The Very Best of Amália Rodrigues

~ Release by Amália Rodrigues (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Troca de olhares
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras
conductor:
Fernando de Freitas (in 1945)
recording of:
Troca de olhares (in 1945)
lyricist:
João Linhares Barbosa
composer:
Martinho d’Assunção (son, classical guitar player)
2:43
2A tendinha
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
A tendinha
lyricist:
José Galhardo
composer:
Raul Ferrão
2:09
3Fado do ciúme
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras
conductor:
Fernando de Freitas (in 1945)
recording of:
Fado do ciúme (in 1945)
lyricist:
Amadeu do Vale
composer:
Frederico Valério
part of:
A Rosa Cantadeira
2:58
4Maria da Cruz
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
classical guitar:
Gonçalves Dias
Portuguese guitar:
Fernando de Freitas
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Maria da Cruz (in 1945)
lyricist:
Amadeu do Vale
composer:
Frederico Valério
3:19
5Perseguição
vocals:
Amália Rodrigues (“Queen of Fado”)
recording of:
Perseguição
lyricist:
Avelino de Sousa
composer:
Carlos da Maia
is based on:
Fado perseguição (traditional fado)
part of:
A Rosa Cantadeira (1945 Rio de Janeiro revival)
2:38
6Corria atrás das cantigas (Fado mouraria)
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras
conductor:
Fernando de Freitas (in 1945)
recording of:
Entrei na vida a cantar (aka Corria atrás das cantigas) (in 1945)
lyricist:
Amália Rodrigues (“Queen of Fado”)
composer:
[traditional] (special purpose artist)
is based on:
Fado Mouraria (traditional fado)
2:50
7Los piconeros
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
Portuguese guitar:
Fernando de Freitas (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Los piconeros (in 1945)
lyricist:
Ramón Perelló
composer:
Juan Mostazo Morales
2:27
8Só à noitinha (Saudades de ti)
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
classical guitar:
Gonçalves Dias
Portuguese guitar:
Fernando de Freitas
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Só à noitinha (Saudades de ti) (in 1945)
lyricist:
Amadeu do Vale
composer:
Raul Ferrão and Frederico Valério
3:09
9As penas
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
As penas (in 1945)
lyricist:
Fernando Caldeira
composer:
José António Augusto da Silva
is based on:
Fado Bacalhau (traditional fado)
is based on:
Penas (Fernando Caldeira poem)
3:13
10Sei finalmente
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras
conductor:
Fernando de Freitas (in 1945)
recording of:
Sei finalmente (in 1945)
lyricist:
João Linhares Barbosa
composer:
Armandinho (Armando Freire, Portuguese Fado guitar player)
2:54
11Sardinheiras
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
classical guitar:
Gonçalves Dias
Portuguese guitar:
Fernando de Freitas
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Sardinheiras (in 1945)
lyricist:
João Linhares Barbosa
composer:
Fernando de Freitas
is based on:
Fado das sardinheiras (traditional fado)
2:52
12Ai mouraria
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Ai, Mouraria
lyricist:
Amadeu do Vale
composer:
Frederico Valério
part of:
A Rosa Cantadeira (1945 Rio de Janeiro revival)
2:37
13Carmencita
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Carmencita (in 1945)
lyricist:
Frederico de Brito
composer:
Pedro Rodrigues (fadista and fado songwriter)
is based on:
Fado Carmencita (traditional fado)
2:51
14Ojos verdes
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
Portuguese guitar:
Fernando de Freitas (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Ojos verdes (in 1945)
lyricist:
Rafael de León and Salvador Valverde
composer:
Manuel Quiroga (Spanish pianist and composer, 1899-1988)
3:03
15Passei por voce
2:58
16Duas luzes
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
lead vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras (in 1945)
conductor:
Fernando de Freitas (in 1945)
recording of:
Duas luzes (in 1945)
lyricist:
João da Mata
composer:
José Marques do Amaral
is based on:
Fado marcha do José Marques do Amaral (traditional fado)
3:22
17Ai, mouraria (orchestral)
recording of:
Ai, Mouraria
lyricist:
Amadeu do Vale
composer:
Frederico Valério
part of:
A Rosa Cantadeira (1945 Rio de Janeiro revival)
3:10
18Que Deus me perdoe
vocals:
Amália Rodrigues (“Queen of Fado”)
recording of:
Que Deus me perdoe
lyricist:
João Silva Tavares
composer:
Frederico Valério
part of:
Mouraria (1946 revival)
3:12
19Sabe-se lá
3:03
20Confesso
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1951)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1951)
conductor:
Frederico Valério (in 1951)
recording of:
Confesso (in 1952)
lyricist:
José Galhardo
composer:
Frederico Valério
3:15
21Fado do ciúme (orchestral)
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1945)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1945)
orchestra:
Orquestra portuguesa de guitarras
conductor:
Fernando de Freitas (in 1945)
recording of:
Fado do ciúme (in 1945)
lyricist:
Amadeu do Vale
composer:
Frederico Valério
part of:
A Rosa Cantadeira
2:54
22Fado malhoa
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1951)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1951)
conductor:
Frederico Valério (in 1951)
2:42
23Não sei porque te foste embora
3:03
24Fado Amália
recording of:
Amália (aka Fado Amália)
lyricist:
José Galhardo
composer:
Frederico Valério
2:56
25Avé Maria fadista
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Jaime Santos
recording of:
Avé Maria fadista (in 1956)
lyricist:
Gabriel de Oliveira
composer:
Francisco Viana
is based on:
Fado Francisco Viana (traditional fado)
2:42
2▼CD
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1Triste sina
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Domingos Camarinha
recording of:
Triste sina (in 1958)
lyricist:
Jerónimo Bragança
composer:
Nóbrega e Sousa
3:17
2Céu da minha rua
2:57
3O namorico da rita
2:25
4Conta errada
3:21
5Fadista louco
recorded in:
Paris, Île-de-France, France
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Domingos Camarinha
recording of:
Fadista louco (in 1957)
lyricist and composer:
Alberto Janes
2:45
6As rosas do meu caminho
3:15
7Fado marujo
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1951)
classical guitar:
Santos Moreira (Portuguese classical guitar player) (in 1952)
guitar:
Jaime Santos (in 1951)
Portuguese guitar:
Jaime Santos (in 1952)
Portuguese guitar [viola] and Portuguese guitar [Viola]:
Santos Moreira (Portuguese classical guitar player) (in 1951)
lead vocals:
Amália Rodrigues (“Queen of Fado”) (in 1952)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1951)
recording of:
Fado marujo (aka O marujo português) (in 1952)
lyricist:
Linhares Barbosa
composer:
Artur Ribeiro
is based on:
A Rosinha dos Limões
2:30
8Fado das tamanquinhas
classical guitar:
Santos Moreira (Portuguese classical guitar player) (in 1951)
Portuguese guitar:
Jaime Santos (in 1951)
recording of:
Fado das tamanquinhas (lyrics "De cantigas e saudades / Vive esta linda Lisboa.") (in 1951)
lyricist:
João Linhares Barbosa
composer:
Carlos Neves
is based on:
Fado tamanquinhas (traditional fado)
2:47
9Fado da adiça
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Jaime Santos
vocals:
Amália Rodrigues (“Queen of Fado”)
recording of:
Fado da Adiça (Fado da Adiça w/ lyrics by Rodrigo de Melo) (in 1956)
lyricist:
Rodrigo de Melo
composer:
Armandinho (Armando Freire, Portuguese Fado guitar player)
is based on:
Fado da Adiça (traditonal fado)
2:28
10Raízes
3:27
11Bailaricos
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Domingos Camarinha
recording of:
Bailaricos (in 1958)
lyricist:
[traditional] (special purpose artist)
composer:
Santos Moreira (Portuguese classical guitar player)
2:07
12Fado alfacinha
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1951 until 1952)
guitar:
Jaime Santos (from 1951 until 1952)
Portuguese guitar [viola]:
Santos Moreira (Portuguese classical guitar player) (from 1951 until 1952)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1951 until 1952)
2:45
13Jób
2:05
14Anjo inútil
2:03
15Quando os outros te batem, beijo-te eu
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1952)
2:42
16Esquina do pecado
3:34
17A chave da minha porta
recording of:
A chave da minha porta
lyricist:
Aníbal Nazaré (writer, poet and lyricist)
composer:
João Nobre
2:07
18Tentação
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Jaime Santos
recording of:
Tentação (in 1951)
lyricist:
Amadeu do Vale
composer:
Carlos Dias (Portuguese fado composer and conductor, active starting in 1950s)
2:47
19Sem rezão
2:57
20Fria claridade
classical guitar:
Santos Moreira (Portuguese classical guitar player) (in 1951)
Portuguese guitar:
Jaime Santos (in 1951)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1951)
recording of:
Fria claridade (in 1951)
lyricist:
Pedro Homem de Mello
composer:
José Marques do Amaral
is based on:
Fado marcha do José Marques do Amaral (traditional fado)
is based on:
Naufrágio
3:08
21Campinos do ribatejo
orchestra:
Orquestra de João Nobre
recording of:
Campinos do Ribatejo
lyricist and composer:
João Nobre
2:04
22Lá porque tens cinco pedras
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1951 until 1952)
guitar:
Jaime Santos (from 1951 until 1952)
Portuguese guitar [viola] and Portuguese guitar [Viola]:
Santos Moreira (Portuguese classical guitar player) (from 1951 until 1952)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1951 until 1952)
3:03
23A minha canção e saudades
recorded in:
Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1952)
guitar:
Jaime Santos (in 1952)
Portuguese guitar [viola] and Portuguese guitar [Viola]:
Santos Moreira (Portuguese classical guitar player) (in 1952)
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1952)
recording of:
A minha canção é saudade (in 1952)
lyricist:
Vaz Fernandes
composer:
Frederico de Brito
is based on:
Fado Britinho (traditional fado)
2:45
24Disse mal de ti
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Jaime Santos
recording of:
Disse mal de ti (in 1957)
lyricist:
João Linhares Barbosa
composer:
Acácio Gomes
is based on:
Fado Bizarro (traditional fado)
3:04
25Fado final
classical guitar:
Santos Moreira (Portuguese classical guitar player)
Portuguese guitar:
Domingos Camarinha
recording of:
Fado final (in 1958)
lyricist:
Feijó Teixeira
composer:
Daniel Martins (aka Sapateirinho da Bica)
is based on:
Fado saudade (traditional fado, aka Fado da saudade)
3:54