Little Bird

~ Release by The Pete Jolly Trio And Friends (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Little Bird
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
recording of:
Little Bird
writer:
Dick Grove, Pete Jolly (American jazz pianist, accordionist, and composer) and Tommy Wolf (US pianist/composer)
2:18
2Three-Four-Five
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
recording of:
Three-Four-Five
writer:
Pete Jolly (American jazz pianist, accordionist, and composer)
2:55
3Never Never Land
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
Never Never Land (Peter Pan, 1954 musical)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp.
part of:
Peter Pan (1954 musical)
6:33
4Alone Together
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
Alone Together
lyricist:
Howard Dietz (librettist)
writer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
7:57
5To Kill a Mockingbird
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
recording of:
Main Title (To Kill a Mockingbird)
composer:
Elmer Bernstein (American score composer)
part of:
To Kill a Mockingbird
2:20
6Spring Can Really Hang You Up the Most
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
Spring Can Really Hang You Up the Most
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
2:55
7My Favorite Things
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
My Favorite Things (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
4:25
8Toot, Toot, Tootsie
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
Toot, Toot, Tootsie (Goo’ Bye)
writer:
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn and Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
5:11
9Falling in Love With Love
engineer:
Bones Howe
producer:
Jackie Mills and Tommy Wolf (US pianist/composer)
bass:
Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01)
drums (drum set):
Larry Bunker (from 1962-11 until 1963-01)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01)
instrumental recording of:
Falling in Love With Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, volume I)
4:32

Credits

Release

liner notes:Johnny Mercer
graphic design:Bill Payte