Jam Session

~ Release by Clifford Brown, Max Roach, Harold Land, Richie Powell, George Morrow, Herb Geller, Keter Betts, Junior Mance, Clark Terry, Maynard Ferguson, Dinah Washington (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1954-08-14)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
15:08
2Darn That Dream
recorded in:
Los Angeles, California, United States (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Richie Powell (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
vocals:
Dinah Washington (on 1954-08-14)
cover recording of:
Darn That Dream (on 1954-08-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
5:18
3Move
double bass:
Keter Betts (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
cover recording of:
Move (on 1954-08-14)
composer:
Denzil Best
14:30
4Medley: My Funny Valentine / Don’t Worry ’Bout Me / Bess, You Is My Woman Now / It Might as Well Be Spring
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
medley including a recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1954-08-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a recording of:
Don’t Worry ’Bout Me (on 1954-08-14)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
medley including a recording of:
It Might as Well Be Spring (State Fair) (on 1954-08-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-08-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
11:36

Credits

Release

manufactured in:Japan
manufactured by:Nippon Phonogram Co., Ltd. (use as manufacturer and/or distributor only)
copyrighted (©) by:Nippon Phonogram Co., Ltd. (use as manufacturer and/or distributor only) (in 1954)
phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1954)
Discogs:https://www.discogs.com/release/10108248 [info]