The Best of Barbara Bonney

~ Release by Barbara Bonney (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Ave Maria
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (from 1994 to present)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert6:21
2Nur wer die Sehnsucht kennt
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (from 1994 to present)
recording of:
Lied der Mignon, D. 877 no. 4: "Nur wer die Sehnsucht kennt"
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1826-01)
part of:
4 Gesänge aus „Wilhelm Meister“, D. 877
Franz Schubert3:28
3Kennst du das Land
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (from 1994 to present)
recording of:
Mignon, D. 321
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-10-23)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 321)
Franz Schubert4:30
4Das Veilchen
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”
lyricist:
Johann Wolfgang von Goethe
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 476) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 476)
is based on:
Das Veilchen
Wolfgang Amadeus Mozart2:45
5Wir haben beide lange Zeit geschwiegen
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
recording of:
Italienisches Liederbuch: No. 19. Wir haben beide lange Zeit geschwiegen (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:10
6Auf Flugeln des Gesanges
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Barbara Bonney (soprano)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer) (in 1836)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 86)
part of:
6 Gesänge, op. 34
Felix Mendelssohn3:25
7Ich harrete des Herrn
choir vocals:
MDR Rundfunkchor Leipzig
soprano vocals:
Barbara Bonney (soprano) and Edith Wiens (soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: V. “Ich harrete des Herrn” (Andante)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:43
8Pie Jesu
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Michel Legrand
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:42
9Wie freudig ist mein Herz
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:12
10Quis non posset contristari
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Stabat Mater, Hob. XXa:1: Quis non posset
composer:
Joseph Haydn (composer)
part of:
Stabat Mater, Hob. XXa:1
Joseph Haydn5:20
11Exsultate, jubilateWolfgang Amadeus Mozart4:56
12Vedrai carion
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:35
13Giunse alfin il momento - Deh vieni, non tardar
soprano vocals [Susanna]:
Barbara Bonney (soprano)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:02
14Ach, ich fuhl's, es is entschwuden
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:06
15Speil ich die Unschuld vom Lande
baritone vocals:
Christian Boesch (baritone)
mezzo-soprano vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II4:50

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by:TELDEC Classics International GmbH (from 1995 to present)
Discogs:https://www.discogs.com/release/8616972 [info]
ASIN:DE: B00000JGYT [info]
Allmusic:https://www.allmusic.com/album/release/mr0002737790 [info]