Nikolaus Harnoncourt Conducts Sacred Masterworks

~ Release by Nikolaus Harnoncourt; Arnold Schoenberg Chor, Concentus Musicus Wien, Schäfer, Fink, Schade, Gerhaher (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: I. Coro “Schwingt freudig euch empor” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:00
2“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:49
3“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: III. Aria (Tenore) “Die Liebe zieht mit sanften Schritten” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach5:54
4“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: IV. Choral “Zwingt die Saiten in Cythara” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:30
5“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: V. Aria (Basso) “Willkommen, werter Schatz!” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach3:24
6“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VI. Choral (Tenore) “Der du bist dem Vater gleich” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:57
7“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach7:26
8“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VIII. Choral “Lob sei Gott, dem Vater g’ton” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach0:44
9“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:05
10“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach7:02
11“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:53
12“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:30
13“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:46
14“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:49
2▼CD
#TitleArtistRatingLength
1“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:56
2“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:59
3“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:52
4“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:57
5“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:29
6“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:34
7“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:57
8“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
chorus master:
Erwin Ortner (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:23
9“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:26
10“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:46
11“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:00
12“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:48
13“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-08 until 2006-12-09)
orchestra:
Concentus Musicus Wien (from 2006-12-08 until 2006-12-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-08 until 2006-12-09)
chorus master:
Erwin Ortner (from 2006-12-08 until 2006-12-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2006-12-08 until 2006-12-09)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (from 2006-12-08 until 2006-12-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach0:54
14“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:38
15“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:20
16“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:36
17“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
baritone vocals:
Christian Gerhaher (baritone) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:49
18“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:15
19“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2007-01-13 until 2007-01-14)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:26
20“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:41
21“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-01-13 until 2007-01-14)
orchestra:
Concentus Musicus Wien (from 2007-01-13 until 2007-01-14)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-01-13 until 2007-01-14)
chorus master:
Erwin Ortner (from 2007-01-13 until 2007-01-14)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-01-13 until 2007-01-14)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (from 2007-01-13 until 2007-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:02
3▼CD
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:59
2Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
3Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
4Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
5Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
6Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
7Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:01
8Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:07
9Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
10Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:18
11Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
12Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
13Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
14Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
15Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:40
16Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:19
17Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
18Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
19Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:03
20Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
21Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:59
22Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
23Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
24Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:59
25Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
27Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
28Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:46
29Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Gerald Finley (bass-baritone) (from 2006-12-07 until 2006-12-11)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:04
30Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
31Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
32Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
33Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
34Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
35Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
36Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:11
4▼CD
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:07
2Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
3Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Christian Gerhaher (baritone) (from 2006-12-07 until 2006-12-11)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:29
4Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:01
5Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Christian Gerhaher (baritone) (from 2006-12-07 until 2006-12-11)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:29
6Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:52
7Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:04
8Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:29
9Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
10Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:43
11Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
12Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Christian Gerhaher (baritone) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:23
13Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
14Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:33
15Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
16Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
17Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
18Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
19Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:24
20Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Christian Gerhaher (baritone) (from 2006-12-07 until 2006-12-11)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
21Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
22Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:31
23Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
24Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
25Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
26Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:53
27Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:41
28Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
bass vocals:
Christian Gerhaher (baritone) (from 2006-12-07 until 2006-12-11)
soprano vocals:
Christine Schäfer (soprano) (from 2006-12-07 until 2006-12-11)
tenor vocals:
Werner Güra (German classical tenor) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
29Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 2006-12-07 until 2006-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:24
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD

Credits

Release

ASIN:FR: B08F6JZ4ZJ [info]