Duane Allman: An Anthology, Volume II

~ Release by Duane Allman (see all versions of this release, 3 available)

Tracklist

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1▼12" Vinyl
#TitleArtistRatingLength
I 1Happily Married Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) (in 1969-02)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-02)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Duane Allman (in 1969-02)
piano:
Paul "Berry" Hornsby (in 1969-02)
vocals:
Duane Allman (in 1969-02)
remixer:
Tony Humphreys, Ovie Sparks and Tony Yoken
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
Happily Married Man (in 1969-02)
writer:
Duane Allman
publisher:
No Exit Music Co., Inc.
Duane Allman2:42
I 2It Ain’t Fair
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (on 1969-01-08)
guitar:
Duane Allman (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
It Ain’t Fair (on 1969-01-08)
lyricist and composer:
Ron Miller (US songwriter Ronald Alonzo Miller)
Aretha Franklin3:21
I 3The Weight
producer:
King Curtis (saxophonist) and Arif Mardin
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-02-19)
guitar:
Duane Allman (on 1969-02-19)
keyboard:
Barry Beckett (on 1969-02-19)
saxophone:
King Curtis (saxophonist) (on 1969-02-19)
arranger:
Arif Mardin
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-02-19)
cover recording of:
The Weight (on 1969-02-19)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
King Curtis2:46
I 4You Reap What You Sow
recording engineer:
Mickey Buckins (American singer-songwriter, session musician, producer and engineer) (in 1969-02)
producer:
Mike Bloomfield and Nick Gravenites
baritone saxophone:
Ronald Eades (American saxophonist) (in 1969-02)
bass guitar:
Jerry Jemmott (in 1969-02)
drums (drum set):
Roger Hawkins (in 1969-02)
guitar:
Duane Allman (in 1969-02) and Otis Rush (in 1969-02)
keyboard:
Barry Beckett (in 1969-02) and Mark Naftalin (in 1969-02)
tenor saxophone:
Joe Arnold (in 1969-02) and Aaron Varnell (in 1969-02)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1969-02)
vocals:
Otis Rush (in 1969-02)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
Reap What You Sow (in 1969-02)
writer:
Bloomfield, Butterfield and Gravenites
Otis Rush4:55
I 5Matchbox
recording engineer:
Larry Hamby (in 1969-09)
producer:
Tom Dowd and Jerry Wexler
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09) and Eddie Hinton (in 1969-09)
harmonica:
King Biscuit Boy (in 1969-09)
keyboard:
Barry Beckett (in 1969-09) and Scott Cushnie (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Matchbox (in 1969-09)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
Ronnie Hawkins3:06
I 6Born to Be Wild
bass [electric bass]:
Jerry Jemmott (from 1968-11-27 until 1968-12-03)
drums (drum set):
Roger Hawkins (from 1968-11-27 until 1968-12-03)
guitar:
Duane Allman (from 1968-11-27 until 1968-12-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1968-11-27 until 1968-12-03)
piano:
Barry Beckett (from 1968-11-27 until 1968-12-03)
tenor saxophone:
Andrew Love (from 1968-11-27 until 1968-12-03) and James Mitchell (US saxophonist/arranger) (from 1968-11-27 until 1968-12-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1968-11-27 until 1968-12-03)
vocals:
Wilson Pickett (from 1968-11-27 until 1968-12-03)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (on 1968-11-27) and FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
cover recording of:
Born to Be Wild (from 1968-11-27 until 1968-12-03)
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Wilson Pickett2:44
II 1No Money Down
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-02)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Duane Allman (in 1969-02)
piano:
Paul "Berry" Hornsby (in 1969-02)
vocals:
Duane Allman (in 1969-02)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
cover recording of:
No Money Down (in 1969-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Duane Allman3:27
II 2Been Gone Too Long
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass guitar:
Pete Carr (US guitarist) (in 1968-04)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-04)
guitar and background vocals:
Duane Allman (in 1968-04)
organ:
Gregg Allman (in 1968-04)
piano:
Paul "Berry" Hornsby (in 1968-04)
vocals:
Gregg Allman (in 1968-04)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968-04)
recording of:
Been Gone Too Long (in 1968-04)
writer:
Gregg Allman
The Hour Glass3:03
II 3Stuff You Gotta Watch
producer:
Tom Dowd
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
recording of:
Stuff You Gotta Watch (on 1968-12-06)
writer:
Tom Dowd, Dan Grier and George Jackson (US soul songwriter/vocalist)
Arthur Conley2:14
II 4Dirty Old Man
recording engineer:
Marlin Greene (’60s teen artist, writer & engineer) (in 1970) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1970)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1970)
drums (drum set):
Roger Hawkins (in 1970)
guitar:
Duane Allman (in 1970) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1970)
keyboard:
Barry Beckett (in 1970)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”) (in 1970)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1970)
cover recording of:
Dirty Old Man (in 1970)
writer:
Delaney Bramlett and Mac Davis (US country singer, songwriter & actor)
Lulu42:21
II 5Push Push
producer:
Arif Mardin
alto flute and flute:
Herbie Mann (from 1971-06-28 until 1971-07-07)
bass guitar:
Chuck Rainey (American bassist) (from 1971-06-28 until 1971-07-07)
drums (drum set):
Bernard “Pretty” Purdie (from 1971-06-28 until 1971-07-07)
electric piano, organ and piano:
Richard Tee (from 1971-06-28 until 1971-07-07)
guitar:
Duane Allman (from 1971-06-28 until 1971-07-07) and Cornell Dupree (from 1971-06-28 until 1971-07-07)
percussion:
Ralph MacDonald (from 1971-06-28 until 1971-07-07)
remixer:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-06-28 until 1971-07-07)
recording of:
Push Push (from 1971-06-28 until 1971-07-07)
writer:
Herbie Mann
Herbie Mann10:00
2▼12" Vinyl
#TitleArtistRatingLength
III 1Walk on Gilded Splinters
recording engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1970)
producer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass guitar:
Robert Popwell (in 1970)
drums (drum set):
Butch Trucks (in 1970)
electric guitar:
Pete Carr (US guitarist) (in 1970)
guitar:
Johnny Jenkins (US blues guitarist) (in 1970)
piano:
Paul "Berry" Hornsby (in 1970)
resonator guitar [dobro]:
Duane Allman (in 1970)
timbales:
Jai Johanny Johanson (in 1970)
vocals:
Johnny Jenkins (US blues guitarist) (in 1970)
remixer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1970)
cover recording of:
I Walk on Guilded Splinters (in 1970)
lyricist and composer:
John Creaux (New Orleans blues pianist, singer and songwriter)
publisher:
Marzique Music
Johnny Jenkins5:17
III 2Waiting for a Train
recording engineer:
Marlin Greene (’60s teen artist, writer & engineer) (from 1969-05-05 until 1969-05-10)
engineer:
Rob Grenell
producer:
Marlin Greene (’60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (from 1969-05-05 until 1969-05-10)
drums (drum set):
Roger Hawkins (from 1969-05-05 until 1969-05-10)
fiddle:
Al Lester (from 1969-05-05 until 1969-05-10)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1969-05-05 until 1969-05-10)
piano:
Barry Beckett (from 1969-05-05 until 1969-05-10)
resonator guitar [dobro]:
Duane Allman (from 1969-05-05 until 1969-05-10)
vocals:
Boz Scaggs (from 1969-05-05 until 1969-05-10)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-05-05 until 1969-05-10)
cover recording of:
Waiting for a Train (from 1969-05-05 until 1969-05-10)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
Boz Scaggs2:42
III 3Don’t Tell Me Your Troubles
recording engineer:
Howard Albert (in 1971) and Ron Albert (in 1971)
producer:
Tom Dowd
acoustic guitar:
Jim Dickinson (in 1971) and Charlie Freeman (in 1971)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
drums (drum set):
Sammy Greason (in 1971)
electric guitar:
Charlie Freeman (in 1971)
organ:
Michael Utley (in 1971)
piano:
Jim Dickinson (in 1971)
resonator guitar [dobro]:
Duane Allman (in 1971)
vocals:
Ronnie Hawkins (in 1971)
recorded at:
Atlantic Studios (Miami) in Miami, Florida, United States (in 1971) and Criteria Studios in Miami, Florida, United States (in 1971)
cover recording of:
Don’t Tell Me Your Troubles (in 1971)
lyricist and composer:
Don Gibson (US songwriter and country musician)
Ronnie Hawkins2:15
III 4Goin’ Upstairs
recording engineer:
Howard Albert (in 1971), Ron Albert (in 1971) and Chuck Kirkpatrick (in 1971)
producer:
Tom Dowd
acoustic bass guitar:
Freddy Hester (in 1971)
bass guitar:
Tommy McClure (in 1971)
drums (drum set):
Sammy Creason (in 1971)
guitar:
Jim Dickinson (in 1971), Charlie Freeman (in 1971) and Sam Samudio (in 1971)
mouth harp:
Sam Samudio (in 1971)
organ:
Michael Utley (in 1971)
piano:
Jim Dickinson (in 1971)
resonator guitar [dobro]:
Duane Allman (in 1971)
vocals:
Sam Samudio (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1971)
cover recording of:
I’m Going Upstairs (in 1971)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
Sam Samudio5:05
III 5Come On In My Kitchen
engineer:
Phil Ramone
acoustic guitar:
Delaney Bramlett (on 1971-07-22)
congas:
Sam Clayton (on 1971-07-22)
slide guitar:
Duane Allman (on 1971-07-22)
vocals:
Bonnie Bramlett (on 1971-07-22) and Delaney Bramlett (on 1971-07-22)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1971-07-22)
cover recording of:
Come On In My Kitchen (on 1971-07-22)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King of Spades Music, Paul Rodriguez Music Ltd. and Standing Ovation Music (publisher; do NOT use as release label)
Delaney & Bonnie3:39
IV 1Dimples
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (on 1970-04-11)
drums (drum set):
Jai Johanny Johanson (on 1970-04-11) and Butch Trucks (on 1970-04-11)
guitar:
Duane Allman (on 1970-04-11) and Dickey Betts (on 1970-04-11)
organ:
Gregg Allman (on 1970-04-11)
vocals:
Duane Allman (on 1970-04-11)
remixer:
Ovie Sparks
recorded at:
Ludlow Garage in Cincinnati, Ohio, United States (on 1970-04-11)
live cover recording of:
Dimples (on 1970-04-11)
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
composer:
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company and Tristan Music Ltd.
The Allman Brothers Band5:03
IV 2Goin’ Up the Country
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-02)
producer:
Eddie Hinton and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-02)
drums (drum set) and percussion:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Eddie Hinton (in 1969-02)
keyboard:
Barry Beckett (in 1969-02)
slide guitar:
Duane Allman (in 1969-02)
tenor saxophone:
Joe Arnold (in 1969-02) and Andrew Love (in 1969-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1969-02)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-02)
cover recording of:
Going Up the Country (in 1969-02)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
The Duck and the Bear2:35
IV 3Done Somebody Wrong
recording engineer:
Aaron Baron (engineer) (on 1971-03-11)
producer:
Tom Dowd
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1971-03-11 until 1971-03-13)
drums (drum set):
Jai Johanny Johanson (from 1971-03-11 until 1971-03-13) and Butch Trucks (from 1971-03-11 until 1971-03-13)
guitar:
Dickey Betts (from 1971-03-11 until 1971-03-13)
harmonica:
Thom Doucette (from 1971-03-11 until 1971-03-13)
percussion:
Jai Johanny Johanson (from 1971-03-11 until 1971-03-13)
piano:
Gregg Allman (from 1971-03-11 until 1971-03-13)
slide guitar:
Duane Allman (from 1971-03-11 until 1971-03-13)
vocals:
Gregg Allman (from 1971-03-11 until 1971-03-13)
recorded at:
Fillmore East in East Village, New York, New York, United States (from 1971-03-11 until 1971-03-13)
live cover recording of:
Done Somebody Wrong (from 1971-03-11 until 1971-03-13)
lyricist:
Elmore James
composer:
Clarence Irving Lewis, Elmore James and Morris Levy
publisher:
EMI Longitude Music
The Allman Brothers Band4:33
IV 4Leave My Blues at Home
producer:
Tom Dowd
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969)
drums (drum set):
Jai Johanny Johanson (in 1969) and Butch Trucks (in 1969)
guitar:
Dickey Betts (in 1969)
organ and piano:
Gregg Allman (in 1969)
percussion and timbales:
Jai Johanny Johanson (in 1969)
vocals:
Gregg Allman (in 1969)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1969)
recording of:
Leave My Blues at Home (in 1969)
writer:
Gregg Allman
publisher:
Elijah Blue Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4:18
IV 5Midnight Rider
engineer and producer:
Tom Dowd
acoustic guitar, guitar [lead guitar] and slide guitar:
Duane Allman (from 1970-02 until 1970-07)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1970-02 until 1970-07)
drums (drum set) and percussion:
Jai Johanny Johanson (from 1970-02 until 1970-07) and Butch Trucks (from 1970-02 until 1970-07)
guitar [lead guitar]:
Dickey Betts (from 1970-02 until 1970-07)
organ and piano and lead vocals:
Gregg Allman (from 1970-02 until 1970-07)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1970-02), Criteria Studios in Miami, Florida, United States (in 1970-03, in 1970-05, in 1970-07) and Regent Sound Studios in New York, New York, United States (in 1970-07)
recording of:
Midnight Rider (from 1970-02 until 1970-07)
lyricist and writer:
Gregg Allman and Robert Kim Payne
composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.22:56

Credits

Release

manufactured in:United States
compiler:Tony Yoken
manufactured by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Discogs:https://www.discogs.com/release/1579020 [info]