The Baroque Experience

~ Release by Academy of St Martin in the Fields (see all versions of this release, 1 available)

Annotation

Five CD box-set.

Annotation last modified on 2016-04-09 07:15 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Four Seasons: Concerto no. 1 “Spring”: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:12
2The Four Seasons: Concerto no. 1 “Spring”: Largo
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:30
3The Four Seasons: Concerto no. 1 “Spring”: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi44:41
4The Four Seasons: Concerto no. 1 “Summer”: Allegro non molto
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi46:17
5The Four Seasons: Concerto no. 1 “Summer”: Adagio presto
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi42:09
6The Four Seasons: Concerto no. 1 “Summer”: Presto
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi42:53
7The Four Seasons: Concerto no. 1 “Autumn”: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi45:00
8The Four Seasons: Concerto no. 1 “Autumn”: Adagio molto
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi42:55
9The Four Seasons: Concerto no. 1 “Autumn”: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi43:32
10The Four Seasons: Concerto no. 1 “Winter”: Allegro non molto
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi43:19
11The Four Seasons: Concerto no. 1 “Winter”: Largo
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi42:19
12The Four Seasons: Concerto no. 1 “Winter”: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi43:09
13Cello Concerto in C minor
cello:
Kenneth Heath (cellist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto for Cello in C minor, RV 401
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. III/1) and Ryom-Verzeichnis (number: RV 401)
Antonio Vivaldi13:07
14Concerto for Four Violins in B minor from L’Estro armonica, op. 3 no. 10
violin:
Trevor Connah (violinist), Anthony Howard (violinist), Sir Neville Marriner (conductor) and Norman Nelson (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. IV/10) and Ryom-Verzeichnis (number: RV 580)
part of:
L’estro armonico, op. 3
Antonio Vivaldi10:43
2▼CD
#TitleArtistRatingLength
1Suite no. 2 in B minor, BWV 1067: Ouverture
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach7:25
2Suite no. 2 in B minor, BWV 1067: Rondo
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:40
3Suite no. 2 in B minor, BWV 1067: Sarabande
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:03
4Suite no. 2 in B minor, BWV 1067: Bouree I & II
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:53
5Suite no. 2 in B minor, BWV 1067: Polonaise and Double
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:58
6Suite no. 2 in B minor, BWV 1067: Menuet and Badinerie
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
compilation of:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:49
7Concerto for violin, oboe and strings in D minor (from BWV 1060): I. Allegro
harpsichord:
Christopher Hogwood (conductor, harpsichordist) and Nicholas Kraemer (harpsichordist and conductor)
oboe:
Tess Miller (oboist) (from 1973 until 1974)
violin:
Carmel Kaine (violinist) (from 1973 until 1974)
orchestra:
Academy of St Martin in the Fields (from 1973 until 1974)
conductor:
Sir Neville Marriner (conductor) (from 1973 until 1974)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, from 1973 until 1975)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (from 1973 until 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:16
8Concerto for violin, oboe and strings in D minor (from BWV 1060): II. Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:14
9Concerto for violin, oboe and strings in D minor (from BWV 1060): III. Allegro
harpsichord:
Christopher Hogwood (conductor, harpsichordist) and Nicholas Kraemer (harpsichordist and conductor)
oboe:
Tess Miller (oboist) (from 1973 until 1974)
violin:
Carmel Kaine (violinist) (from 1973 until 1974)
orchestra:
Academy of St Martin in the Fields (from 1973 until 1974)
conductor:
Sir Neville Marriner (conductor) (from 1973 until 1974)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, from 1973 until 1975)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (from 1973 until 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach3:52
10Suite no. 3. in D major, BWV 1068: Ouverture
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach6:38
11Suite no. 3. in D major, BWV 1068: Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach8:11
12Suite no. 3. in D major, BWV 1068: Gavotte I & II
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach0:46
13Suite no. 3. in D major, BWV 1068: Bouree and Gigue
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:24
14Flute Concerto in G minor (from BWV 1056): Allegro
flute:
William Bennett (flautist) (from 1973 until 1974)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) and Nicholas Kraemer (harpsichordist and conductor)
orchestra:
Academy of St Martin in the Fields (from 1973 until 1974)
conductor:
Sir Neville Marriner (conductor) (from 1973 until 1974)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974)
recording of:
Violin Concerto in G minor, BWV 1056R: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:19
15Flute Concerto in G minor (from BWV 1056): Largo
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1974-08)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
orchestra:
Academy of St Martin in the Fields (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-08)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
Johann Sebastian Bach3:12
16Flute Concerto in G minor (from BWV 1056): Presto
flute:
William Bennett (flautist) (from 1973 until 1974)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) and Nicholas Kraemer (harpsichordist and conductor)
orchestra:
Academy of St Martin in the Fields (from 1973 until 1974)
conductor:
Sir Neville Marriner (conductor) (from 1973 until 1974)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974)
recording of:
Violin Concerto in G minor, BWV 1056R: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:48
3▼CD
#TitleArtistRatingLength
1Kanon in D
orchestra:
Academy of St Martin in the Fields (in 1984-11)
conductor:
Sir Neville Marriner (conductor) (in 1984-11)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1984-11)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:38
2Gigue in D
orchestra:
Academy of St Martin in the Fields (in 1984-11)
conductor:
Sir Neville Marriner (conductor) (in 1984-11)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue (in 1984-11)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel1:58
3Adagio in G minor
Tomaso Giovanni Albinoni7:20
4Jesu, Joy of Man’s Desiring
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet and Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:02
5Sheep May Safely Graze
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
6Christmas Concerto in G minor no. 8 from Concerti Grossi op. 6: Vivace - Grave - Allegro
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973, in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973, in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1973)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro (in 1973)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:40
7Christmas Concerto in G minor no. 8 from Concerti Grossi op. 6: Adagio - Allegro - Adagio
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:26
8Christmas Concerto in G minor no. 8 from Concerti Grossi op. 6: Vivace
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:19
9Christmas Concerto in G minor no. 8 from Concerti Grossi op. 6: Allegro
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:26
10Christmas Concerto in G minor no. 8 from Concerti Grossi op. 6: Largo (Pastorale ad Libitum)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:37
11Viola Concerto in G major: Largo
producer:
Michael Bremner (producer/engineer)
viola:
Stephen Shingles (in 1975-02)
orchestra:
Academy of St Martin in the Fields (in 1975-02)
conductor:
Sir Neville Marriner (conductor) (in 1975-02)
recording of:
Viola Concerto, TWV 51:G9: I. Largo (in 1975-02)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann3:07
12Viola Concerto in G major: Allegro
producer:
Michael Bremner (producer/engineer)
viola:
Stephen Shingles (in 1975-02)
orchestra:
Academy of St Martin in the Fields (in 1975-02)
conductor:
Sir Neville Marriner (conductor) (in 1975-02)
recording of:
Viola Concerto, TWV 51:G9: II. Allegro (in 1975-02)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann2:44
13Viola Concerto in G major: Andante
producer:
Michael Bremner (producer/engineer)
viola:
Stephen Shingles (in 1975-02)
orchestra:
Academy of St Martin in the Fields (in 1975-02)
conductor:
Sir Neville Marriner (conductor) (in 1975-02)
recording of:
Viola Concerto, TWV 51:G9: III. Andante (in 1975-02)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann4:05
14Viola Concerto in G major: Presto
producer:
Michael Bremner (producer/engineer)
viola:
Stephen Shingles (in 1975-02)
orchestra:
Academy of St Martin in the Fields (in 1975-02)
conductor:
Sir Neville Marriner (conductor) (in 1975-02)
recording of:
Viola Concerto, TWV 51:G9: IV. Presto (in 1975-02)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann4:08
15Piccolo Concerto in C major, RV 443
producer:
Chris Hazell
piccolo:
William Bennett (flautist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
compilation of:
Piccolo Concerto in C major, RV 443: I. Allegro by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Piccolo Concerto in C major, RV 443: II. Largo by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Piccolo Concerto in C major, RV 443: III. Allegro molto by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Flautino Concerto in C major, RV 443 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/4) and Ryom-Verzeichnis (number: RV 443)
Antonio Vivaldi10:54
16Concerto for 2 Trumpets, RV537
producer:
Michael Bremner (producer/engineer)
harpsichord:
John Churchill (harpsichordist)
trumpet:
Philip Jones (trumpeter) (in 1969-07) and John Wilbraham (trumpet player) (in 1969-07)
orchestra:
Academy of St Martin in the Fields (in 1969-07)
conductor:
Neville Marriner (conductor) (in 1969-07)
balance engineer:
Stanley Goodall (engineer) (in 1969-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-07)
recording of:
Concerto for Two Trumpets in C major, RV 537 (in 1969-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. IX/1) and Ryom-Verzeichnis (number: RV 537)
Antonio Vivaldi7:33
4▼CD
#TitleArtistRatingLength
1Concerto Grosso, op. 3 no. 1
George Frideric Handel9:36
2Harpsichord Concerto in G minor: Largo-Allegro
Thomas Arne1:26
3Harpsichord Concerto in G minor: Adagio
Thomas Arne3:16
4Harpsichord Concerto in G minor: Vivace
Thomas Arne6:06
5Symphony no. 1 in B-flat major
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-12)
conductor:
Sir Neville Marriner (conductor) (in 1976-12)
balance engineer:
Stanley Goodall (engineer) (in 1976-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-12)
recording of:
Symphony no. 1 in B-flat major, op. 2 no. 1 (in 1976-12)
composer:
William Boyce (English baroque composer) (in 1756)
William Boyce7:40
6Concerto a cinque in A minor, op. 5 no. 5: Allegro
Tomaso Giovanni Albinoni2:11
7Concerto a cinque in A minor, op. 5 no. 5: Adagio
Tomaso Giovanni Albinoni3:25
8Concerto a cinque in A minor, op. 5 no. 5: Allegro 2
Tomaso Giovanni Albinoni2:06
9Concerto op. 6 no. 10: Adagio-Allegro
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D minor, op. 6 no. 10: I. Adagio-Allegro (in 1961-03)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in D minor, op. 6 no. 10
Giuseppe Torelli2:12
10Concerto op. 6 no. 10: Largo
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D minor, op. 6 no. 10: II. Largo (in 1961-03)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in D minor, op. 6 no. 10
Giuseppe Torelli2:04
11Concerto op. 6 no. 10: Presto
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D minor, op. 6 no. 10: III. Presto (in 1961-03)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in D minor, op. 6 no. 10
Giuseppe Torelli1:47
12Concerto Grosso in D, op. 1 no. 9: Allegro
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D major, op. 1 no. 9: I. Allegro (in 1961-03)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in D major, op. 1 no. 9
Pietro Antonio Locatelli2:13
13Concerto Grosso in D, op. 1 no. 9: Largo
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D major, op. 1 no. 9: II. Largo (in 1961-03)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in D major, op. 1 no. 9
Pietro Antonio Locatelli1:00
14Concerto Grosso in D, op. 1 no. 9: Allemande allegro
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D major, op. 1 no. 9: III. Allemanda (Allegro) (in 1961-03)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in D major, op. 1 no. 9
Pietro Antonio Locatelli2:08
15Concerto Grosso in D, op. 1 no. 9: Sarabanda largo
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D major, op. 1 no. 9: IV. Sarabanda (Largo) (in 1961-03)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in D major, op. 1 no. 9
Pietro Antonio Locatelli2:27
16Concerto Grosso in D, op. 1 no. 9: Allegro 2
producer:
James Burnett (producer)
orchestra:
Academy of St Martin in the Fields (in 1961-03)
conductor:
Sir Neville Marriner (conductor) (in 1961-03)
balance engineer:
Allen Stagg (in 1961-03)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1961-03)
recording of:
Concerto grosso in D major, op. 1 no. 9: V. Allegro (in 1961-03)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in D major, op. 1 no. 9
Pietro Antonio Locatelli2:32
17Trumpet Concerto in D: Allegro
Georg Philipp Telemann2:56
18Trumpet Concerto in D: Grave poco andante
Georg Philipp Telemann2:43
19Trumpet Concerto in D: Vivace
Georg Philipp Telemann3:06
20Concerto Grosso, op. 3 no. 6
producer:
Andrew Raeburn
oboe:
Michael Dobson (oboist) (on 1964-03-23) and Roger Lord (oboist) (on 1964-03-23)
orchestra:
Academy of St Martin in the Fields (on 1964-03-23)
conductor:
Sir Neville Marriner (conductor) (on 1964-03-23)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-03-23)
recording of:
Concerto grosso in D major, op. 3 no. 6, HWV 317 (on 1964-03-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 317)
part of:
Concerti Grossi, op. 3, HWV 312–317
George Frideric Handel6:34
5▼CD
#TitleArtistRatingLength
1Arrival of the Queen of Sheeba (Sinfonia from Solomon)
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:21
2Water Music: Suite in F: Ouverture
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:43
3Water Music: Suite in F: Adagio e staccato
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:05
4Water Music: Suite in F: Hornpipe and Adagio
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
George Frideric Handel8:02
5Water Music: Suite in F: Jig
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking) (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:09
6Water Music: Suite in F: Air
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:23
7Water Music: Suite in F: minuet
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:05
8Water Music: Suite in F: Bourree and Hornpipe
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
partial recording of:
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel1:32
9Water Music: Suite in F: Gavotte
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:26
10Oboe Concerto in G minor no. 3
oboe:
Roger Lord (oboist) (in 1965-04)
orchestra:
Academy of St Martin in the Fields (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287 (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (from 1704 until 1705)
part of:
Händel-Werke-Verzeichnis (number: HWV 287)
George Frideric Handel10:23
11Berenice: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Berenice, HWV 38: Overture
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38
George Frideric Handel9:44
12Music for the Royal Fireworks: Ouverture
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel7:50
13Music for the Royal Fireworks: Bourree
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:37
14Music for the Royal Fireworks: La Paix
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:52
15Music for the Royal Fireworks: La Rejouissance
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:58
16Music for the Royal Fireworks: Menuet and Trio
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:59