Legendary Recordings

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Suite in E minor, BWV 996: I. Prélude (Passagio) Presto
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: I. Präludium. Presto (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: I. Präludium. Presto
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
2:53
2Suite in E minor, BWV 996: II. Allemande
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: II. Allemande (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: II. Allemande
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
2:18
3Suite in E minor, BWV 996: III. Courante
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: III. Courante (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: III. Courante
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
2:48
4English Suite no. 2 in A minor, BWV 807: III. Courante
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany (in 1966-10)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: III. Courante (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
1:27
5English Suite no. 2 in A minor, BWV 807: I. Prelude
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany (in 1966-10)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: I. Prélude (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
5:06
6English Suite no. 2 in A minor, BWV 807: II. Allemande
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: II. Allemande (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
2:54
7Brandenburg Concerto no. 1 in F major, BWV 1046: I.
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:26
8Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
5:07
9Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
5:00
10Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
1:18
11Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I - II
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:48
12Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:05
13Italian Concerto, BWV 971 (Arr. Tarkmann for Oboe & Ensemble): I.
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
part of:
Italienisches Konzert F-Dur, BWV 971 (catch-all for arrangements)
4:01
14Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Tarkmann for Oboe d'amore & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
3:10
15Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I - II (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
1:52
16Flute Sonata in E-flat major, BWV 1031: II. Siciliana (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
arranger:
Andreas N. Tarkmann (German composer)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
2:12
17Matthäus-Passion, BWV 244: Pt. 2: No. 39, Erbarme dich (Arr. For Oboe d'amore, Violin & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
oboe d'amore:
Albrecht Mayer (oboist)
violin:
Nigel Kennedy (violinist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
6:12
18Keyboard Concerto in F minor, BWV 1056: II. Largo (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
3:05
19Brandenburg Concerto no. 2 in F major, BWV 1047: I.
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:26
20Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:11
21Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:53
22Italian Concerto, BWV 971: I. [Allegro]
piano:
Friedrich Gulda (pianist) (on 1970-11-10)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1966-10)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (on 1970-11-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:07
23Italian Concerto, BWV 971: II. Andante
piano:
Friedrich Gulda (pianist) (on 1970-11-10)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1970-11-10)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (on 1970-11-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:22
24Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro]
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (English violinist) (from 1982-03 until 1982-05), Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:45
25Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (English violinist) (from 1982-03 until 1982-05), Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
0:34
26Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (English violinist) (from 1982-03 until 1982-05), Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
4:44
27English Suite no. 2 in A minor, BWV 807: IV. Sarabande - Les agréments de la même Sarabande
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany (in 1966-10)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: IV. Sarabande (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
3:30
28English Suite no. 2 in A minor, BWV 807: V. Bourrée I - Bourrée II
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany (in 1966-10)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
3:46
29English Suite no. 2 in A minor, BWV 807: VI. Gigue
piano:
Friedrich Gulda (pianist) (in 1966-10)
recorded at:
Deutschland Radio Studio 10 in Berlin, Germany (in 1966-10)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VII. Gigue (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
2:35
30Brandenburg Concerto no. 2 in F, BWV 1047: 1. (Allegro)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:52
31Brandenburg Concerto no. 2 in F, BWV 1047: 2. Andante
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:23
32Brandenburg Concerto no. 2 in F, BWV 1047: 3. Allegro assai
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:44
33Brandenburg Concerto no. 3 in G, BWV 1048: 1. (Allegro)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:04
34Brandenburg Concerto no. 3 in G, BWV 1048: 2. Adagio (BWV 1019a)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
0:18
35Brandenburg Concerto no. 3 in G, BWV 1048: 3. Allegro
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
4:45
36Brandenburg Concerto no. 4 in G, BWV 1049: 1. Allegro
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
6:48
37Brandenburg Concerto no. 4 in G, BWV 1049: 2. Andante
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:35
38Brandenburg Concerto no. 4 in G, BWV 1049: 3. Presto
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
4:34
39Brandenburg Concerto no. 5 in D, BWV 1050: 1. Allegro
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
10:04
40Brandenburg Concerto no. 5 in D, BWV 1050: 2. Affetuoso
flute:
Thierry Fischer (Swiss conductor and flutist)
harpsichord:
Ian Watson (conductor and keyboardist)
violin:
Marieke Blankestijn (violinist)
orchestra:
Chamber Orchestra of Europe
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:23
41Brandenburg Concerto no. 5 in D, BWV 1050: 3. Allegro
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:33
42Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1.
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
6:09
43Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
4:27
44Brandenburg Concerto no. 6 in B-flat, BWV 1051: 3. Allegro
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
5:48
45Concerto for Harpsichord, Strings, and Continuo no. 2 in E, BWV 1053: 1. (Allegro)
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe Concerto in F major, BWV 1053R: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
8:09
46Concerto for Harpsichord, Strings, and Continuo no. 2 in E, BWV 1053: 2. Siciliano
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
The Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
5:08
47Concerto for Harpsichord, Strings, and Continuo no. 2 in E, BWV 1053: 3. Allegro
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe Concerto in F major, BWV 1053R: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
6:14
48Concerto for Harpsichord, Oboe, Strings, and Continuo in D minor, BWV 1059: 1. Allegro
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
5:53
49Concerto for Harpsichord, Oboe, Strings, and Continuo in D minor, BWV 1059: 2. Adagio
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
2:49
50Concerto for Harpsichord, Oboe, Strings, and Continuo in D minor, BWV 1059: 3. Presto
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
3:10
51Concerto for Harpsichord, Strings, and Continuo no. 4 in A, BWV 1055: 1. (Allegro moderato)
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
4:27
52Concerto for Harpsichord, Strings, and Continuo no. 4 in A, BWV 1055: 2. Larghetto
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto
composer and arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
5:14
53Concerto for Harpsichord, Strings, and Continuo no. 4 in A, BWV 1055: 3. Allegro ma non tanto
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
4:27
54Suite in G minor for Lute, BWV 995: I. Prélude
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: I. Prelude (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: I. Prelude
part of:
Suite in G minor, BWV 995 [trans. A minor]
6:12
55Suite in G minor for Lute, BWV 995: II. Allemande
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: II. Allemande (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Lute in G minor, BWV 995 (original for lute)
5:07
56Suite in G minor for Lute, BWV 995: III. Courante
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: III. Courante (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: III. Courante
part of:
Suite in G minor, BWV 995 [trans. A minor]
2:00
57Suite in G minor for Lute, BWV 995: IV. Sarabande
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: IV. Sarabande (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: IV. Sarabande
part of:
Suite in G minor, BWV 995 [trans. A minor]
3:02
58Suite in G minor for Lute, BWV 995: V. Gavotte I / Gavotte II. En rondeau
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: V. Gavotte I (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: V. Gavotte I (Lute Suite in G Minor, BWV 995: Gavotte I)
part of:
Suite in G minor, BWV 995 [trans. A minor]
recording of:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau
part of:
Suite in G minor, BWV 995 [trans. A minor]
4:25
59Suite in G minor for Lute, BWV 995: VI. Gigue
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984-04)
recording of:
Suite for Lute in G minor, BWV 995: VII. Gigue (catch-all for arrangements) (in 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: VII. Gigue
part of:
Suite in G minor, BWV 995 [trans. A minor]
2:29
60Toccata in C minor, BWV 911
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
solo instruments:
Martha Argerich (Argentine pianist) (from 1979-02-06 until 1979-02-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1979-02-06 until 1979-02-09)
recording of:
Toccata in C minor, BWV 911 (from 1979-02-06 until 1979-02-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 911)
11:00
61Partita no. 2 in C minor, BWV 826: I. Sinfonia
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
4:20
62Partita no. 2 in C minor, BWV 826: II. Allemande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: II. Allemande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
4:18
63Partita no. 2 in C minor, BWV 826: III. Courante
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: III. Courante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
2:08
64Partita no. 2 in C minor, BWV 826: IV. Sarabande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: IV. Sarabande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
3:54
65Partita no. 2 in C minor, BWV 826: V. Rondeaux
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: V. Rondeaux (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
1:17
66Partita no. 2 in C minor, BWV 826: VI. Capriccio
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: VI. Capriccio (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
3:03
67English Suite no. 2 in A minor, BWV 807: I. Prelude
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: I. Prélude (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
4:27
68English Suite no. 2 in A minor, BWV 807: II. Allemande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: II. Allemande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
2:56
69English Suite no. 2 in A minor, BWV 807: III. Courante
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: III. Courante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
1:32
70English Suite no. 2 in A minor, BWV 807: IV. Sarabande / IVa. Les Agréments de La Même Sarabande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: IV. Sarabande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
4:08
71Jauchzet Gott in allen Landen, Cantata BWV 51: I. "Jauchzet Gott in allen Landen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
trumpet:
Willi Bauer (trumpet player) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:42
72Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis (Arr. Tarkmann for Cor anglais & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
conductor:
Albrecht Mayer (oboist)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
2:49
73Nun komm, der Heiden Heiland, BWV 659 (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
4:20
74Oster-Oratorium, BWV 249: IX. Saget, Saget (Arr. Tarkmann for Oboe d'amore & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
4:03
75Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
2:52
76Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Arr. Tarkmann for Cor anglais & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria "Mache dich, mein Herze, rein" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
5:39
77Toccata, Adagio & Fugue in C major, BWV 564: II. Adagio (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564 (catch all for arrangements)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
3:26
78Oboe d'amore Concerto in A major, BWV 1055R (Ed. Fischer): III. Allegro ma non tanto (Arr. Tarkmann for Oboe d'amore & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
arranger:
Andreas N. Tarkmann (German composer)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Concerto in A major, BWV 1055R: III. Allegro ma non tanto (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto
4:00
79Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": Schafe können sicher weiden (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:30
80Oster-Oratorium, BWV 249: I. Sinfonia (Arr. Tarkmann for Oboe & Ensemble)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
arranger:
Andreas N. Tarkmann (German composer)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: I. Sinfonia
3:11
81Mass in B minor, BWV 232: Agnus Dei
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist)
orchestra:
Sinfonia Varsovia
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
5:01
82Musical Offering, BWV 1079: 1. Ricercar a 3
producer:
Dr Gerd Ploebsch (engineer)
harpsichord:
Henk Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
5:46
83Musical Offering, BWV 1079: 4a. Canon 1 a 2 cancrizans
producer:
Dr Gerd Ploebsch (engineer)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:52
84Musical Offering, BWV 1079: 4b. Canon 2 a 2 violini in unisono
producer:
Dr Gerd Ploebsch (engineer)
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:48
85Musical Offering, BWV 1079: 4c. Canon 3 a 2 per motum contrarium
producer:
Dr Gerd Ploebsch (engineer)
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:34
86Musical Offering, BWV 1079: 4d. Canon 4 a 2 per augmentationem, contrario motu
producer:
Dr Gerd Ploebsch (engineer)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:45
87Musical Offering, BWV 1079: 4e. Canon 5 a 2 per tonos
producer:
Dr Gerd Ploebsch (engineer)
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:39
88Musical Offering, BWV 1079: 4f. Fuga canonica in epidiapente
producer:
Dr Gerd Ploebsch (engineer)
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:09
89Musical Offering, BWV 1079: 4g. Canon perpetuus super thema regium
producer:
Dr Gerd Ploebsch (engineer)
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:02
90Musical Offering, BWV 1079: 4h. Canon perpetuus
producer:
Dr Gerd Ploebsch (engineer)
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:19