Feelings of Love: Loving You

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Loving You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
2Dreaming
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 4) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 414)
registrazione di:
Dreaming (dal 1979-05 al 1979-06)
autore:
Deborah Harry e Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) e EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.653:06
3The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:41
4You Could Have Been With Me
Sheena Easton3:32
5Suddenly Last Summer
tecnico di registrazione e produttore:
Val Garay
tecnico di missaggio:
Doug Sax
voce principale:
Martha Davis (of The Motels)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (dal 1983-01-30 al 1983-08-05)
registrazione di:
Suddenly Last Summer
paroliere e compositore:
Martha Davis (of The Motels)
The Motels43:33
6Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
7Kayleigh
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985)
remix di:
Kayleigh (alternative mix) di Marillion (British progressive rock band)
edit di:
Kayleigh di Marillion (British progressive rock band)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4.353:35
8Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.36:34
9Cryin'
registrazione cover di:
Crying
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Don McLean4.653:43
10When You Walk in the Room
produttore:
Christopher Neil
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1987)
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Paul Carrack2.653:32
11In My Room
registrazione di:
In My Room
paroliere e compositore:
Gary Usher e Brian Wilson (Beach Boys co‐founder)
The Beach Boys2:13
12He Ain't Heavy, He's My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
registrazione dal vivo cover di:
He Ain’t Heavy, He’s My Brother
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
registrazione di:
He Ain’t Heavy, He’s My Brother
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:16
13All My Life
registrazione di:
All My Life
paroliere e compositore:
Terry Uttley (English bassist, singer and songwriter)
Smokie3:34
14When You're in Love With a Beautiful Woman
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook5:14
15Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:43
16Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:33

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parte di:Feelings Of Love (ordine: 8)