The Fugitive: Music From the Original Soundtrack (Expanded Archival Collection)

~ Veröffentlichung von James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Limited Edition of 3000 Units.

Tracks 9-11: Original Album Suites
Tracks 12-17: Alternates
Tracks 18-19: Bonus Tracks

Limited edition of 3000 copies.

Anmerkung zuletzt geändert am 2013-08-04 08:29 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Main Title
recording engineer:
Dan Wallin
assistierende(r) Techniker(in):
Greg Dennen und Sue McLean
Partner-Techniker(in):
Tom Hardisty (film score engineer)
Koproduzent(in):
Michael Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
Mix:
Robert Schaper und Dan Wallin
assistierendes Editing:
David Olson (engineer, producer)
Editing:
Jim Weidman (music editor, producer)
conductor:
Marty Paich
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sony Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Main Title
Komponist(in):
James Newton Howard (American score composer)
3:50
2The Trial
4:31
3The Bus
4:56
4The Hand / The Hunt / The Tow Truck
4:04
5The Hospital
4:06
6Helicopter Chase
recording engineer:
Dan Wallin
assistierende(r) Techniker(in):
Greg Dennen und Sue McLean
Partner-Techniker(in):
Tom Hardisty (film score engineer)
Koproduzent(in):
Michael Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
Mix:
Robert Schaper und Dan Wallin
assistierendes Editing:
David Olson (engineer, producer)
Editing:
Jim Weidman (music editor, producer)
conductor:
Marty Paich
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sony Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Helicopter Chase
Komponist(in):
James Newton Howard (American score composer)
4:49
7The Sewer
4:24
8Kimble in the River
1:52
9The Dream / Kimble Dyes His Hair
2:45
10Copeland Bust
1:59
11Kimble Calls His Lawyer / No Press
1:57
12Kimble Returns to Hospital
3:06
13The Montage / Cops Bust the Boys / Computer Search
6:50
14Kimble Saves the Boy
2:54
15Gerard Computes
1:49
16The Courthouse / Stairway Chase
6:13
17Cheap Hotel / Sykes’ Apartment
4:37
2▼CD
Nr.TitelBewertungLänge
1Kimble Calls Gerard
2:37
2Memorial Hospital / It’s Not Over Yet
3:03
3See a Friend / Sykes Marks Kimble
2:12
4This Is My Stop / El Train Fight
4:02
5The Hotel
2:42
6Roof Fight, Pt. 1 / Roof Fight, Pt. 2 / Nichols Reappears
3:52
7The Elevator / The Laundry Room
4:58
8It’s Over / End Credits
5:40
9The Fugitive Theme
recording engineer:
Dan Wallin
assistierende(r) Techniker(in):
Greg Dennen und Sue McLean
Partner-Techniker(in):
Tom Hardisty (film score engineer)
Koproduzent(in):
Michael Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
Mix:
Robert Schaper und Dan Wallin
assistierendes Editing:
David Olson (engineer, producer)
Editing:
Jim Weidman (music editor, producer)
akustische Bassgitarre:
Chuck Domanico (American bassist)
Klavier:
James Newton Howard (American score composer)
Sopransaxophon:
Wayne Shorter (US jazz saxophonist and composer)
conductor:
Marty Paich
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sony Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
"The Fugitive" Theme
Komponist(in):
James Newton Howard (American score composer)
3:04
10Kimble Dyes His Hair
recording engineer:
Dan Wallin
assistierende(r) Techniker(in):
Greg Dennen und Sue McLean
Partner-Techniker(in):
Tom Hardisty (film score engineer)
Koproduzent(in):
Michael Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
Mix:
Robert Schaper und Dan Wallin
assistierendes Editing:
David Olson (engineer, producer)
Editing:
Jim Weidman (music editor, producer)
conductor:
Marty Paich
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sony Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Kimble Dyes His Hair
Komponist(in):
James Newton Howard (American score composer)
4:23
11No Press
recording engineer:
Dan Wallin
assistierende(r) Techniker(in):
Greg Dennen und Sue McLean
Partner-Techniker(in):
Tom Hardisty (film score engineer)
Koproduzent(in):
Michael Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
Mix:
Robert Schaper und Dan Wallin
assistierendes Editing:
David Olson (engineer, producer)
Editing:
Jim Weidman (music editor, producer)
conductor:
Marty Paich
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sony Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
No Press
Komponist(in):
James Newton Howard (American score composer)
4:57
12No Press (alternate)
0:45
13No Press (no Sax)
1:31
14Cops Bust the Boys (alternate)
1:09
15Computer Search (no sax)
2:49
16Roof Fight, Pt. 1 (less percussion)
1:57
17Roof Fight, Pt. 2 (less orch verb)
1:17
18Helicopter Chase / The Sewer (synth demos)
7:44
19Piano End Credits
2:47