The Verdi Collection

~ Release by Giuseppe Verdi; Riccardo Muti (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Nabucco CD 1 (1977-78)
#TitleArtistRatingLength
1Nabucco: Sinfonia
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Sinfonia (Overture) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
Giuseppe Verdi7:10
2Nabucco: Parte I. Coro d'Introduzione “Gil arredi festive giù cadano infranti”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi4:57
3Nabucco: Parte I. Recitativo “Sperate, o figli!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo “Sperate, o figli!” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi1:32
4Nabucco: Parte I. Cavatina “D'Egitto là sui lidi”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Cavatina “D’Egitto là sui lidi” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi4:09
5Nabucco: Parte I. Cabaletta “Come notte a sol fulgente”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Cabaletta “Come notte a sol fulgente” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi2:59
6Nabucco: Parte I. Recitativo “Fenena! … O mia diletta!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Fenena! O mia diletta!” (Ismaele, Fenena) (from 1977-07-10 until 1978-02-08)
lyricist and librettist:
Temistocle Solera
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi3:35
7Nabucco: Parte I. Terzettino “Io t'amava! Una furia è quest'amore”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Io t'amava!” (Abigaille, Ismaele, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi4:22
8Nabucco: Parte I. Coro “Lo vedeste? Fulminando egli irrompe nella folta!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Coro “Lo vedeste?” (Anna, Coro, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi1:17
9Nabucco: Parte I. Finale I “Viva Nabucco!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Viva Nabucco!” (Abigaille, Coro, Zaccaria, Ismaele, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi2:03
10Nabucco: Parte I. Recitativo ”Che tenti? Oh trema, insano!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo “Che tenti? Oh trema, insano!” (Zaccaria, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi1:14
11Nabucco: Parte I. Sestetto “Tremin gl'insani del mio furore!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Si finga … Tremin gl'insani del mio furore!” (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Coro, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi3:35
12Nabucco: Parte I. Recitativo “O vinti, il capo a terra!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “O vinti, il capo a terra!” (Nabucco, Zaccaria, Ismaele, Abigaille, Anna, Fenena, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi0:58
13Nabucco: Parte I. Recitativo “Mio furor, non più costretto …”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Mio furore, non più costretto” (Nabucco, Abigaille, Anna, Fenena, Ismaele, Zaccaria, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi2:44
14Nabucco: Parte II, scena 1. Recitativo “Ben io t'invenni, o fatal scritto!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi3:54
15Nabucco: Parte II, scena 1. Aria “Anch'io dischiuso un giorno”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi3:43
16Nabucco: Parte II, scena 1. Recitativo “Chi s'avanza?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. “Chi s’avanza?” (Abigaille, Gran Sacerdote, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi4:06
17Nabucco: Parte II, scena 2. Recitativo “Veni, o Levita! Il santo codice reca!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. Preghiera “Vieni, o Levita!” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:44
18Nabucco: Parte II, scena 2. Preghiera “Tu sul labbro de'veggenti fulminasti, o sommo iddio!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “Tu sul labbro dei veggenti” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi3:12
2▼CD: Nabucco CD 2 (1977-78)
#TitleArtistRatingLength
1Nabucco: Parte II, scena 2. Coro di Leviti “Che si vuol?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi0:57
2Nabucco: Parte II, scena 2. Coro di Leviti “Il maledetto non ha fratelli”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi1:39
3Nabucco: Parte II, scena 2. Scena “Deh, fratelli, perdonate!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “Deh, fratelli, perdonate!” (Anna, Coro, Zaccaria, Fenena, Ismaele, Abdallo, Gran Sacerdote, Abigaille, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi1:57
4Nabucco: Parte II, scena 2. Scena “Sapressan gl'istanti d'un 'ira fatale …”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “S’appressan gl’istanti” (Nabucco, Abigaille, Ismaele, Fenena, Zaccaria, Anna, Abdallo, Gran Sacerdote, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi3:02
5Nabucco: Parte II, scena 2. Finale II “S'oda or me!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “S’oda or me!” (Nabucco, Fenena, Gran Sacerdote, Zaccaria, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:41
6Nabucco: Parte II, scena 2. Finale II “Chi mi toglie il regio scettro?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. Finale “Chi mi toglie il regio scettro?” (Nabucco, Zaccaria, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:44
7Nabucco: Parte III, scena 1. Coro d'Introduzione “E l'Assiria una regina …”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III. Coro d’introduzione “È l’Assiria una regina” (Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi3:24
8Nabucco: Parte III, scena 1. Recitativo “Eccelsa donna, che d'Assiria il fato reggi …”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 1. Recitativo “Eccelsa donna, che d'Assiria il fato reggi …” (Gran Sacerdote, Abigaille, Nabucco, Abdallo) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi3:01
9Nabucco: Parte III, scena 1. “Donna, chi sei?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 1. “Donna, chi sei?” (Nabucco, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi11:07
10Nabucco: Parte III, scena 2. “Va, pensiero, sull'ali dorate” (Chorus of the Hebrew Slaves)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:12
11Nabucco: Parte III, scena 2. Recitativo “Oh, chi piange?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Recitativo “Oh, chi piange?” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi0:51
12Nabucco: Parte III, scena 2. Profezia - Finale III “Del futuro nel buio discerno”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Finale III “Del futuro nel buio discerno” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi2:57
13Nabucco: Parte IV, scena 1. Recitativo “Son pur queste mie membra”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Son pur queste mie membra!” (Nabucco, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi5:05
14Nabucco: Parte IV, scena 1. Aria “Dio di Giuda! … L'ara, il tempio a Te sacro, sorgeranno”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi3:02
15Nabucco: Parte IV, scena 1. Recitativo “Porta fatal, oh, t'aprirai!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Porta fatal, oh, t’aprirai!” (Nabucco, Abdallo, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi0:53
16Nabucco: Parte IV, scena 1. Scena “Cadran, cadranno i perfidi come locuste al suolo!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV, scena 1. “Cadran, cadranno i perfidi” / “O prodi miei, seguitemi” (Abdallo, Coro, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi2:00
17Nabucco: Parte IV, scena 2. Marcia funebre
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Marcia funebre (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi2:23
18Nabucco: Parte IV, scena 2. Recitativo “Va! La palma del martirio”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Preghiera “Va, la palma del martirio … Oh, dischiuso è il firmamento!” (Zaccaria, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi0:48
19Nabucco: Parte IV, scena 2. Preghiera “Oh dischiuso è il firmamento!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. Preghiera “Va, la palma del martirio … Oh, dischiuso è il firmamento!” (Zaccaria, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi2:18
20Nabucco: Parte IV, scena 2. Finale IV “Viva Nabucco!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Finale “Viva Nabucco!” … “Ah! Torna Israello” (Coro, Anna, Fenena, Ismaele, Zaccaria, Gran Sacerdote, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi0:40
21Nabucco: Parte IV, scena 2. Finale IV “Ah, torna Israello”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. Finale “Viva Nabucco!” … “Ah! Torna Israello” (Coro, Anna, Fenena, Ismaele, Zaccaria, Gran Sacerdote, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi3:51
22Nabucco: Parte IV, scena 2. Finale IV “Oh, chi vegg'io?”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. “Oh! chi vegg’io?” … “Su me, morente, esanime” (Nabucco, Coro, Abigaille, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi0:52
23Nabucco: Parte IV, scena 2. Finale IV “Su me … morente … esanime … discenda il tuo perdono!”
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. “Oh! chi vegg’io?” … “Su me, morente, esanime” (Nabucco, Coro, Abigaille, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
Giuseppe Verdi3:43
3▼CD: Ernani CD 1 (1982)
#TitleArtistRatingLength
1Ernani: Atto I. Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 1) Preludio (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:20
2Ernani: Atto I. “Evviva!”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:27
3Ernani: Atto I. “Mercè, dilette amici... Come rugiada al cespite”
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:20
4Ernani: Atto I. “Dell 'esiglio nel dolore... O tu che l'alma adora”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:23
5Ernani: Atto I. “Surta è la notte”
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:35
6Ernani: Atto I. “Ernani! Ernani, involami”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:01
7Ernani: Atto I. “Tutto sprezzo che d'Ernani”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4d) “Tutto sprezzo, che d’Ernani” (Elvira, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:28
8Ernani: Atto I. “Qui mi trasse amor possente”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5a) Scena “Fa’ che a me venga…” (Carlo, Giovanna, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:27
9Ernani: Atto I. “Da quel dì che t'ho veduta”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:37
10Ernani: Atto I. “Tu se', Ernani!”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5d) Terzetto “Tu se’, Ernani!…mel dice lo sdegno” (Carlo, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:56
11Ernani: Atto I. “Che mai vegg'io!... Infelice! E tuo credevi”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
live recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
live recording of:
Ernani: Atto I. (no. 6e) Scena “Uscite…Ma, signore…” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:52
12Ernani: Atto I. “Vedi come il buon vegliardo”
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 6f) “Vedi come il buon vegliardo” (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi7:07
13Ernani: Atto II. “Esultiamo!”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi5:07
14Ernani: Atto II. “Oro, quant'oro”
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8a) Recitativo “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
live recording of:
Ernani: Atto II. (no. 8b) Terzetto “Oro, quant’oro ogni avido” (Ernani, Elvira, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi5:16
15Ernani: Atto II. “Ah, morir, potessi adesso”
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8e) “Ah, morir, potessi adesso” (Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi3:34
16Ernani: Atto II. “No, vendetta più tremenda”
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi2:09
4▼CD: Ernani CD 2 (1982)
#TitleArtistRatingLength
1Ernani: Atto II. “Cugino, a che munito”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9a) Gran Scena “Cugino, a che munito” (Carlo, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi3:25
2Ernani: Atto II. “Lo vedremo, veglio audace”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9b) Aria “Lo vedremo, veglio audace” (Carlo, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi5:21
3Ernani: Atto II. “Vieni meco, sol di rose”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9d) Cabaletta “Vieni meco, sol di rose” (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi3:31
4Ernani: Atto II. “A te, scegli, seguimi!”
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 10b) Duetto “Esci…a te, scegli, seguimi!” (Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi6:36
5Ernani: Atto III. Preludio... “È questo il loco”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11a) Scena “È questo il loco?” (Carlo, Riccardo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi3:58
6Ernani: Atto III. “Gran dio!”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11b) Recitativo “Gran Dio! costor sui sepolcrali marmi” (Carlo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi1:47
7Ernani: Atto III. “Oh, de'verd'anni miei”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11c) Aria “Oh, de’ verd’anni miei” (Carlo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi8:27
8Ernani: Atto III. “Un patto! Un giuramento!... Si ridesti”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 12b) “Un patto! Un giuramento!…Si redesti il Leon di Castiglia” (Tutti) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi5:55
9Ernani: Atto III. “O sommo Carlo”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 13c) Settimino “O sommo Carlo, più del tuo nome” (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi4:39
10Ernani: Atto IV. “Oh, come felici”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto IV. (no. 14) Coro “Oh, come felici gioiscon gli sposi!” (Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
Giuseppe Verdi7:42
11Ernani: Atto IV. “Tutto ora tace intorno”
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto IV. (no. 15a) Gran Scena “Cessaro i suoni, disparì ogni face” (Ernani, Elvira, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15b) “Tutto ora tace d’intorno… T'arresta” (Ernani, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15c) “Ecco il pegno” … “Solingo, errante, misero” (Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15d) Finale e Terzetto “Ferma, crudele, estinguere” (Elvira, Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
Giuseppe Verdi13:19
5▶CD: Attila, CD 1 (1989)
6▶CD: Attila, CD 2 (1989)
7▶CD: Macbeth, CD 1 (1976)
8▶CD: Macbeth, CD 2 (1976)
9▶CD: Rigoletto, CD 1 (1988)
10▶CD: Rigoletto, CD 2 (1988)
11▶CD: La traviata, CD 1 (1980)
12▶CD: La traviata, CD 2 (1980)
13▶CD: I Vespri Siciliani, CD 1 (1989-90)
14▶CD: I Vespri Siciliani, CD 2 (1989-90)
15▶CD: I Vespri Siciliani, CD 3 (1989-90)
16▶CD: Un ballo in maschera, CD 1 (1975)
17▶CD: Un ballo in maschera, CD 2 (1975)
18▶CD: La forza del destino, CD 1 (1986)
19▶CD: La forza del destino, CD 2 (1986)
20▶CD: La forza del destino, CD 3 (1986)
21▶CD: Don Carlo, CD 1 (1992)
22▶CD: Don Carlo, CD 2 (1992)
23▶CD: Don Carlo, CD 3 (1992)
24▶CD: Aida, CD 1 (1974)
25▶CD: Aida, CD 2 (1974)
26▶CD: Aida, CD 3 (1974)
27▶CD: Requiem CD 1 (1978-1979)
28▶CD: Requiem CD 2 (1978-1979) / Four Sacred Pieces (1982)