The Complete Prestige Recordings

~ Release by Sonny Rollins (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Elysee
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader)
3:09
2Opus V
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader)
2:41
3Hilo
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader)
2:45
4Fox Hunt
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader)
2:47
5Morpheus
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:23
6Down
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:52
7Blue Room (take 1)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:37
8Whispering
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
3:03
9I Know
double bass:
Percy Heath
drums (drum set):
Art Blakey
piano:
Kenny Drew
2:33
10Conception
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4:03
11Out of the Blue
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Out of the Blue (on 1951-10-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Red Mitchell (jazz double-bassist, composer and lyricist)
publisher:
Second Floor Music
6:17
12Denial
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Denial
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music and Second Floor Music
5:41
13Bluing
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Bluing (on 1951-10-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Second Floor Music
9:56
14Dig
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Dig
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music and Second Floor Music
7:36
15My Old Flame
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental cover recording of:
My Old Flame (on 1951-10-05)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:34
16It’s Only a Paper Moon
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental recording of:
It’s Only a Paper Moon (on 1951-10-05)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
5:23
2▼CD
#TitleRatingLength
1Time on My Hands
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
Time on My Hands (on 1951-12-17)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
2:42
2Mambo Bounce
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
recording of:
Mambo Bounce (on 1951-12-17)
composer:
Sonny Rollins (American saxophonist)
2:23
3This Love of Mine
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
This Love of Mine (on 1951-12-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:26
4Shadrack
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
vibraphone:
Milt Jackson
2:34
5On a Slow Boat to China
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
On a Slow Boat to China (on 1951-12-17)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:41
6With a Song in My Heart
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
vibraphone:
Milt Jackson
instrumental recording of:
With a Song in My Heart (on 1951-12-17)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:08
7Scoops
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
vibraphone:
Milt Jackson
recording of:
Scoops
composer:
Sonny Rollins (American saxophonist)
2:15
8Newk’s Fadeaway
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
3:13
9Compulsion
recorded in:
New York, New York, United States (on 1953-01-30)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass and double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1953-01-30)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (aka “Bird”, jazz alto saxophonist) (on 1953-01-30) and Sonny Rollins (American saxophonist) (on 1953-01-30)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
Compulsion (on 1953-01-30)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:44
10The Serpent’s Tooth (take 1)
recording of:
The Serpent's Tooth, I
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
7:02
11The Serpent’s Tooth (take 2)
6:18
12’Round About Midnight
recording engineer:
Rudy van Gelder (on 1953-01-30)
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1953-01-30)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (aka “Bird”, jazz alto saxophonist) (on 1953-01-30) and Sonny Rollins (American saxophonist) (on 1953-01-30)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-01-30)
phonographic copyright (℗) by:
Prestige (American jazz label)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
instrumental cover recording of:
’Round Midnight (on 1953-01-30)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:07
13In a Sentimental Mood
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:19
14The Stopper
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
2:58
15Almost Like Being in Love
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-10-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
3:25
16No Moe
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
No Moe (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
3:31
17Think of One (take 1)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:39
18Think of One (take 2)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:43
3▼CD
#TitleRatingLength
1Let’s Call This
recording of:
Let’s Call This
composer:
Thelonious Monk
5:06
2Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:34
3Soft Shoe
bass:
Percy Heath (on 1954-01-20)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1954-01-20)
piano:
Horace Silver (on 1954-01-20)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-01-20)
trumpet:
Art Farmer (on 1954-01-20)
recording of:
Soft Shoe (on 1954-01-20)
composer:
Art Farmer
recording of:
Autumn Nocturne
lyricist:
Kim Gannon
composer:
Josef Myrow
5:01
4Confab in Tempo
3:56
5I’ll Take Romance
double bass:
Percy Heath (on 1954-01-20)
drums (drum set):
Kenny Clarke (on 1954-01-20)
piano:
Horace Silver (on 1954-01-20)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-01-20)
trumpet:
Art Farmer (on 1954-01-20)
instrumental recording of:
I’ll Take Romance (on 1954-01-20)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
4:59
6Airegin
recording of:
Airegin (instrumental)
composer:
Sonny Rollins (American saxophonist) (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music (US drum & bass)
5:00
7Oleo
recording of:
Oleo
composer:
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
5:13
8But Not for Me (Take 1)
instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:44
9But Not for Me (Take 2)
instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:36
10Doxy
recording of:
Doxy
composer:
Sonny Rollins (American saxophonist)
4:54
11Movin’ Out
double bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-08-18)
recording of:
Moving Out (on 1954-08-18)
composer:
Sonny Rollins (American saxophonist)
4:30
12Swingin’ for Bumsy
recording of:
Swingin' for Bumsy
composer:
Sonny Rollins (American saxophonist)
5:47
13Silk ’n’ Satin
recording of:
Silk 'n' Satin
composer:
Sonny Rollins (American saxophonist)
4:00
14Solid
double bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-08-18)
recording of:
Solid (on 1954-08-18)
composer:
Sonny Rollins (American saxophonist)
6:25
4▼CD
#TitleRatingLength
1I Want to Be Happy
7:43
2The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
5:13
3More Than You Know
instrumental recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
10:50
4There’s No Business Like Show Business
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
6:19
5Paradox
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-12-02)
recording of:
Paradox
composer:
Sonny Rollins (American saxophonist)
4:57
6Raincheck
6:00
7There Are Such Things
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-12-02)
recording of:
There Are Such Things
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
9:28
8It’s All Right With Me
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-12-02)
instrumental recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
6:08
9In Your Own Sweet Way
instrumental recording of:
In Your Own Sweet Way (original instrumental composition)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
4:37
10No Line
5:40
11Vierd Blues
recording engineer:
Rudy van Gelder (on 1956-03-16)
bass:
Paul Chambers (US jazz bassist) (on 1956-03-16)
drums (drum set):
Art Taylor (on 1956-03-16)
piano:
Tommy Flanagan (on 1956-03-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-03-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-16)
recording of:
Vierd Blues (on 1956-03-16)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
publisher:
Prestige Music Co. (US, affiliated with BMI)
46:51
5▼CD
#TitleRatingLength
1I Feel a Song Coming On
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
instrumental recording of:
I Feel a Song Comin’ On (on 1956-03-22)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
5:15
2Pent-Up House
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
part of:
The Real Book (compilation of jazz standards, volume I)
8:54
3Valse Hot
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
8:38
4Kiss and Run
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Kiss and Run (on 1956-03-22)
composer:
Sam Coslow
7:09
5Count Your Blessings
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
instrumental recording of:
Count Your Blessings (on 1956-03-22)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 27th Academy Award for Best Original Song (number: 2)
2:30
6My Reverie
recording of:
My Reverie (Debussy’s “Reverie”) (Adap. de Larry Clinton)
lyricist:
Larry Clinton (in 1938)
writer:
André Baruch
composer:
Claude Debussy (French composer) (in 1890)
arranger:
Larry Clinton
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
is based on:
Rêverie, L. 68, CD 76 (for piano)
6:08
7The Most Beautiful Girl in the World
instrumental recording of:
The Most Beautiful Girl in the World
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Jumbo
5:35
8Paul’s Pal
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Paul's Pal (on 1956-05-24)
composer:
Sonny Rollins (American saxophonist)
5:12
9When Your Lover Has Gone
instrumental recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
6:12
10Tenor Madness
recording engineer:
Rudy van Gelder (on 1956-05-24)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
guest tenor saxophone:
John Coltrane (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Tenor Madness (on 1956-05-24)
composer:
Sonny Rollins (American saxophonist)
is based on:
Royal Roost / Rue Chaptal
12:15
6▼CD
#TitleRatingLength
1You Don’t Know What Love Is
instrumental recording of:
You Don’t Know What Love Is
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:30
2St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
46:47
3Strode Rode
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Strode Rode (on 1956-05-22)
composer:
Sonny Rollins (American saxophonist)
recording of:
Strode Rode (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
5:15
4Blue 7
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Blue 7 (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
411:18
5Moritat
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
instrumental recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (on 1956-06-22)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
10:04
6I’ve Grown Accustomed to Her Face
bass:
George Morrow (on 1956-10-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-05)
piano:
Wade Legge (on 1956-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-10-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-10-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-05)
instrumental cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1956-10-05)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
4:54
7Kids Know
recording of:
Kids Know
composer:
Sonny Rollins (American saxophonist)
11:39
8The House I Live In
bass:
George Morrow (on 1956-10-05)
membranophone:
Max Roach (20th century US jazz drummer & composer) (on 1956-10-05)
piano:
Wade Legge (on 1956-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-10-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-10-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-05)
9:22
7▼CD
#TitleRatingLength
1I Remember You
3:07
2My Melancholy Baby
instrumental recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
2:45
3Old Folks
instrumental recording of:
Old Folks
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
publisher:
Warner Bros., Inc. (not for release label use!)
2:57
4They Can’t Take That Away From Me
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:03
5Just Friends
2:49
6My Little Suede Shoes
recording of:
My Little Suede Shoes
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:52
7Star Eyes
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
9:22
8B. Swift
5:17
9My Ideal
instrumental recording of:
My Ideal (from “Playboy of Paris”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:22
10Sonny Boy
9:49
11Two Different Worlds
bass:
George Morrow (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Kenny Drew (on 1956-12-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-12-07)
vocals:
Earl Coleman (on 1956-12-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-07)
cover recording of:
Two Different Worlds (on 1956-12-07)
composer:
Al Frisch and Sid Wayne
7:40
12Ee-Ah
6:55
13B. Quick
9:11