30th Anniversary Collection: 1963-1993 (stereo)

~ Release by The Hollies (see all versions of this release, 2 available)

Annotation

Barcode (Text): 0 7777 99917 2 3
SPARS Code (Disc 1, 2): ADD
SPARS Code (Disc 3: 1, 3 to 10, 12, 18 to 20): ADD
SPARS Code (Disc 3: 2, 11, 13 to 17): AAD
Matrix / Runout (Disc 1, mirrored): 98682-2 MO RE1 (DISC1) S3513H Y 1-1-1 CAPITOL JAX
Matrix / Runout (Disc 2, mirrored): 98683-2 MO RE1 (DISC2) S3513N Y 1-1-1 CAPITOL JAX
Matrix / Runout (Disc 3, mirrored): 98684-2 MO RE1 (DISC3) S3512H Y 1-1-1 CAPITOL JAX

Annotation last modified on 2026-03-17 17:26 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1(Ain’t That) Just Like Me
cover recording of:
Ain’t That Just Like Me
writer:
Earl Carroll and Billy Guy
2:55
2Hey What’s Wrong With Me
recording of:
Hey What’s Wrong With Me
writer:
Allan Clarke (of The Hollies) and Graham Nash
1:52
3Searchin’
producer:
Ron Richards
cover recording of:
Searchin’
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Tiger (publisher)
2:25
4Whole World Over
recording of:
Whole World Over
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:01
5Stay
producer:
Ron Richards
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
cover recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
2:13
6Now’s the Time
recording of:
Now’s the Time
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:03
7I Understand
cover recording of:
I Understand
lyricist:
Kim Gannon
composer:
Mabel Wayne
2:43
8Just One Look
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-01-27)
cover recording of:
Just One Look (on 1964-01-27)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:31
9Keep Off That Friend of Mine
recording of:
Keep Off That Friend of Mine
writer:
Bobby Elliott and Tony Hicks
2:10
10Here I Go Again
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2003) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-04-13)
recording of:
Here I Go Again (Shuman/Westlake; The Hollies) (on 1964-04-13)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
cover recording of:
Here I Go Again (Shuman/Westlake; The Hollies)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
42:19
11Baby That’s All
recording of:
Baby That’s All
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:18
12We’re Through
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-08-25)
recording of:
We're Through (on 1964-08-25)
composer:
L. Ransford (songwriting alias used by Allan Clarke, Graham Nash & Tony Hicks of The Hollies)
2:15
13Come on Back
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-30)
recording of:
Come On Back (on 1964-06-30)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:12
14(I’ll Be True to You) Yes I Will
cover recording of:
Yes I Will
lyricist:
Gerry Goffin
composer:
Russ Titelman
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:29
15Nobody
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-12-15)
recording of:
Nobody (on 1964-12-15)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:39
16I Can’t Get Nowhere With You
recording of:
I Can't Get Nowhere With You
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
1:50
17I’m Alive
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
lyricist and composer:
Clint Ballard, Jr.
2:23
18You Know He Did
recording of:
You Know He Did
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:03
19She Gives Me Everything I Want
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-09-14)
recording of:
She Gives Me Everything I Want (on 1965-09-14)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:20
2▼CD
#TitleRatingLength
1Look Through Any Window
producer:
The Hollies and Ron Richards
recording of:
Look Through Any Window (Hollies)
writer:
Graham Gouldman and Charles Silverman
2:16
2So Lonely
recording of:
So Lonely
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:36
3If I Needed Someone
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-11-17)
cover recording of:
If I Needed Someone (on 1965-11-17)
lyricist and composer:
George Harrison (The Beatles)
publisher:
Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
2:21
4I’ve Got a Way of My Own
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965, in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-10-13)
recording of:
I've Got a Way of My Own (on 1965-10-13)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
previously attributed to:
L. Ransford (songwriting alias used by Allan Clarke, Graham Nash & Tony Hicks of The Hollies)
2:21
5You in My Arms
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-10-13)
recording of:
You in My Arms (on 1965-10-13)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:01
6I Can’t Let Go
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-13, on 1966-01-18)
cover recording of:
I Can't Let Go (from 1966-01-13 until 1966-01-18)
writer:
Al Gorgoni and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
writer:
Al Gorgoni and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
42:26
7Bus Stop
producer:
The Hollies and Ron Richards
bass:
Bernie Calvert (on 1966-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) and Parlophone (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-18)
recording of:
Bus Stop (on 1966-05-18)
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
4.652:56
8Don’t Run and Hide
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-17)
recording of:
Don’t Run and Hide (on 1966-05-17)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:38
9After the Fox
bass:
Jack Bruce (in 1966-05)
vocals:
The Hollies and Peter Sellers (English actor and comedian)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-10)
cover recording of:
After the Fox (on 1966-05-10)
lyricist and composer:
Burt Bacharach
recording of:
After the Fox (in 1966-05)
lyricist and composer:
Burt Bacharach
52:19
10Stop Stop Stop
recording of:
Stop Stop Stop
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
Gralto Music Ltd.
3:00
11Pay You Back With Interest
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-08-22)
recording of:
Pay You Back With Interest (on 1966-08-22)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:43
12Kill Me Quick
recording of:
Kill Me Quick
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:16
13On a Carousel
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967)
recording of:
On a Carousel
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
33:13
14We’re Alive
phonographic copyright (℗) by:
The Hollies Ltd. (in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-02-22)
recording of:
We're Alive (on 1967-02-22)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:38
15Carrie Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) and The Hollies Ltd. (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-01)
recording of:
Carrie Anne (on 1967-05-01)
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
4.53:03
16Signs That Will Never Change
phonographic copyright (℗) by:
The Hollies Ltd. (in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-02)
recording of:
Signs That Will Never Change (on 1967-05-02)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:40
17King Midas in Reverse
producer:
Ron Richards
acoustic guitar:
Graham Nash
vocals:
Graham Nash
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967, in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-08-03 until 1967-08-04)
recording of:
King Midas in Reverse (from 1967-08-03 until 1967-08-04)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
composer:
Graham Nash
43:02
18Everything Is Sunshine
phonographic copyright (℗) by:
The Hollies Ltd. (in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-03, on 1967-09-05)
recording of:
Everything Is Sunshine (from 1967-08-03 until 1967-09-05)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
51:58
3▼CD
#TitleRatingLength
1Dear Eloise (1993 Stereo remix)
recording of:
Dear Eloise
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3:04
2Jennifer Eccles (1993 Stereo remix)
recording of:
Jennifer Eccles
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:01
3Open Up Your Eyes (1993 Stereo remix)
recording of:
Open Up Yours Eyes
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:49
4Wings (1993 Stereo remix)
recording of:
Wings
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:05
5Like Everytime Before (1993 Stereo remix)
recording of:
Like Every Time Before
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:10
6Do the Best You Can (1993 Stereo remix)
phonographic copyright (℗) by:
The Hollies Ltd. (in 2011)
recorded at:
Chappells Studios in London (Greater London), England, United Kingdom (from 1967-05-14 until 1967-05-15)
recording of:
Do the Best You Can (from 1967-05-14 until 1967-05-15)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
22:49
7Man With No Expression (1993 Stereo remix)
recording of:
Horses Through a Rainstorm
writer:
Graham Nash and Terry Reid
publisher:
Nash Notes and Unichappell Music, Inc.
3:25
8Listen to Me (1993 Stereo remix)
recording of:
Listen to Me
composer:
Tony Hazzard (songwriter)
2:38
9Sorry Suzanne (1993 Stereo remix)
recording of:
Sorry Suzanne
composer:
Tony Macaulay and Geoff Stephens
publisher:
Interworld Music Ltd. and Welbeck Music Ltd.
sub-publisher:
Sonora Musikförlags AB
3:21
10Not That Way at All (1993 Stereo remix)
recording of:
Not That Way at All
writer:
Allan Clarke (of The Hollies)
2:50
11He Ain’t Heavy, He’s My Brother (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.24:20
12Cos You Like to Love Me (1993 Stereo remix)
recording of:
'Cos You Like to Love Me
writer:
Tony Hicks
3:00
13I Can’t Tell the Bottom From the Top (original Stereo mix)
cover recording of:
I Can't Tell the Bottom From the Top
composer:
Guy Fletcher (keyboardist) and Doug Flett (songwriter)
4:08
14Gasoline Alley Bred (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1970)
recording of:
Gasoline Alley Bred
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Tony Macaulay
cover recording of:
Gasoline Alley Bred
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Tony Macaulay
53:56
15Long Cool Woman in a Black Dress (original Stereo mix)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
4.23:18
16Long Dark Road (original Stereo mix)
recording of:
Long Dark Road
writer:
Tony Hicks and Kenny Lynch (English singer, songwriter, entertainer & actor)
4:17
17The Air That I Breathe (original Stereo mix)
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.54:11
18The Woman I Love (Stereo)
recording of:
The Woman I Love
lyricist and composer:
Nik Kershaw
3:36
19Nothing Else but Love (Stereo)
recording of:
Nothing Else but Love
writer:
Richard Marx
4:09
20Purple Rain (live) (Stereo)
recorded at:
Harrogate Convention Centre in Harrogate, North Yorkshire, England, United Kingdom (in 1991)
live cover recording of:
Purple Rain (in 1991)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
5:01