Elgar: Cello Concerto / Bloch: Schelomo / Kabalevsky: Cello Concerto no. 2 / Tchaikovsky: Rococo Variations / R. Strauss: Don Quixote

~ Release by Elgar, Bloch, Kabalevsky, Tchaikovsky, R. Strauss; Steven Isserlis, London Symphony Orchestra, Richard Hickox, London Philharmonic, Andrew Litton, Chamber Orchestra of Europe, John Eliot Gardiner, Minnesota Orchestra, Edo de Waart (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cello Concerto in E minor, op. 85: I. Adagio – Moderato
cello:
Steven Isserlis (cellist) (in 1988-07)
orchestra:
London Symphony Orchestra (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1988-07)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (in 1988-07)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:55
2Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
cello:
Steven Isserlis (cellist) (in 1988-07)
orchestra:
London Symphony Orchestra (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1988-07)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (in 1988-07)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:45
3Cello Concerto in E minor, op. 85: III. Adagio
cello:
Steven Isserlis (cellist) (in 1988-07)
orchestra:
London Symphony Orchestra (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1988-07)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (in 1988-07)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:46
4Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
cello:
Steven Isserlis (cellist) (in 1988-07)
orchestra:
London Symphony Orchestra (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1988-07)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (in 1988-07)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar11:36
5Schelomo, Hebraic Rhapsody for cello and large orchestra
cello:
Steven Isserlis (cellist)
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Schelomo
composer:
Ernest Bloch (Swiss-American composer) (from 1915-12 until 1916-02)
publisher:
G. Schirmer Inc.
Ernest Bloch21:51
6Cello Concerto no. 2 in C major, op. 77: I. Molto sostenuto – Allegro molto e energico
cello:
Steven Isserlis (cellist) (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Andrew Litton (conductor) (in 1988-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico - (in 1988-12)
composer:
Дмитрий Борисович Кабалевский (Dmitri Kabalevsky, Soviet composer/teacher) (in 1964)
part of:
Cello Concerto no. 2, op. 77
Dmitry Kabalevsky11:22
7Cello Concerto no. 2 in C major, op. 77: II. Presto marcato
cello:
Steven Isserlis (cellist) (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Andrew Litton (conductor) (in 1988-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Cello Concerto no. 2, op. 77: II. Presto marcato - (in 1988-12)
composer:
Дмитрий Борисович Кабалевский (Dmitri Kabalevsky, Soviet composer/teacher) (in 1964)
part of:
Cello Concerto no. 2, op. 77
Dmitry Kabalevsky8:03
8Cello Concerto no. 2 in C major, op. 77: III. Andante con moto – Allegro
cello:
Steven Isserlis (cellist) (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Andrew Litton (conductor) (in 1988-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Cello Concerto no. 2, op. 77: III. Andante con moto (in 1988-12)
composer:
Дмитрий Борисович Кабалевский (Dmitri Kabalevsky, Soviet composer/teacher) (in 1964)
part of:
Cello Concerto no. 2, op. 77
Dmitry Kabalevsky7:27
2▼CD
#TitleArtistRatingLength
1Variations on a rococo theme, for cello and orchestra in A major, op. 33: I. Introduction
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi andante (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky0:57
2Variations on a rococo theme, for cello and orchestra in A major, op. 33: Theme (moderato semplice)
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
partial recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Thema. Moderato assai quasi Andante - Moderato semplice (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky0:59
3Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. I
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo del Tema (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo della Thema (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky0:52
4Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. II
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione II. Tempo del Tema (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione II. Tempo della Thema (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
medley of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo del Tema (standard Fitzenhagen version)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky2:46
5Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. III – Andante
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante sostenuto (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky2:32
6Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. IV – Allegro vivo
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione IV. Allegro vivo (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione IV. Andante grazioso (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky1:15
7Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. V – Andante grazioso
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione V. Allegro moderato (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione V. Andante grazioso (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky2:02
8Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. VI – Allegro moderato
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Allegro moderato (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky1:55
9Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. VII – Andante sostenuto
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VII. Andante sostenuto (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VII. e Coda. Allegro vivo (standard Fitzenhagen version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky3:28
10Variations on a rococo theme, for cello and orchestra in A major, op. 33: Var. VIII e coda – Allegro moderato e con anima
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VIII e Coda. Allegro moderato con anima (original Tchaikovsky version) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky2:08
11Nocturne in D minor, op. 19 no. 4
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Nocturne in D minor, TH 64, ČW 349 (for cello and small orchestra) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1873)
arranger:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1888)
premiered at:
Home of Marie de Benardaky in Paris, Île-de-France, France (on 1888-02-28)
part of:
The Tchaikovsky Handbook (number: TH 64) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 349)
orchestration of:
6 Pieces, op. 19 no. 4: Nocturne in C-sharp minor (for piano)
Pyotr Ilyich Tchaikovsky4:19
12Pezzo capriccioso in B minor, op. 62
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Pezzo capriccioso, op. 62 (for cello and orchestra) (in 1989-10)
premiered in:
Moscow, Russia (on 1889-12-07)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1887-08)
dedicated to:
Анатолий Андреевич Брандуков
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 51), The Tchaikovsky Handbook (number: TH 62) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 62)
Pyotr Ilyich Tchaikovsky6:02
13Andante cantabile in D major, op. 11
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (in 1989-10)
orchestra:
Chamber Orchestra of Europe (in 1989-10)
conductor:
John Eliot Gardiner (in 1989-10)
assistant balance engineer:
John Fredericks (recording engineer)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1990)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-10)
recording of:
Andante cantabile, TH 63, ČW 348 (for cello and string orchestra) (in 1989-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1888)
premiered at:
Home of Marie de Benardaky in Paris, Île-de-France, France (on 1888-02-28)
part of:
The Tchaikovsky Handbook (number: TH 63) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 348)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky6:51
14Don Quixote, fantastic variations on a theme of knighly character, op. 35: Introduction
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: I. Introduction (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:19
15Don Quixote, fantastic variations on a theme of knighly character, op. 35: Thema: The Knight of the Mournful Countenance
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:19
16Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. I: The adventure of the windmills
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:42
17Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. II: The battle with the sheep
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:35
18Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. III: Dialogue of Knight and Squire
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:26
19Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. IV: The adventure with the procession of penitents
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:50
20Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. V: Don Quixote's vigil
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:54
21Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. VI: Dulcinea's enchantment
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:08
22Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. VII: The ride through the air
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:16
23Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. VIII: The adventure of the enchanted boat
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
24Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. IX: The battle with the enchanters
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:07
25Don Quixote, fantastic variations on a theme of knighly character, op. 35: Var. X: Don Quixote's defeat and journey home
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:26
26Don Quixote, fantastic variations on a theme of knighly character, op. 35: Finale: The death of Don Quixote
cello:
Steven Isserlis (cellist) (in 1991-05)
orchestra:
Minnesota Orchestra (in 1991-05)
conductor:
Edo de Waart (conductor) (in 1991-05)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1991-05)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (in 1991-05)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:18