| # | Title | Artist | Rating | Length |
|---|
| 1 | Lullaby- assistant engineer:
- Roy Spong and Richard Sullivan
- engineer:
- David M. Allen and Robert Smith
- producer:
- David M. Allen , Chris Parry, Mark Saunders and Robert Smith
- mixer:
- Chris Parry, Mark Saunders and Robert Smith
- bass guitar:
- Simon Gallup (from 1988-11 until 1989-02)
- bass guitar [six string bass guitar]:
- Robert Smith
- drums (drum set):
- Boris Williams (from 1988-11 until 1989-02)
- guitar:
- Robert Smith (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
- instruments:
- Lol Tolhurst (from 1988-11 until 1989-02)
- keyboard:
- Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (from 1988-11 until 1989-02)
- lead vocals:
- Robert Smith (from 1988-11 until 1989-02)
- remixer:
- Chris Parry, Mark Saunders and Robert Smith
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1989) and Fiction Records Ltd. (in 1989)
- recorded at:
- Outside Studios in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02)
- mixed at:
- RAK Studio Three in London , England, United Kingdom (in 1989)
- music videos:
- Lullaby by The Cure
- recording of:
- Lullaby (from 1988-11 until 1989-02)
- lyricist:
- Robert Smith
- composer:
- Simon Gallup, Roger O’Donnell, Robert Smith , Porl Thompson, Lol Tolhurst and Boris Williams
- publisher:
- APB Music Co. and Fiction Songs Ltd. (in 1989)
| The Cure | 4.1 | 4:10 |
| 2 | Such a Shame | Talk Talk | 4 | 4:27 |
| 3 | Love Is a Shield | Camouflage | | 4:45 |
| 4 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:52 |
| 5 | Hymn | Ultravox | | 4:26 |
| 6 | Nobody’s Diary | Yazoo | 4.5 | 4:31 |
| 7 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:41 |
| 8 | Love and Pride | King | 4 | 3:23 |
| 9 | Catch My Fall- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- saxophone:
- Mars Williams (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1983, in 1984, in 1999) and Capitol Records, Inc. (in 1984)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Catch My Fall by Billy Idol
- recording of:
- Catch My Fall (in 1983)
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. and Rare Blue Music
| Billy Idol | 3.85 | 3:44 |
| 10 | Love Is a Battlefield- producer:
- Neil Geraldo, Peter Coleman and Peter Coleman
- mixer:
- Neil Giraldo and Peter Coleman
- bass guitar:
- Roger Capps
- drums (drum set):
- Myron Grombacher
- electric guitar:
- Neil Giraldo
- keyboard:
- Charles Giordano
- lead vocals:
- Pat Benatar
- vocals:
- Pat Benatar
- phonographic copyright (℗) by:
- EMI Records , Capitol Records, LLC (in 1983), Chrysalis Records (in 1983) and Chrysalis Records, Inc. (in 1983, in 1984)
- recorded at:
- MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 4.1 | 4:11 |
| 11 | What Is Love? (album version) | Howard Jones | 4.5 | 3:41 |
| 12 | Enola Gay | OMD | 3.75 | 3:33 |
| 13 | Ballet Dancer | The Twins | | 3:28 |
| 14 | Ride on Time | Black Box | 3.25 | 4:36 |
| 15 | Loverboy | Billy Ocean | 4 | 4:10 |
| 16 | Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:56 |
| 17 | Shout to the Top | The Style Council | 4.35 | 3:26 |
| 18 | The Look of Love- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:31 |
| 19 | Dance Hall Days | Wang Chung | 3.2 | 3:55 |
| 20 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:21 |
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