Instruments of the Middle Ages and Renaissance

~ Pubblicazione di Early Music Consort of London, David Munrow (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼Vinile 12" (30 cm): The Middle Ages
#TitoloValutazioneDurata
A01Saltarello
ciaramella [oriental shawm] :
David Munrow (UK early music historian & musician)
tamburello :
James Tyler
timpani [naker] :
David Corkhill (percussion)
tromba [medieval trumpet] :
Alan Lumsden
registrazione di:
Saltarello No.2 (From a document in the British Library in London (Ms.29987))
compositore:
[anonymous] (special purpose artist)
1:55
A02Shepherd’s tune
ance [reed pipe] :
David Munrow (UK early music historian & musician)
registrazione di:
Shepherd’s Tune (traditional Syrian)
compositore:
[traditional] (special purpose artist)
1:02
A03(a) Saltarello (b) Ballade “Dame, se vous m’estés”
cornamusa :
David Munrow (UK early music historian & musician)
registrazione di:
Dame se vous m'estes lonteinne
compositore:
Guillaume de Machaut (French medieval poet & composer)
registrazione di:
Saltarello No. 3 (From a document in the British Library in London (Ms.29987))
compositore:
[anonymous] (special purpose artist)
3:14
A04Pastourelle “Au tans d’aost”
cornamusa [bladder pipe] :
David Munrow (UK early music historian & musician) e James Tyler
tamburello :
David Corkhill (percussion)
registrazione di:
Pastourelle “Au tans d’aost” (Chansonnier Cangé)
1:08
A05A prisai qu’en chantant plour
flauto di Pan [panpipes] :
James Tyler
registrazione di:
A prisai qu’en chantant plour (Chansonnier Cangé)
compositore:
[anonymous] (special purpose artist)
1:13
A06Ach owê, daz nâch liebe ergât
flauto a imboccatura laterale :
David Munrow (UK early music historian & musician)
registrazione strumentale di:
Owe daz nach liebe ergat
autore:
Der wilde Alexander
1:34
A07Dou tres douz non
arpa a bocca [Jew’s harp] :
James Tyler
flauto dritto [six‐holed pipe] :
David Munrow (UK early music historian & musician)
registrazione strumentale di:
Du tres douz non a la virge Marie
autore:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
1:55
A08Virelai “Gracïeuse”
flauto dritto [double pipes] :
David Munrow (UK early music historian & musician)
registrazione di:
Gracïeusette
compositore:
Jehannot de Lescurel (French medieval composer) e Gus Viseur (Belgian/French 1930s-70s accordionist)
1:21
A09Dansa “Ben volgra, s’esser poges”
flauto e tamburo :
David Munrow (UK early music historian & musician)
registrazione di:
Ben volgra
compositore:
Peire Cardenal
1:13
A10English Te Deum
campana [chime bells] :
Gillian Reid
flauto dolce contralto [alto recorder] :
David Munrow (UK early music historian & musician)
flauto dolce tenore :
Oliver Brookes e James Tyler
1:55
A11Chansonnette “Quan je voi iver retorner”
corno di camoscio [alto gemshorn] :
David Munrow (UK early music historian & musician)
liuto :
James Tyler
registrazione strumentale di:
Quant je voi iver retourner
paroliere e compositore:
Colin Muset (French trouvère, fl. c. 1210-50 or 1230-70)
1:33
A12Madrigal “Ay, sconsolato ed amoroso”
organo portativo [portative organ] :
Christopher Hogwood (conductor, harpsichordist)
ribeca [bass rebec] :
Oliver Brookes
registrazione di:
Madrigal “Ay, sconsolato ed amoroso”
compositore:
Vincenzo da Rimini
1:43
A13Estampie
organo [positive organ] :
Christopher Hogwood (conductor, harpsichordist)
2:23
A14Chanson “Joliveté et bone amor”
ghironda :
Christopher Hogwood (conductor, harpsichordist)
registrazione di:
Chanson “Joliveté et bone amor”
compositore:
Jehannot de Lescurel (French medieval composer)
1:39
A15Ellend du hast
clavicordo [fretted clavichord] :
Christopher Hogwood (conductor, harpsichordist)
registrazione di:
Ellend, du hast umbfangen mich
compositore:
Conrad Paumann (German composer, organist & lutenist, c. 1410-1473)
2:16
B01(a) Fanfare “Untarn slaf tut den sumer wol” (b) Fanfare “Ad modum tubae”
buisine [buisines] :
Michael Laird (classical trumpeter) e Iaan Wilson (classical cornett/trumpet)
tromba [clarion] :
Michael Laird (classical trumpeter)
registrazione di:
Fanfare “Untarn slaf tut den sumer wol”
compositore:
Der Mönch von Salzburg (Monk of Salzburg)
registrazione di:
Gloria ad modum tubae
compositore:
Guillaume Dufay (French 15th century composer) (fino al 1474)
2:21
B02(a) Ballade “De moi doloureus” (b) Das Nachthorn (c) Geisslerlied “Maria muoter reinû maît” (d) Der Trumpet
ciaramella :
David Munrow (UK early music historian & musician)
cornetto [medieval cornett] :
Michael Laird (classical trumpeter)
corno [cowhorn] e tromba [slide trumpet] :
Alan Lumsden
tabor e triangolo [medieval triangle with rings] :
David Corkhill (percussion)
registrazione di:
Das Nachthorn
compositore:
Der Mönch von Salzburg (Monk of Salzburg)
registrazione strumentale di:
De moi doleros vos chant
autore:
Gillebert de Berneville
registrazione strumentale di:
Der Trumpet
compositore:
Der Mönch von Salzburg (Monk of Salzburg)
registrazione di:
Maria muoter
compositore:
[anonymous] (special purpose artist)
3:37
B03(a) Lai “Qui porroit un guierredon” (b) Dance tune
arpa :
Christopher Hogwood (conductor, harpsichordist)
arpa [harp with ‘bray’ pins] :
Gillian Reid
registrazione di:
Dance Tune
compositore:
Tassinus (Minstrel 13th century)
registrazione di:
Lai “Qui porroit un guierredon”
compositore:
[anonymous] (special purpose artist)
2:14
B04Goliard melody “O Roma nobilis”
lira :
Eleanor Sloan (violin and rebec player)
registrazione di:
Goliard Melody “O Roma nobilis”
compositore:
[anonymous] (special purpose artist)
0:51
B05Hymn to St Magnus “Nobilis humilis”
salterio :
Gillian Reid
registrazione di:
Hymn to St Magnus “Nobilis humilis”
compositore:
[anonymous] (special purpose artist)
parte di:
Codex Upsalensis C233
1:01
B06Madrigal “Tanto soavemente”
ribeca [treble rebec] :
Eleanor Sloan (violin and rebec player)
strumenti a corda percossa [dulcimer] :
David Corkhill (percussion)
registrazione di:
Madrigal “Tanto soavemente”
compositore:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
1:57
B07Madrigal “Di novo è giunto”
liuto :
James Tyler
ribeca [bass rebec] :
Oliver Brookes
registrazione di:
Madrigal “Di novo è giunto”
compositore:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
2:14
B08Chanson “Amours que porra”
mandora / gallichon [mandora] :
James Tyler
registrazione di:
Chanson “Amours que porra”
compositore:
Thibaut de Blaison
1:23
B09Aquel que de voontade
liuto [long‐necked lyre] :
James Tyler
registrazione di:
Cantiga de Santa María no. 249 "Aquel que de volontade"
compositore:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
parte di:
Cantigas de Santa Maria (numero: 249)
parte di:
Cantigas de Santa María
1:15
B10Virelai “Quant je sui mis”
quinterna :
Mary Remnant
registrazione strumentale di:
Quant je sui mis au retour
compositore:
Guillaume de Machaut (French medieval poet & composer)
1:02
B11English dance
citola :
James Tyler
registrazione di:
English Dance
compositore:
[anonymous] (special purpose artist)
1:46
B12La septime estampie real
citola :
James Tyler
ribeca [treble rebec] :
Eleanor Sloan (violin and rebec player)
timpani [nakers] :
David Corkhill (percussion)
tromba marina :
Oliver Brookes
registrazione di:
Septime Estampie Réal
compositore:
[anonymous] (special purpose artist) e Adam de la Halle (French poet-composer trouvère, fl. 13th century)
1:05
B13Ballata “Poi che da te mi convien”
1:26
B14Virelai “Comment qu’a moy”
1:35
B15Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
1:05
2▼Vinile 12" (30 cm): The Renaissance
#TitoloValutazioneDurata
C01Two courantes
2:13
C02Chanson “Ce qui souloit”
1:45
C03Caro ortolano
1:30
C04Padouana
2:09
C05Bicinium “Le cuer de vous”
1:11
C06Bicinium “Mon petit cuer”
1:23
C07Three Bransles Doubles
1:33
C08Chanson “Amor me poingt”
1:26
C09Chanson “Hellas! Amour”
2:17
C10The Fairie Round
strumenti:
Early Music Consort of London (nel 1973-09)
direttore d'orchestra:
David Munrow (UK early music historian & musician) (nel 1973-09)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1973-09)
registrazione di:
The Fairie-Round (galliard) (nel 1973-09)
compositore:
Anthony Holborne (composer) (nel 1599)
parte di:
Pavans, Galliards, Almains, and Other Short Aeirs (entire collection)
1:22
C11Entrada réal
2:22
C12(a) Prelude “Ascensus simplex” (b) “Min Hertz hat sich ser gefröwet”
1:35
C13Toccata from the Naples MS
1:57
C14Variations on the Romanesca
2:35
C15Ballo Francese
0:57
D01(a) Unmuted Toccata from Orfeo, 1607 (b) Muted Toccata from Orfeo, 1607
1:26
D02(a) Solo: Adagio and Allegro (b) Consort “Lobt Gott ihr Christen alle gleich”
2:59
D03Canzona for “due canti”
3:08
D04Bicinium “Amour cruel”
1:22
D05Canzona Quarta for “basso solo”
2:22
D06Orlando sleepeth
1:44
D07A Fancy — Praelude, or Voluntary
1:48
D08Ballo Anglese
1:06
D09Galliarde for cittern and bass
2:22
D10Toccata prima
1:44
D11Galliard
0:50
D12Duet “Le Rossignol”
1:36
D13Fantasia XI from El maestro, 1536
2:50
D14Pavana (Variations on the Romanesca)
1:32
D15(a) Consort: Fantasy in four parts (b) Lyra viol: Duet “Forget me not”
3:21
D16La volta
1:32

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