Eight Classic Albums

~ Release by Lena Horne (see all versions of this release, 1 available)

Tracklist

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1▼CD: It’s Love (1955) / Lena Horne at the Waldorf Astoria (1957)
#	Title	Rating	Length
1	I’d Do Anything		2:48
2	You Do Something to Me cover recording of: You Do Something to Me (Fifty Million Frenchmen musical comedy) (in 1955) lyricist and composer: Cole Porter (composer) (in 1929) publisher: Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929) part of: Can‐Can (1960 musical film) part of: Fifty Million Frenchmen		2:01
3	You’re the One recording of: You’re the One (in 1955) lyricist and composer: Billy Strayhorn		3:31
4	Fun to Be Fooled cover recording of: Fun to Be Fooled (in 1955) lyricist: Ira Gershwin and Yip Harburg composer: Harold Arlen		3:25
5	Call Me Darling cover recording of: Call Me Darling (in 1955) lyricist: Bert Reisfeld writer: Albrecht Marcuse (composer, lyricist & pianist), Dorothy Dick and Mart Fryberg		3:12
6	It’s All Right With Me cover recording of: It’s All Right with Me (Can‐Can musical) (in 1955) lyricist and composer: Cole Porter (composer) (in 1953) publisher: Chappell & Co., Inc. (USA) part of: Can‐Can (1960 musical film) part of: High Society (stage musical)		2:40
7	Frankie & Johnny cover recording of: Frankie and Johnny (traditional song, version of “Frankie and Albert”) (in 1955) publisher: Hughie Cannon (in 1904) and Carl Sandburg (in 1927) lyricist, writer and composer: [traditional] (special purpose artist) part of: Roud Folk Song Index (number: 254) is based on: You’re My Baby		6:21
8	Let Me Love You cover recording of: Let Me Love You (in 1955) lyricist and composer: Bart Howard		3:16
9	Love Is the Thing cover recording of: Love Is the Thing (in 1955) writer: Ned Washington and Victor Young (American composer, arranger, violinist & conductor)		3:17
10	Then I’ll Be Tired of You cover recording of: Then I’ll Be Tired of You (in 1955) lyricist: Yip Harburg composer: Arthur Schwartz		3:10
11	It’s Love recording of: Wonderful Town: Act II. It’s Love (in 1955) lyricist: Betty Comden and Adolph Green composer: Leonard Bernstein (American conductor, composer, pianist) part of: Wonderful Town		2:11
12	Today I Love Everybody vocals: Lena Horne (on 1956-12-31) orchestra: Nat Brandwynne Orchestra (on 1956-12-31) conductor: Lennie Hayton (on 1956-12-31) recording of: Today I Love Everybody (on 1956-12-31) lyricist: Dorothy Fields (American librettist and lyricist) composer: Harold Arlen		2:55
13	Let Me Love You vocals: Lena Horne (on 1956-12-31) orchestra: Nat Brandwynne Orchestra (on 1956-12-31) conductor: Lennie Hayton (on 1956-12-31) cover recording of: Let Me Love You (on 1956-12-31) lyricist and composer: Bart Howard		3:13
14	Come Runnin’ orchestra: Nat Brandwynne Orchestra (on 1957-02-20) conductor: Lennie Hayton (on 1957-02-20) recorded at: Waldorf Astoria New York (1931-) in Midtown Manhattan, New York, New York, United States (on 1957-02-20) live recording of: Come Runnin' (on 1957-02-20) lyricist and composer: Roc Hillman (songwriter, arranger)		2:54
15	Cole Porter Medley: How’s Your Romance / After You / Love of My Life / It’s All Right With Me		7:46
16	Mood Indigo		2:36
17	I’m Beginning to See the Light		1:57
18	How You Say It		3:32
19	Honeysuckle Rose cover recording of: Honeysuckle Rose lyricist: Andy Razaf (in 1928) composer: Fats Waller (in 1928) publisher: Intersong Music part of: New York, New York (1977 musical film soundtrack) part of: Thousands Cheer (1943 movie)		3:15
20	Day In, Day Out		2:34
21	New Fangled Tango cover recording of: New Fangled Tango writer: Matt Dubey and Harold Karr		3:25
22	I Love to Love recording of: I Love to Love (Herbert Baker song) lyricist and composer: Herbert Baker		4:41
23	From This Moment On cover recording of: From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) lyricist and composer: Cole Porter (composer) (in 1950) part of: Kiss Me, Kate (musical)		2:24

2▼CD: Stormy Weather (1957) / Give the Lady What She Wants (1958)
#	Title	Rating	Length
1	Tomorrow Mountain recording of: Tomorrow Mountain writer: Duke Ellington (US composer, pianist & jazz bandleader) and John Latouche		2:57
2	Out of This World cover recording of: Out of This World lyricist: Johnny Mercer (in 1945) composer: Harold Arlen (in 1945) publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)		3:38
3	Summertime cover recording of: Summertime (American songbook standard from 1935 opera Porgy and Bess) lyricist: Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934) composer: George Gershwin (composer) (in 1934) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) version of: Porgy and Bess: Act I, Scene I. “Summertime” (Clara)		2:54
4	Mad About the Boy cover recording of: Mad About the Boy lyricist and composer: Noël Coward publisher: Chappell & Co. and Chappell Music Ltd. part of: Words and Music		3:08
5	Ridin’ the Moon		1:57
6	Stormy Weather conductor: Lou Bring (conductor and pianist) (on 1941-12-15) cover recording of: Stormy Weather (on 1941-12-15) lyricist: Ted Koehler (in 1933) composer: Harold Arlen (in 1933) publisher: Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild		3:46
7	Baby Won’t You Please Come Home cover recording of: Baby Won’t You Please Come Home writer: Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader) publisher: Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)		2:14
8	Any Place I Hang My Hat Is Home cover recording of: Any Place I Hang My Hat Is Home lyricist: Johnny Mercer composer: Harold Arlen publisher: Chappell & Co., Inc. (USA) and S.A. Music Co.		3:36
9	I’ll Be Waiting		3:01
10	I Wonder What Became of Me cover recording of: I Wonder What Became of Me? lyricist: Johnny Mercer (in 1946) composer: Harold Arlen (in 1946)		3:01
11	Just One of Those Things cover recording of: Just One of Those Things lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929) part of: Can‐Can (1960 musical film) part of: High Society (stage musical) part of: Jubilee part of: Panama Hattie (1942 film)		2:03
12	Diamonds Are a Girls Best Friend producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes) (in 1958) lyricist: Leo Robin (US composer, lyricist & songwriter) composer: Leo Robin (US composer, lyricist & songwriter) and Jule Styne publisher: Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) and Music Sales Corporation (American copyright holder in both popular and classical music) sub-publisher: ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) part of: Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)		2:14
13	People Will Say We’re in Love producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: People Will Say We’re in Love (in 1958) orchestrator: Robert Russell Bennett (American composer and arranger) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc. part of: Oklahoma! (Rodgers & Hammerstein musical)		3:23
14	Just in Time producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Just in Time (Bells Are Ringing) (in 1958) lyricist: Betty Comden (in 1956) and Adolph Green (in 1956) composer: Jule Styne (in 1956) publisher: Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Bells Are Ringing (stage musical)		2:56
15	Honey in the Honeycomb producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) recording of: Honey in the Honeycomb (in 1958) lyricist: John Latouche composer: Vernon Duke		2:29
16	You Better Know It producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: You Better Know It lyricist and composer: Duke Ellington (US composer, pianist & jazz bandleader)		2:55
17	Get Out of Town producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Get Out of Town (in 1958) lyricist and composer: Cole Porter (composer) (in 1938) part of: Leave It to Me!		2:24
18	Baubles, Bangles and Beads producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Baubles, Bangles and Beads (from “Kismet”) (in 1958) writer: George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) publisher: Frank Music Corp. and Scheffel Music Corp is based on: String Quartet no. 2 in D major: II. Scherzo. Allegro part of: Kismet (full musical)		2:44
19	Bewitched, Bothered and Bewildered cover recording of: Bewitched, Bothered and Bewildered (Pal Joey) lyricist: Lorenz Hart (in 1940) composer: Richard Rodgers (composer) (in 1940) publisher: WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company part of: Pal Joey		3:15
20	At Long Last Love producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: At Long Last Love (in 1958) lyricist and composer: Cole Porter (composer) (in 1938) publisher: Chappell & Co., Inc. (USA) part of: You Never Know		2:40
21	Speak Low producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Speak Low (One Touch of Venus) (in 1958) lyricist: Ogden Nash composer: Kurt Weill (composer) publisher: Chappell & Co. part of: One Touch of Venus (1943 musical)		3:28
22	Love producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) recording of: Love (in 1958) writer: Ralph Blane and Hugh Martin publisher: Leo Feist, Inc.		3:22
23	Let’s Put Out the Lights (And Go to Sleep) producer: Fred Reynolds (producer) vocals: Lena Horne (in 1958) cover recording of: Let’s Put Out the Lights and Go to Sleep (from the 1932 show “George White’s Music Hall Varieties”) (in 1958) lyricist and composer: Herman Hupfeld		2:07

3▼CD: Porgy and Bess (1959) / A Friend of Yours: Songs by Burke and Van Heusen (1960)
#	Title	Artist	Rating	Length
1	A Woman Is a Sometime Thing vocals: Harry Belafonte orchestra: Robert Corman and His Orchestra recording of: Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing” (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act I, Scene I	Harry Belafonte & Lena Horne		2:42
2	Summertime cover recording of: Summertime (American songbook standard from 1935 opera Porgy and Bess) lyricist: Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934) composer: George Gershwin (composer) (in 1934) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) version of: Porgy and Bess: Act I, Scene I. “Summertime” (Clara)	Harry Belafonte & Lena Horne		3:14
3	Oh, I Got Plenty of Nothin’ vocals: Harry Belafonte orchestra: Robert Corman and His Orchestra recording of: I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) publisher: Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935) is based on: Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”	Harry Belafonte & Lena Horne		3:00
4	I Wants to Stay Here vocals: Lena Horne orchestra: Lennie Hayton & His Orchestra cover recording of: Porgy and Bess: Act II, Scene III. “I loves you, Porgy” (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene III	Harry Belafonte & Lena Horne		3:32
5	Bess, You Is My Woman Now vocals: Harry Belafonte and Lena Horne orchestra: Lennie Hayton & His Orchestra cover recording of: Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell & Co., Inc. (USA) and Gershwin Publishing Corp is based on: Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”	Harry Belafonte & Lena Horne		6:02
6	It Ain’t Necessarily So vocals: Lena Horne orchestra: Lennie Hayton & His Orchestra cover recording of: It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1959) lyricist: Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) was commissioned by: Gershwin Publishing Corp (in 1935) version of: Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)	Harry Belafonte & Lena Horne		3:06
7	Street Calls: Strawberry Women / The Honey Ma / Crab Man vocals: Harry Belafonte orchestra: Robert Corman and His Orchestra recording of: Porgy and Bess: Act II, Scene III. “I’m talkin’ about devil crabs” lyricist: DuBose Heyward composer: George Gershwin (composer) part of: Porgy and Bess: Act II, Scene III	Harry Belafonte & Lena Horne		4:26
8	My Man’s Gone Now vocals: Lena Horne orchestra: Lennie Hayton & His Orchestra cover recording of: My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) lyricist: Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28) version of: Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”	Harry Belafonte & Lena Horne	2	4:11
9	Bess, Oh Where Is My Bess vocals: Harry Belafonte orchestra: Robert Corman and His Orchestra cover recording of: Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act III, Scene III	Harry Belafonte & Lena Horne		3:42
10	There’s a Boat That’s Leavin’ Soon for New York vocals: Harry Belafonte and Lena Horne orchestra: Lennie Hayton & His Orchestra cover recording of: Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (in 1959) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) part of: Porgy and Bess: Act III, Scene II	Harry Belafonte & Lena Horne	2	2:39
11	You Don’t Have to Know the Language recording of: You Don’t Have to Know the Language lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen	Lena Horne		2:55
12	Like Someone in Love cover recording of: Like Someone in Love lyricist: Johnny Burke (American lyricist, 1908–1964) (in 1944) composer: Jimmy Van Heusen (in 1944) publisher: Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)	Lena Horne		2:58
13	It’s Anybody’s Spring	Lena Horne		2:19
14	But Beautiful cover recording of: But Beautiful lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen publisher: Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)	Lena Horne		4:02
15	Just My Luck	Lena Horne		2:34
16	Get Rid of Monday recording of: Get Rid of Monday lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen	Lena Horne		2:52
17	A Friend of Yours	Lena Horne		3:09
18	It Could Happen to You cover recording of: It Could Happen to You lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen publisher: Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020) sub-publisher: Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)	Lena Horne		2:55
19	Sleigh Ride in July recording of: Sleigh Ride in July lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen part of: The 18th Academy Award for Best Original Song (number: 2)	Lena Horne		3:23
20	My Heart Is a Hobo recording of: My Heart Is a Hobo lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen	Lena Horne		1:54
21	Polka Dots and Moonbeams cover recording of: Polka Dots and Moonbeams lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen publisher: ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company sub-publisher: 日音 Synch事業部 (NICHION, INC. Synch Division)	Lena Horne		3:08
22	Ring My Bell	Lena Horne		3:10

4▼CD: Lena Horne at the Sands (1961) / Lena… Lovely and Alive (1962)
#	Title	Rating	Length
1	Maybe producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live recording of: Maybe (Billy Strayhorn song) (from 1960-11-03 until 1960-11-05) lyricist and composer: Billy Strayhorn		2:30
2	The Man I Love producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live cover recording of: The Man I Love (from 1960-11-03 until 1960-11-05) lyricist: Ira Gershwin (in 1924) composer: George Gershwin (composer) (in 1924) publisher: New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) included in: An American in Paris (2015 Broadway musical) part of: Lady, Be Good (full musical) part of: New York, New York (1977 musical film soundtrack)		4:20
3	Get Rid of Monday producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live recording of: Get Rid of Monday (from 1960-11-03 until 1960-11-05) lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen		3:01
4	Jule Styne Medley: Ride on a Rainbow / I Said No / Some People		7:31
5	You Don’t Have to Know the Language producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live recording of: You Don’t Have to Know the Language (from 1960-11-03 until 1960-11-05) lyricist: Johnny Burke (American lyricist, 1908–1964) composer: Jimmy Van Heusen		2:14
6	Out of My Continental Mind producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live recording of: Out of My Continental Mind (from 1960-11-03 until 1960-11-05) writer: Burt Bacharach and Sydney Shaw (arranger and songwriter)		2:27
7	Rodgers & Hammerstein Medley: A Cock‐Eyed Optimist / I Have Dreamed / The Surrey With the Fringe on Top producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live medley including a recording of: A Cockeyed Optimist (South Pacific) (from 1960-11-03 until 1960-11-05) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: Williamson Music Company part of: South Pacific (Rodgers & Hammerstein musical) live medley including a recording of: I Have Dreamed (The King and I) (from 1960-11-03 until 1960-11-05) orchestrator: Robert Russell Bennett (American composer and arranger) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) part of: The King and I (Rodgers & Hammerstein musical) live medley including a recording of: The Surrey With the Fringe on Top (from 1960-11-03 until 1960-11-05) orchestrator: Robert Russell Bennett (American composer and arranger) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present) part of: Oklahoma! (Rodgers & Hammerstein musical) part of: The Real Book (compilation of jazz standards, volume I)		7:07
8	Yip Harburg Medley: Thrill Me / What Is There to Say / The Beat		6:48
9	Don’t Commit the Crime producer: Dick Peirce orchestra: Antonio Morelli and His Orchestra (from 1960-11-03 until 1960-11-05) conductor: Lennie Hayton (from 1960-11-03 until 1960-11-05) recorded at: The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, United States (from 1960-11-03 until 1960-11-05) live recording of: Don't Commit the Crime (from 1960-11-03 until 1960-11-05) writer: Lena Horne and Sydney Shaw (arranger and songwriter)		5:32
10	I Concentrate on You vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Concentrate on You (in 1962) lyricist and composer: Cole Porter (composer) (in 1939) publisher: Chappell & Co., Inc. (USA)		2:40
11	I Get the Blues When It Rains vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Get the Blues When It Rains (in 1962) lyricist and composer: Marcy Klauber and Harry Stoddard		3:40
12	I’ve Grown Accustomed to His Face vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1962) lyricist: Alan Jay Lerner composer: Frederick Loewe (in 1956) publisher: Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: My Fair Lady (full musical)		3:04
13	I Got Rhythm vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Got Rhythm (in 1962) lyricist: Ira Gershwin (in 1930) composer: George Gershwin (composer) (in 1930) publisher: Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930) included in: An American in Paris (2015 Broadway musical) part of: Crazy for You (1992 musical) part of: Girl Crazy (1930 Musical) part of: When the Boys Meet the Girls (1965 film)		2:51
14	I’m Confessin’ vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) recording of: I’m Confessin’ (That I Love You) (in 1962) lyricist: Al J. Neiburg (lyricist) (in 1930) composer: Doc Daugherty (in 1930) and Ellis Reynolds (in 1930) publisher: Bourne Music Ltd. version of: Lookin’ for Another Sweetie		3:28
15	I Want to Be Happy vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Want to Be Happy (No, No, Nanette) (in 1962) lyricist: Irving Caesar and Otto Harbach composer: Vincent Youmans part of: No, No, Nanette		1:47
16	I Surrender Dear vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Surrender Dear (in 1962) lyricist: Gordon Clifford (in 1931) composer: Harry Barris (in 1931) publisher: Mills Music, Inc.		3:31
17	I’ve Found a New Baby vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I’ve Found a New Baby (in 1962) writer: Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)		2:09
18	I Understand vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Understand (in 1962) lyricist: Kim Gannon composer: Mabel Wayne		3:45
19	I Let a Song Go Out of My Heart vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Let a Song Go Out of My Heart (in 1962) lyricist: Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1938) part of: The Real Book (compilation of jazz standards, volume I)		2:43
20	I Ain’t Got Nobody vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Ain’t Got Nobody (in 1962) lyricist: Roger Graham composer: Spencer Williams (US jazz composer, pianist & singer)		2:19
21	I Only Have Eyes for You vocals: Lena Horne (in 1962) orchestrator: Marty Paich (in 1962) cover recording of: I Only Have Eyes for You (in 1962) lyricist: Al Dubin composer: Harry Warren (US composer and lyricist) publisher: B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: 42nd Street (full musical) part of: Dames (film) part of: Twins (1988)		3:17

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Discogs:	https://www.discogs.com/release/6720034 [info]
ASIN:	DE: B00EQK5P78 [info]

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part of:	... Classic Albums (Real Gone Music) (order: 1)

Eight Classic Albums

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