Songbird: The Greatest Female Voices

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Chandelier
Techniker(in) und Produzent(in):
Greg Kurstin und Jesse Shatkin (American singer-songwriter, and record producer)
zusätzliche(r) Techniker(in):
Julian Burg und Alex Pasco
leitende(r) Produzent(in):
Sia (Australian singer‐songwriter)
assistierende(r) Mix:
Delbert Bowers (American engineer) und Chris Galland
Mix:
Manny Marroquin
Gitarre, Klavier und mellotron:
Greg Kurstin
Keyboard:
Jesse Shatkin (American singer-songwriter, and record producer)
Schlagzeug:
Greg Kurstin und Jesse Shatkin (American singer-songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
Monkey Puzzle Records (imprint of Monkey Puzzle Records Ltd.) (in 2014, in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 25), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 27), Billboard Year-End Hot 100 singles of 2015 (Nummer: 90), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 93), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 99) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 176)
recording of:
Chandelier
Verfasser(in):
Jesse Shatkin (American singer-songwriter, and record producer) und Sia Furler (Sia, Australian singer‐songwriter)
publisher:
Aidenjulius Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing, Inc. und Sony/ATV Music Publishing LLC (1995–2020)
Teil von:
Moulin Rouge! The Musical: Act 2
Sia4.13:34
2Only Love Can Hurt Like This
recording engineer:
Mario Luccy
Produzent(in):
AC Burrell
zusätzliche(r) Produzent(in):
AC Burrell und Kyle Townsend
assistierende(r) Mix:
Delbert Bowers (American engineer) und Chris Galland
Mix:
Manny Marroquin
Bass:
Bryan “B-Dub” White (bassist and producer)
Sologesang:
Paloma Faith
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Only Love Can Hurt Like This
Texter und Komponist(in):
Diane Warren (US songwriter)
Paloma Faith3.53:52
3Somewhere Only We Know
Programmierung, Produzent(in) und Mix:
Paul Beard (violinist)
Techniker(in):
Joe Kearns (British record producer, writer and engineer)
Ko-Mix:
Joe Kearns (British record producer, writer and engineer)
Akustikgitarre:
Paul Sayer
Klavier und Perkussion:
Paul Beard (violinist)
Sologesang:
Lily Allen
Saiteninstrumente arranger:
James Banbury, Andy Cook (engineer), Matt Doughty und Will Hicks
arranger:
Paul Beard (violinist)
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014)
cover recording of:
Somewhere Only We Know
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Lily Allen43:27
4My Silver Lining
assistierende(r) Techniker(in):
Ben Brodin
Techniker(in), Produzent(in) und Mix:
Mike Mogis
Bassgitarre:
Mike Mogis und Benkt Söderberg
Bratsche / Viola:
Brian Sherwood
Cello:
Paul Ledwon
Geige / Violine:
Susanna Gilmore und Jeffrey King (violinist)
Gitarre:
Klara Söderberg
Klavier:
Nathaniel Walcott
Perkussion:
Niclas Lindström und Mike Mogis
vocals:
Klara Söderberg
phonographisches Urheberrecht (℗) von:
Jagadamba (in 2014)
recording of:
My Silver Lining
Verfasser(in):
Johanna Söderberg und Klara Söderberg
First Aid Kit3.853:33
5Your Song
recording engineer und Mix:
Matt Lawrence
Produzent(in):
Ben Lovett (member of Mumford & Sons)
Akustikgitarre:
Ellie Goulding
Cello:
Ruth de Turberville
große Trommel [kick drum] und Klavier:
Ben Lovett (member of Mumford & Sons)
Pauke:
Matt Wiggins (engineer, producer)
Hintergrundgesang:
Ben Lovett (member of Mumford & Sons) und Ruth de Turberville
vocals:
Ellie Goulding
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2010)
aufgenommen bei:
The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich und The Square (London)
cover recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ellie Goulding3.43:06
6Just Give Me a Reason
recording engineer:
Tyler Johnson (US producer and songwriter), Pawel Sek und John X. Volaitis
Programmierung und Produzent(in):
Jeff Bhasker
assistierende(r) Mix:
Justin Hergett (US mixer and engineer) und James Krausse
Mix:
Tony Maserati (engineer / mixer)
Gitarre:
Anders Mouridsen (guitarist)
Keyboard und Synthesizer:
Jeff Bhasker
Gast-Interpret(in):
Nate Ruess
aufgenommen bei:
Earthstar Creation Center in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten und Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 7), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2014) und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 18)
recording of:
Just Give Me a Reason (in 2012)
Verfasser(in):
Alecia Moore (American singer/songwriter), Jeffrey Bhasker und Nathaniel Ruess
P!nk3.84:02
7Please Don’t Say You Love Me
recording engineer:
James David (engineer, mixer) und Mike Spencer (UK producer)
Produzent(in) und Mix:
Mike Spencer (UK producer)
recording of:
Please Don’t Say You Love Me
Verfasser(in):
Gabrielle Aplin und Nick Atkinson (member of Rooster)
Komponist(in):
Mike Spencer (UK producer)
Gabrielle Aplin4.52:57
8Skinny Love
Techniker(in) und Mix:
Paul ‘P Dub’ Walton
Produzent(in):
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
Klavier:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
aufgenommen bei:
Dean St. Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Skinny Love (music video) von Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.653:21
9Jar of Hearts
Bearbeitung von:
Jar of Hearts von Christina Perri
recording of:
Jar of Hearts
Verfasser(in):
Drew Lawrence, Christina Perri und Barrett Yeretsian
Christina Perri33:32
10Video Games
Produzent(in) und Mix:
Robopop
vocals:
Lana Del Rey
phonographisches Urheberrecht (℗) von:
Lana Del Rey (in 2011, in 2012, in 2013)
phonographisches Urheberrecht (℗) von:
Stranger Records Limited (in 2011)
Bearbeitung von:
Video Games (acapella) von Lana Del Rey
Musikvideos:
Video Games von Lana Del Rey
Teil von:
Pitchfork: The 200 Best Songs of the 2010s (Nummer: 9), Stereogum: The 200 Best Songs of the 2010s (Nummer: 26) und BILLIONS CLUB
recording of:
Video Games
Texter und Komponist(in):
Elizabeth Grant und Justin Parker
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint) und Sony/ATV Music Publishing LLC (1995–2020)
Lana Del Rey3.754:41
11Trouble (acoustic)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
recording of:
Trouble
Verfasser(in):
Hugo Chegwin, Harry Craze, James Murray (UK hip-hop/R&B/pop/soul producer, member of Mojam Music), Shahid Khan, Leona Lewis, Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad), Emeli Sandé und Fraser T. Smith
publisher:
BMG Rights Management Ltd. (not for release label use! see annotation), EMI Music Publishing (do not use as a release label!), Naughty Words, Sony/ATV Music Publishing Ltd. und Stellar Songs Ltd.
Leona Lewis23:41
12Middle of the Bed
Lucy Rose3:11
13Slow
Produzent(in):
Steve Brown (engineer/music producer)
assistierende(r) Mix:
Dan Parry (British mix/recording engineer)
Mix:
Tom Elmhirst (mixing engineer)
vocals:
Rumer
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Slow von Rumer
recording of:
Slow
Texter und Komponist(in):
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:34
14Beautiful
assistierende(r) Techniker(in):
Rafael Serrano und Davy Vain
Techniker(in):
Linda Perry (rock singer‐songwriter & producer) und Davy Vain (Aufgabe: Pro Tools)
zusätzliche(r) assistierende(r) Techniker(in):
Andrew Chavez (engineer)
zusätzliche(r) Techniker(in):
David Guerrero
Produzent(in):
Linda Perry (rock singer‐songwriter & producer)
assistierende(r) Mix:
Ethan Willoughby
Mix:
Dave "Hard Drive" Pensado (mixer)
Bassgitarre [bass], Gitarre [guitars], Klavier und zusätzlich Saiteninstrumente:
Linda Perry (rock singer‐songwriter & producer)
Bratsche / Viola:
Shanti Randall
Cello:
Richard Dodd (cellist)
Geige / Violine:
Eric Gorfain
Keyboard [keyboards]:
Damon Fox
Saiteninstrumente:
The Section
Schlagzeug [drums]:
Brian MacLeod (American drummer)
zusätzlich arranger:
Linda Perry (rock singer‐songwriter & producer)
gemixt für:
Essential Arts Management, LTD
zusätzlich aufgenommen bei:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
engineered at:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Beautiful von Christina Aguilera
Teil von:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (Nummer: 17) und The Downloader’s Music Source Book (Nummer: 260)
recording of:
Beautiful
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Stuck in the Throat
Christina Aguilera4.23:59
15Cold
recording of:
Cold
Verfasser(in):
Benjamin Garrett und Rae Morris
Rae Morris Feat. Fryars3:56
16Caution to the Wind
Becky Hill2:53
17Skinny Genes
Eliza Doolittle33:10
18Is Your Love Big Enough
Lianne La Havas2:55
19Tears Dry on Their Own
Assistent recording engineer:
Shomari “Sho” Dillon und Gleyder “Gee” Disla
recording engineer:
Franklin Socorro
Produzent(in):
Salaam Remi
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone, alto saxophone, baritone saxophone, Celesta, Klarinette, flute, Gitarre, Klavier und Tenorsaxophon, baritone saxophone, Celesta, flute, Klarinette und Tenorsaxophon:
Vincent Henry
Bass und Bassgitarre, Gitarre und Klavier:
Salaam Remi
Basstrompete, Flügelhorn, Flügelhorn und Trompete und Trompete:
Bruce Purse (brass)
Gitarre und Klavier:
Vincent Henry und Salaam Remi
Schlagzeug, Schlagzeug und Tamburin und Tamburin:
Troy Auxilly-Wilson
Hintergrundgesang:
Amy Winehouse
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2006) und Island Records (Island, imprint of Island Records, a division of Universal Music Group) (in 2015)
aufgenommen bei:
Instrument Zoo in Miami, Florida, Vereinigte Staaten
Samples:
Ain’t No Mountain High Enough (stereo version) von Marvin Gaye & Tammi Terrell
Musikvideos:
Tears Dry on Their Own von Amy Winehouse
recording of:
Tears Dry on Their Own
Verfasser(in):
Nickolas Ashford, Valerie Simpson und Amy Winehouse
publisher:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Jobete Music (UK) Ltd.
quotes music from:
Ain’t No Mountain High Enough
Amy Winehouse3.653:05
20Right Here
phonographisches Urheberrecht (℗) von:
Atlantic Records UK Ltd (in 2014)
recording of:
Right Here
Verfasser(in):
Jan-ai El-Goni, Foamo, Jess Glynne und Matt Robson-Scott (production music composer)
Jess Glynne33:39
2▼CD
Nr.TitelKünstlerBewertungLänge
1Songbird
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
aufgenommen bei:
Zellerbach Auditorium in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1976-03-03)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Songbird (am 1976-03-03)
Texter und Komponist(in):
Christine McVie
arranger:
Glyn Johns
publisher:
BMG Publishing und Gentoo Music, Inc.
Fleetwood Mac3.73:18
2Come Away With Me
assistierende(r) Techniker(in):
Dick Kondas
Techniker(in):
Jay Newland (producer, engineer and mixer)
Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland (producer, engineer and mixer)
Akustikgitarre:
Jesse Harris
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer)
E-Gitarre:
Adam Levy (jazz guitarist)
Klavier und Sologesang:
Norah Jones
Schlagzeug:
Dan Rieser
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Come Away With Me
Texter und Komponist(in):
Norah Jones
Norah Jones3.83:15
3Chuck E’s in Love
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones3:28
4Nick of Time
Bonnie Raitt3:45
5Constant Craving
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Constant Craving
Texter und Komponist(in):
k.d. lang und Ben Mink
publisher:
Bumstead Publishing und Zavion Music
k.d. lang33:40
6Marlene on the Wall
assistierende(r) Techniker(in):
Kurt Upper
Techniker(in):
Steve Addabbo
leitende(r) Produzent(in):
Ronald K. Fierstein
Produzent(in):
Steve Addabbo und Lenny Kaye
Editing:
Rhonda Schoen
Akustikgitarre:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
Bass:
Frank Gravis (von 1985-01 bis 1985-03)
E-Gitarre:
Jon Gordon (guitarist, music director, producer, composer) (von 1985-01 bis 1985-03)
Schlagzeug:
Sue Evans (von 1985-01 bis 1985-03)
Synthesizer:
C. P. Roth (von 1985-01 bis 1985-03)
vocals:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
aufgenommen bei:
Celestial Sound Studios in New York, New York, Vereinigte Staaten (von 1985-01 bis 1985-03)
mixed at:
Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Musikvideos:
Marlene on the Wall von Suzanne Vega (American singer-songwriter)
recording of:
Marlene on the Wall (von 1985-01 bis 1985-03)
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega4.23:40
7Send in the Clowns
recording engineer:
Phil Ramone
Produzent(in):
Arif Mardin
conductor:
Jonathan Tunick
arranger:
Jonathan Tunick
phonographisches Urheberrecht (℗) von:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1975)
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
cover recording of:
Send In the Clowns (A Little Night Music)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
Judy Collins34:02
8Mexico
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2011)
recording of:
Mexico
Verfasser(in):
Camilla Staveley-Taylor, Emily Staveley-Taylor und Jessica Staveley-Taylor
The Staves4:02
9Where Have All the Cowboys Gone?
vocals:
Paula Cole
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1996)
recording of:
Where Have All the Cowboys Gone?
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing und Hingface Music
Paula Cole44:24
10Black Velvet
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:42
11Walking in Memphis
Mix:
Heff Moraes
cover recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cher3.63:53
12Theme From Mahogany (Do You Know Where You’re Going To?)
Produzent(in):
Michael Masser
vocals:
Diana Ross
conductor:
Lee Holdridge
arranger:
Lee Holdridge und Michael Masser
recording of:
Theme From Mahogany (Do You Know Where You’re Going To?)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Jobete Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 48th Academy Award for Best Original Song (Nummer: 2)
Diana Ross53:22
13Walk on By
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:52
14I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
15Sweet Love
Techniker(in):
Barney Perkins
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.54:19
16One Day I’ll Fly Away
recording of:
One Day I’ll Fly Away
Texter:
Will Jennings
Komponist(in):
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. und Leeds Music Ltd.
Randy Crawford4:18
17Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:15
18What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.053:47
19Gloria
assistierende(r) Techniker(in):
Frank D'Augusta
Techniker(in):
Bernie Kirsh
Produzent(in):
John Cale (The Velvet Underground founder)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975, in 1988)
aufgenommen bei, mixed at und engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 97)
recording of:
Gloria: In excelsis Deo
Texter und Komponist(in):
Van Morrison und Patti Smith
zusätzliche(r) Verfasser(in):
Patti Smith
zusätzliche(r) Komponist(in):
Van Morrison
Patti Smith3.45:50
20The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:31
3▼CD
Nr.TitelKünstlerBewertungLänge
1Army Dreamers
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Akustikgitarre:
Brian Bath (am 1980-09-22)
Bassgitarre:
Alan Murphy (UK session guitarist) (am 1980-09-22)
Bodhrán:
Stuart Elliott (session drummer, member of Cockney Rebel) (am 1980-09-22)
Mandoline:
Paddy Bush (am 1980-09-22)
Synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist) (am 1980-09-22)
Hintergrundgesang:
Brian Bath (am 1980-09-22), Paddy Bush (am 1980-09-22) und Alan Murphy (UK session guitarist) (am 1980-09-22)
Sologesang:
Kate Bush (am 1980-09-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
Bearbeitung von:
Army Dreamers (hard ending) von Kate Bush
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Army Dreamers
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush4.052:54
2If I Ain’t Got You
recording engineer:
Tony Black (producer, engineer)
Programmierung:
Kerry "Krucial" Brothers
Produzent(in):
Alicia Keys
Mix:
Manny Marroquin
Bassgitarre [bass]:
Fred Cash, Jr. (bass)
Gitarre:
Hugh McKracken
Horn [horns]:
"Chops", David Watson (multi-instrumentalist), Darryl Dixon (saxophone/flute/arranger) und Joe Romano (trumpet,flute,trombone)
Klavier und Sologesang:
AK
Orgel:
Arcell Vickers
Schlagzeug [drums]:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
Hintergrundgesang:
AK, Katreese Barnes, L. Green und Cindy Mizelle
phonographisches Urheberrecht (℗) von:
J Records LLC (in 2003) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
produced for:
Krucial/Keys Enterprise und MBK Entertainment (R&B, not the South Korean label.)
aufgenommen bei:
Kampo Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, Frankreich
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 422) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 440)
recording of:
If I Ain’t Got You
Texter und Komponist(in):
Alicia Keys
publisher:
EMI Music Publishing, Inc., Lellow Productions, Inc. und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alicia Keys3.63:48
3Nothing Compares 2 You
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.54:39
4What Can I Do
recording engineer:
Leo Pearson (Irish music producer)
Produzent(in):
Jim Corr
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain
Bodhrán:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre:
Anto Drennan und Jim Corr
Keyboard:
Jim Corr
tin whistle und Sologesang:
Andrea Corr
aufgenommen bei:
Peak Studios in Dublin, County Dublin, Leinster, Irland
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
What Can I Do (von 1996 bis 1997)
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs4:09
5Stay
Programmierung:
Marcella Detroit
assistierende(r) Techniker(in):
Nick Addison
Techniker(in):
Alan Moulder (producer and engineer)
zusätzliche(r) Techniker(in):
Lee Manning (US engineer)
Produzent(in):
Alan Moulder (producer and engineer), Shakespears Sister und Chris Thomas (UK record producer / remixer)
E-Bass [bass]:
Ian Maidman
E-Gitarre [guitar] und Mundharmonika:
Marcella Detroit
Keyboard [keyboards]:
Ed Shearmur (English score composer)
Schlagzeug:
Steve Ferrera (UK drummer)
zusätzlich Keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman und Jonathan Perkins (aka Wild Mondo)
Sologesang [vocals]:
Marcella Detroit und Siobhan Fahey
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1991) und London (UK, 1947–1999, re-launched 2011–present) (in 1992)
aufgenommen bei:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Stay von Shakespear's Sister
recording of:
Stay
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Island Music Ltd.
Shakespears Sister3.253:43
6I Don’t Want to Talk About It
Produzent(in):
Ben Watt (von 1987-09 bis 1987-12)
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (von 1987-09 bis 1987-12)
cover recording of:
I Don’t Want to Talk About It (von 1987-09 bis 1987-12)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Everything but the Girl44:14
7Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone und Sharleen Spiteri
zusätzliche Programmierung:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
zusätzliche(r) Produzent(in):
Boilerhouse Boys
Gitarre:
Johnny McElhone und Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
recording of:
Say What You Want
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
EMI 10 Music
Texas3.83:49
8All Around the World
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield4:19
9Thank You
recording of:
Thankyou (Dido)
Verfasser(in):
Dido (English singer‐songwriter) und Paul Herman
publisher:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido3:10
10Why
Programmierung:
Marius de Vries, Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
Gitarre:
Stephen Lipson
Keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Ariola Muenchen GmbH (in 1992) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich und The Church Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Why
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. und Universal Music Publishing MGB Ltd.
Annie Lennox3.54:53
11Closest Thing to Crazy
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:11
12I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal2.53:33
13Pure Shores
Programmierung:
Sean Spuehler
Produzent(in):
William Orbit (English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt und Shaznay Lewis
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2000)
Teil von:
The Downloader’s Music Source Book (Nummer: 380)
recording of:
Pure Shores
Komponist(in):
Shaznay Lewis und William Orbit (English musician, composer and record producer)
All Saints3.654:21
14No Substitute Love
Estelle33:32
15Don’t Get Me Wrong
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
Pretenders4.23:46
16I’m Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:05
17Thinking of You
recording of:
Thinking of You
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell North America
Sister Sledge54:20
18Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:52
19Shoulda Woulda Coulda
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Shoulda Woulda Coulda
Verfasser(in):
Beverley Knight und Craig Wiseman (country music songwriter)
Beverley Knight23:31
20Songbird
Schlagzeug-Programmierung:
Chris Biondo (guitarist, producer with Eva Cassidy Band)
Akustikgitarre, Gitarre [lead guitar], Keyboard, Saiteninstrumente und Hintergrundgesang:
Eva Cassidy
Bass:
Chris Biondo (guitarist, producer with Eva Cassidy Band)
vocals:
Eva Cassidy
phonographisches Urheberrecht (℗) von:
Blix Street (in 1992)
cover recording of:
Songbird
Texter und Komponist(in):
Christine McVie
arranger:
Glyn Johns
publisher:
BMG Publishing und Gentoo Music, Inc.
Eva Cassidy43:42