta di fiori
bass vocals:
Michele Pertusi (operatic bass)
choir vocals:
Bulgarischer Nationalchor (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Symphony Orchestra
recording of:
I puritani: Atto II. N°14 Romanza "Cinta di fiori" (Giorgio, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini5:24
5Aida: Gloria all’ Egitto "Triumphmarsch"
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor) and Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
Giuseppe Verdi12:52
6La Baheme: Musette - Walzer
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini6:55
7Eugen Onegin: 3. Akt, Ein jeder kennt die Lieb’ auf Erden
bass vocals:
Nicolaï Ghiaurov (operatic bass)
conductor:
Васил Стефанов (Vassil Stefanov, Bulgarian conductor)
performer:
Bulgarian Radio Symphony Orchestra
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 20a. Ария князя Гремина “Любви все возрасты покорны” (Prince Gremin’s Aria “Lyubvi vse vozrasty pokorny”)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Iljitsch Tschaikowski6:03
8Zar und Zimmermann: VIII.I Greifet an und rührt die Hände, VIII.II Holzschuhtanz
baritone vocals:
Hermann Prey (baritone)
choir vocals:
Chor der Philharmonie Bratislava (Alfred Scholz related)
orchestra:
Philharmonie Bratislava (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Zar und Zimmermann: Akt I. Nr. 1 Introduktion und Zimmermannslied „Greifet an und rührt die Hände“ … „Auf Gesellen, greift zur Axt“ (Iwanow, Peter I., Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing10:04
9Lohengrin: Treulich geführt ziehet dahin
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner9:26
10Die Walküre: Walkürenritt
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:21