| # | Title | Artist | Rating | Length |
|---|
| 1 | Wish I Didn't Miss You | Angie Stone | 4 | 4:33 |
| 2 | Someone New | Eskobar feat. Heather Nova | | 3:30 |
| 3 | The Day After Tomorrow | Saybia | | 3:56 |
| 4 | One of These Mornings | Moby | 3.55 | 3:12 |
| 5 | Calling | Geri Halliwell | | 4:25 |
| 6 | She Couldn't Laugh | Twarres | | 3:47 |
| 7 | The Road to Mandalay | Robbie Williams | | 3:57 |
| 8 | I Would Stay | Krezip | 4 | 3:50 |
| 9 | Hunter | Dido | 4.15 | 3:56 |
| 10 | Sacrifice | Anouk | | 3:59 |
| 11 | What If | Kate Winslet | 2.5 | 4:07 |
| 12 | My Love | Westlife | 2 | 3:53 |
| 13 | Un-Break My Heart- assistant recording engineer:
- Brandon Harris (in 1995)
- recording engineer:
- Felipe Elgueta (in 1995)
- keyboard programming:
- David Foster (in 1995)
- synclavier programming:
- Simon Franglen (in 1995)
- producer:
- David Foster
- assistant mixer:
- Marnie Riley
- mixer:
- Mick Guzauski
- acoustic guitar:
- Dean Parks (in 1995)
- electric guitar:
- Michael Thompson (in 1995)
- background vocals:
- Toni Braxton (in 1995) and Shanice (in 1995)
- lead vocals:
- Toni Braxton (in 1995) and Shanice Wilson (in 1995)
- arranger:
- David Foster , L.A. Reid and Tim Thomas
- phonographic copyright (℗) by:
- LaFace Records, Inc. (in 1996)
- arranged for and produced for:
- Chartmaker, Inc.
- recorded at:
- Chartmaker Studios in Malibu, California, United States (in 1995) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1995)
- mixed at:
- Barking Doctor in Mount Kisco, New York, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 16)
- recording of:
- Un-Break My Heart (in 1995)
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing Ltd. and Realsongs
| Toni Braxton | 3.95 | 4:30 |
| 14 | 7 Seconds | Youssou N’Dour & Neneh Cherry | 3.5 | 4:06 |
| 15 | Kiss From a Rose | Seal | 3.75 | 4:47 |
| 16 | Wish I Could Fly | Roxette | | 4:40 |
| 17 | Wrong Impression | Natalie Imbruglia | 3.5 | 3:24 |
| 18 | More Than You | Neeka | | 3:04 |