1999 GRAMMY Nominees (Cover art is specific to this disc ID gHuecGB89hGEzSGUFu0dC9p0piQ-)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Variants
• 1:
o Disc 1:
Matrix (1): 2 6231-2 01
Matrix (2): M1S5
Matrix (3): X6912
Mastering SID code: WEA mfg. Olyphant IFPI L902
Mould SID code: IFPI 2U2S
Mastered by: Atlantic Studios NY,NY.
Disc ID: gHuecGB89hGEzSGUFu0dC9p0piQ-

Annotation last modified on 2020-01-01 13:19 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1The Boy Is Mine
producer:
Dallas Austin, Brandy (US R&B singer) and Rodney Jerkins
performer:
Brandy (US R&B singer) and Monica (US R&B singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) and WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 115)
recording of:
The Boy Is Mine
writer:
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins and Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
is based on:
The Girl Is Mine
Brandy & Monica4.254:57
2My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
a cappella versions:
The music from that movie about the boat by David Thorne (designer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:41
3Iris
assistant engineer:
Greg Burns (engineer) (task: second engineer) and Rafa Sardina (task: second engineer)
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph‐Puig
bass:
Robby Takac
drums (drum set) and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Iris
lyricist and composer:
John Rzeznik
publisher:
EMI Virgin Songs, Inc. and Scrap Metal Music
Goo Goo Dolls4.254:52
4Ray of Light
engineer:
Pat McCarthy
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
music videos:
Ray of Light by Madonna (“Queen of Pop”)
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 1999 winner)
recording of:
Ray of Light
writer:
Dave Curtiss, Christine Leach, Madonna Louise Veronica Ciccone (“Queen of Pop”), Clive Muldoon and William Orbit (English musician, composer and record producer)
publisher:
Purple Music Limited (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
Madonna4.055:21
5You’re Still the One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:36
6Everybody (Backstreet’s Back)
engineer:
Tommie Hicks Jr. and Joe Smith (US recording/mixing engineer)
producer:
Max Martin (Swedish record producer) and Denniz PoP
other vocals:
Bonnie Brewster, Andrea M. Majied and Susan McCall
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
Everybody (Backstreet’s Back)
writer:
Max Martin (Swedish record producer) and Denniz PoP
publisher:
Maratone AB (ended), MXM Music AB (ended), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:49
7Amor ti vieta
recording engineer:
Thijs Hoekstra (in 1997-07)
producer:
Anna Barry (classical producer) (in 1997-07)
editor:
Rico Yntema (in 1997-07)
tenor vocals:
Andrea Bocelli (tenor) (in 1997-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1997-07)
conductor:
Gianandrea Noseda (conductor) (in 1997-07)
balance engineer:
Jean‐Marie Geijsen (in 1997-07)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1997-07)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Andrea Bocelli1:50
8Wide Open Spaces
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop (Nashville, TN) in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
recording of:
Wide Open Spaces (from 1997-03 until 1997-08)
lyricist and composer:
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
Dixie Chicks4.53:45
9Doo Wop (That Thing)
edit of:
Doo Wop (That Thing) by Lauryn Hill
recording of:
Doo Wop (That Thing)
lyricist and composer:
Lauryn Hill
Lauryn Hill3.354:03
10Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:06
11Save Tonight
phonographic copyright (℗) by:
Diesel Music AB (in 1998)
recording of:
Save Tonight
lyricist and composer:
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing and Warner Chapell
Eagle‐Eye Cherry4.14:00
12My Father’s Eyes
drum machine programming:
Paul Waller
assistant engineer:
Adam Brown (UK engineer)
engineer:
Alan Douglas (Scottish born engineer)
producer:
Eric Clapton and Simon Climie
mixer:
Mick Guzauski
additional editor:
Mike Higham (British score composer)
editor:
Simon Climie
bass guitar:
Nathan East
drums (drum set):
Steve Gadd (drummer)
guitar:
EC and Andy Fairweather‐Low
Hammond organ:
Chris Stainton (keyboard player, session musician and songwriter)
keyboard:
Simon Climie
piano:
Joe Sample
background vocals:
Chyna (Chyna Gordon)
vocals:
EC
phonographic copyright (℗) by:
Reprise Records (in 1998)
engineered at:
Olympic (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
My Father’s Eyes
lyricist and composer:
Eric Clapton
publisher:
E.C. Music Limited (UK work publisher for Eric Clapton) and Unichappell Music Inc.
Eric Clapton3.655:23
13Anytime
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
samples:
Outside Your Door by Me’Shell NdegéOcello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
music videos:
Anytime by Brian McKnight
recording of:
Anytime
lyricist:
Brian McKnight
composer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal–Songs of PolyGram International, Inc.
Brian McKnight44:33
14Lullaby
recording of:
Lullaby
lyricist and composer:
Shawn Mullins
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Roadieodie Music Inc.
Shawn Mullins5:31
15You Were Meant for Me
cover recording of:
You Were Meant for Me (from “Singin’ in the Rain”)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Sting4:12

Credits

Release group

part of:GRAMMY Nominees (number: 1999) (order: 5)