Les Urnes de l'Opéra

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Discours enregistré par Monsieur Firmin Gémier lors de la cérémonie du 13 juin 1912 à l'Opéra
spoken vocals:
Firmin Gémier (french actor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Firmin Gémier3:23
2Ariane : Acte III. « La Fine Grâce » (Ariane)
soprano vocals [Ariane]:
Marguerite Mérentié (french soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Ariane : Acte III. « La Fine Grâce » (Ariane) (in 1907)
composer:
Jules Massenet (French Romantic composer)
part of:
Ariane
Jules Massenet2:31
3Ariane : Acte III. « Ah ! Le Cruel » (Ariane)
soprano vocals [Ariane]:
Marguerite Mérentié (french soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Ariane : Acte III. « Ah ! Le Cruel » (Ariane) (in 1907)
composer:
Jules Massenet (French Romantic composer)
part of:
Ariane
Jules Massenet2:08
4La Procession : « Dieu s'avance à travers les champs »
soprano vocals:
Berthe Auguez de Montalant (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La Procession : « Dieu s'avance à travers les champs » (in 1907)
composer:
César Franck (Belgian‐born French composer)
part of:
La Procession, FWV 88
César Franck2:35
5La Procession : « Aux cantiques de l'homme »
soprano vocals:
Berthe Auguez de Montalant (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La Procession : « Aux cantiques de l'homme » (in 1907)
composer:
César Franck (Belgian‐born French composer)
part of:
La Procession, FWV 88
César Franck2:50
6Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans le rêve » (Juliette)
soprano vocals [Juliette]:
Julia Lindsay (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (in 1907)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:05
7Faust : Acte III. « Il était un roi de Thulé » (Marguerite)
soprano vocals [Marguerite]:
Julia Lindsay (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
partial recording of:
Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite) (in 1907)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod2:18
8Roméo et Juliette : Acte II. « Ah ! Lève-toi, soleil » (Hamlet)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1904)
tenor vocals [Roméo]:
Augustarello Affre (French tenor, early 20th century) (in 1904)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo) (in 1904)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles‐François Gounod3:02
9Le Trouvère : Acte I. « Exilé sur la terre » (Manrico)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
tenor vocals [Manrico]:
Agustarello Affre (French tenor, early 20th century) (in 1907)
recording of:
Le Trouvère : Acte I. « Exilé sur la terre » (Manrico) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Le Trouvère
Giuseppe Verdi1:55
10Hamlet : Acte V. « Comme une pâle fleur » (Hamlet)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
baritone vocals [Hamlet]:
Maurice Renaud (French baritone) (in 1906)
recording of:
Hamlet : Acte V. « Comme une pâle fleur » (Hamlet) (in 1906)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte V
Ambroise Thomas2:58
11La Favorite : Acte II. « Pour tant d'amour » (Alphonse XI)
baritone vocals [Alphonse XI]:
Jean Noté (Belgian 19/20th century operatic baritone) (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
La Favorite : Acte III, scène 3. « Fernand de votre amour » … Trio « Pour tant d’amour ne soyez pas ingrate » (Alphonse, Léonor, Fernand) (in 1906)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Favorite: Acte III
Gaetano Donizetti3:00
12La Favorite : Acte II. « Jardins de l'Alcazar » (Alphonse XI)
baritone vocals [Alphonse XI]:
Jean Noté (Belgian 19/20th century operatic baritone) (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
La Favorite : Acte II, scène 1. Récit « Jardins de l’Alcazar, délices des rois Maures » (Alphonse, Don Gaspar) (in 1906)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Favorite: Acte II
Gaetano Donizetti3:22
13Si j'étais roi : Acte I. « J'ignore son nom » (Zéphoris)
tenor vocals [Zéphoris]:
Léon Beyle (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Si j'étais roi : Acte I. « J'ignore son nom » (Zéphoris) (in 1907)
composer:
Adolphe Adam (French composer)
part of:
Si j'étais roi: Acte I
Adolphe Adam2:49
14Si j'étais roi : Acte I. « Un regard de ses yeux » (Zéphoris)
tenor vocals [Zéphoris]:
Léon Beyle (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Si j'étais roi : Acte I. « Un regard de ses yeux » (Zéphoris) (in 1907)
composer:
Adolphe Adam (French composer)
part of:
Si j'étais roi: Acte I
Adolphe Adam2:28
15La Joconde ou Les Coureurs d'aventures : « Dans un délire extrême » (Lysandre)
baritone vocals:
Hector Dufranne (Belgian 19/20th century operatic baritone) (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
La Joconde ou Les Coureurs d'aventures : « Dans un délire extrême » (Lysandre) (in 1906)
composer:
Nicolas Isouard
part of:
La Joconde ou Les Coureurs d'aventures
Nicolò Isouard2:42
16Le Châlet : « Arrêtons-nous ici … Vallons de l'Hélvétie ” (Max)
baritone vocals [Max]:
Hector Dufranne (Belgian 19/20th century operatic baritone) (in 1905)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1905)
recording of:
Le Châlet : « Arrêtons-nous ici … Vallons de l'Hélvétie ” (Max) (in 1905)
composer:
Adolphe Adam (French composer)
part of:
Le Châlet
Adolphe Adam3:17
17Sérénade à la lune
piano:
Raoul Pugno (pianist, composer)
recording of:
Sérénade à la lune
composer:
Raoul Pugno (pianist, composer)
Raoul Pugno2:36
18Oratorio de Noël : trio « Tecum principium » (transcription piano, violon et violoncelle)
recorded in:
Paris, Île-de-France, France (in 1906)
cello:
Cornelis Liégois (cellist, composer) (in 1906)
piano:
Auguste Delacroix (composer, pianist) (in 1906)
violin:
Henri De Bruyne (violin player) (in 1906)
recording of:
Oratorio de Noël, op. 12: VII. Trio: Tecum principium (in 1906)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Oratorio de Noël, op. 12: VII. Trio: Tecum principium (Christmas Oratorio, Op. 12: VII. Trio: Tecum principium)
Camille Saint‐Saëns3:12
19Andante religioso
cello:
Cornelis Liégois (cellist, composer) (in 1906)
instruments:
Henri De Bruyne (violin player) (in 1906)
piano:
Auguste Delacroix (composer, pianist) (in 1906)
recording of:
Andante religioso, op. 70 (in 1906)
composer:
Francis Thomé
Francis Thomé3:30
20Villanelle : « J'ai vu passer l'hirondelle »
soprano vocals:
Selma Kurz (Austrian soprano) (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
Villanelle : « J'ai vu passer l'hirondelle » (in 1906)
composer:
Eva Dell'Acqua
Eva Dell'Acqua3:07
21Le Barbier de Séville : Acte I. « Rien ne peut changer mon âme » (Rosine)
soprano vocals [Rosine]:
Lucette Korsoff (soprano) (in 1905)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1905)
recording of:
Le Barbier de Séville : Acte I. « Rien ne peut changer mon âme » (Rosine) (in 1905)
composer:
Gioachino Rossini (composer)
translated version of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
part of:
Le Barbier de Séville (french lyrics)
Gioachino Rossini6:02
22Otello: Atto IV. Morte d'Otello “Niun mi tema” (Otello)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1904)
tenor vocals [Otello]:
Francesco Tamagno (italian tenor) (in 1904)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1904)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:12
23La forza del destino: Atto III. Duo “Solenne in quest'ora” (Alvaro, Carlo)
recorded in:
New York, New York, United States (on 1906-03-13)
baritone vocals [Carlo]:
Antonio Scotti (Italian baritone) (on 1906-03-13)
tenor vocals [Alvaro]:
Enrico Caruso (tenor) (on 1906-03-13)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1906-03-13)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo) (on 1906-03-13)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:20
24Faust : Acte III. « Vous qui faites l'endormie » (Méphistophélès)
bass vocals [Méphistophélès]:
Pol Plançon (operatic bass) (on 1906-01-23)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1906-01-23)
recording of:
Faust : Acte IV. No. 24 Sérénade « Vous qui faites l’endormie » (Méphistophélès) (on 1906-01-23)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte IV
Charles‐François Gounod3:10
25Ernani: Atto I. “Da quel dì che t'ho veduta” (Carlo)
baritone vocals [Carlo]:
Mattia Battistini (italian baritone) (in 1907)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:14
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1I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila)
soprano vocals [Leila]:
Giuseppina Huguet (soprano) (in 1906)
tenor vocals [Nadir]:
Fernando De Lucia (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila) (in 1906)
composer:
Georges Bizet (French composer)
part of:
I pescatori di perle
Georges Bizet4:00
2Don Giovanni: Atto I. “Batti, batti, o bel Masetto” (Zerlina)
piano:
Sir Landon Ronald (pianist, conductor and composer) (in 1905-12)
soprano vocals [Zerlina]:
Adelina Patti (in 1905-12)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1905-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
3Rigoletto: Atto I. “Caro nome … Gualtier Maldé”
recorded in:
New York, New York, United States (in 1907-03)
soprano vocals [Gilda]:
Nellie Melba (soprano) (in 1907-03)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907-03)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1907-03)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
partial recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi3:51
4Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila)
contralto vocals [Dalila]:
Ernestine Schumann‐Heink (contralto) (in 1905)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1905)
recording of:
Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila) (in 1905)
composer:
Camille Saint‐Saëns (composer)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns3:21
5La forza del destino: Atto II. “Madre pietosa, vergine” (Leonora)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1907)
soprano vocals [Leonora]:
Celestina Boninsegna (Italian soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi4:02
6Carmen : Acte I. Habanera « L'amour est un oiseau rebelle ” (Carmen)
soprano vocals [Carmen]:
Emma Calvé (soprano) (in 1907-04)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907-04)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1907-04)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet2:59
7Le Prophète : Acte IV. Marche
recorded in:
London (Greater London), England, United Kingdom (in 1906)
performer:
The Band of the Coldstream Guards (in 1906)
recording of:
Le Prophète: Acte IV. Marche du couronnement (catch-all for arrangements) (in 1906)
composer:
Giacomo Meyerbeer (composer)
arrangement of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
Giacomo Meyerbeer4:03
8La Ronde des lutins
recorded in:
London (Greater London), England, United Kingdom (in 1904)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1904)
violin:
Jan Kubelík (Czech violinist and composer) (in 1904)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins" (in 1904)
composer:
Antonio Bazzini (Italian violinist and composer) (in 1852)
part of:
Works of Antonio Bazzini by opus number (number: op. 25)
Antonio Bazzini3:27
9Symphonie n° 6 en fa majeur op. 68 « Pastorale » I. Allegro ma non troppo
performer:
Musique de la Garde républicaine (in 1911)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 1911)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:39
10Zapateado. Danse espagnole op. 23 n° 2
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-07-03)
violin:
Jan Kubelík (Czech violinist and composer) (on 1911-07-03)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (on 1911-07-03)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:26
11Valse en la bémol majeur op. 34 n° 1
piano:
Ignacy Jan Paderewski (Polish pianist and composer) (in 1911)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1 (in 1911)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
Frédéric Chopin4:54
12Aida: Atto I. “Celeste Aida” (Radamès)
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1908)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:26
13Otello: Atto II. “Credo” (Iago)
baritone vocals [Iago]:
Pasquale Amato (Italian operatic baritone) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (in 1911)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:21
14Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin)
tenor vocals [Lohengrin]:
Paul Franz (tenor) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin) (in 1911)
composer:
Richard Wagner (composer)
Richard Wagner4:05
15Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
bass vocals:
Fédor Chaliapine (Feodor Chaliapin, operatic bass) (in 1908)
recording of:
Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre) (in 1908)
composer:
Feodor Koenemann
Feodor Koenemann3:32
16Rigoletto: Atto III. Quartetto “Bella figlia d'amore” (Rigoletto, Gilda, Duca, Sparafucile)
baritone vocals [Rigoletto]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Maddalena]:
Louise Homer (American operatic contralto) (in 1907)
soprano vocals [Gilda]:
Bessie Abott (soprano) (in 1907)
tenor vocals [Duca]:
Enrico Caruso (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:46
17La bohème: Atto III. Quartetto “Addio, dolce svegliare” (Mimì, Rodolfo, Marcello, Musetta)
baritone vocals [Marcello]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Musetta]:
Gina Viafora (mezzo-soprano) (in 1907)
soprano vocals [Mimì]:
Geraldine Farrar (American soprano) (in 1907)
tenor vocals [Rodolfo]:
Enrico Caruso (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1907)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:33
18Lucia di Lammermoor: Atto II. “Sestetto “Chi mi frina”
baritone vocals [Enrico]:
Antonio Scotti (Italian baritone) (in 1908)
bass vocals [Raimondo]:
Marcel Journet (French operatic bass) (in 1908)
contralto vocals [Alisa]:
Gina Severina (mezzo-soprano) (in 1908)
soprano vocals [Lucia]:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (in 1908)
tenor vocals [Arturo]:
Francesco Daddi (in 1908)
tenor vocals [Edgardo]:
Enrico Caruso (tenor) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1908)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:01
19L'incantatrice
soprano vocals:
Maria Galvany (spanish soprano) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
conductor:
Carlo Sabajno (conductor) (in 1908)
recording of:
L'incantatrice (in 1908)
composer:
Luigi Arditi
Luigi Arditi3:31
20Le nozze di Figaro: Atto I. Cavatina “Voi che sapete” (Cherubino)
soprano vocals [Cherubino]:
Nellie Melba (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1907)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:14
21Allegretto
piano:
George Falkenstein (in 1911)
violin:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1911)
recording of:
Allegretto (in 1911)
composer:
Luigi Boccherini (Italian composer)
Luigi Boccherini2:17
22Faust : Acte I. Cavatine « Le veau d'or est toujours debout » (Méphistophélès)
bass vocals [Méphistophélès]:
Marcel Journet (French operatic bass) (in 1910)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1910)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (in 1910)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles‐François Gounod1:57
3▼CD
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto I. Cavatina “Una voce poco fa” (Rosina)
soprano vocals [Rosina]:
Luisa Tetrazzini (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1907)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:08
2Roméo et Juliette : Acte II. Cavatine « L'amour, l'amour – Ah ! Lève-toi, soleil » (Roméo)
tenor vocals [Roméo]:
Léon Campagnola (tenor) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo) (in 1911)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles‐François Gounod4:23
3Faust: Acte III. Cavatine « Salut, demeure chaste et pure » (Faust)
tenor vocals [Faust]:
Léon Campagnola (tenor) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1911)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod4:32
4Le Roi d'Ys : Acte III. Aubade « Vainement, ma bien-aimée » (Mylio)
tenor vocals [Mylio]:
Léon Beyle (tenor) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Aubade "Vainement, ma bien-aimée" from Le Roi d'Ys (for violin and piano, Szigeti) (in 1908)
composer:
Édouard Lalo (French composer)
arranger:
Joseph Szigeti (violinist)
arrangement of:
Le Roi d'Ys: Acte III. Aubade « Vainement, ma bien-aimée » (Mylio)
Édouard Lalo3:03
5Werther : Acte II. «Un autre est son époux … J'aurai sur ma poitrine » (Werther)
tenor vocals [Werther]:
Léon Beyle (tenor) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Werther : Acte II. « J'aurais sur ma poitrine » (Werther) (in 1911)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte II (Les Tilleuls)
recording of:
Werther : Acte II. « Un autre est son époux ! » (Werther) (in 1911)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte II (Les Tilleuls)
Jules Massenet3:01
6Le Cimetière de campagne : « J'ai revu le cimetière du beau pays d'Ambérieux »
piano and baritone vocals:
Reynaldo Hahn (composer) (in 1909)
recording of:
Cimetière de campagne (« J'ai revu le cimetière du beau pays d'Ambérieux ») (in 1909)
lyricist:
Gabriel Vicaire (poet)
composer:
Reynaldo Hahn (composer)
part of:
Premier Recueil de 20 mélodies (1896) (number: 12)
Reynaldo Hahn2:40
7L'Île heureuse : « Dans le golfe aux jardins ombreux »
piano and baritone vocals:
Reynaldo Hahn (composer) (in 1909)
recording of:
L'Île heureuse (in 1909)
lyricist:
Éphraïm Mikhaël
composer:
Emmanuel Chabrier (composer) (in 1889)
part of:
6 Mélodies
Emmanuel Chabrier2:44
8Rigoletto : Acte II. « Paix, voici le bouffon » (Marullo, Rigoletto, Paggio, Borsa)
baritone vocals [Rigoletto]:
Daniel Vigneau (baritone)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Rigoletto : Acte II. « Paix, voici le bouffon » (Marullo, Rigoletto, Paggio, Borsa)
composer:
Giuseppe Verdi (Italian opera composer)
Giuseppe Verdi3:54
9Rigoletto : Atto II. « Courtisans, race vile » (Rigoletto)
baritone vocals [Rigoletto]:
Daniel Vigneau (baritone)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Rigoletto : Atto II. « Courtisans, race vile » (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
part of:
Rigoletto (french lyrics)
Giuseppe Verdi3:57
10Samson et Dalila : Acte II. « Mon cœur s'ouvre à ta voix » (Dalila)
mezzo-soprano vocals [Dalila]:
Suzanne Brohly (mezzo-soprano) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (in 1908)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns3:39
11Les Saisons : Acte III. « Celle pour qui de ton âme le souvenir doit s'effacer » (Simonne)
mezzo-soprano vocals:
Suzanne Brohly (mezzo-soprano) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Les Saisons : Acte III. « Celle pour qui de ton âme le souvenir doit s'effacer » (Simonne) (in 1908)
composer:
Victor Massé (French composer)
Victor Massé3:43
12La Damnation de Faust : 4e partie. Romance « D'amour l'ardente flamme » (Marguerite)
soprano vocals [Marguerite]:
Berthe Auguez de Montalant (soprano) (in 1909)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1909)
recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (in 1909)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz8:13
13Werther: Acte I. Scène de la déclaration « Il faut nous séparer … Vous avez dit vrai » (Werther, Charlotte)
mezzo-soprano vocals [Charlotte]:
Suzanne Brohly (mezzo-soprano)
tenor vocals [Werther]:
Léon Beyle (tenor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Werther : Acte I. « Il faut nous séparer » – « Ah ! Pourvu que je voie ces yeux » (Charlotte, Werther)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte I (La Maison du bailli)
recording of:
Werther : Acte I. « Mais vous ne savez rien de moi » - « Mon âme a reconnu votre âme » - « Vous avez dit vrai ! » – « Si vous l'aviez connue » (Charlotte, Werther)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte I (La Maison du bailli)
Jules Massenet7:45
14La Traviata : Acte I. « Quel trouble en vain je voudrais m'en défendre » (Violetta)
soprano vocals [Violetta]:
Lucette Korsoff (soprano) (on 1910-11-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-11-10)
recording of:
La Traviata : Acte I. « Quel trouble en vain je voudrais m'en défendre » (Violetta) (on 1910-11-10)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
part of:
La traviata (french lyrics)
Giuseppe Verdi4:33
15La Traviata : Acte I. « Folie, folie, oh ! Je suis insensée » (Violetta)
soprano vocals [Violetta]:
Lucette Korsoff (soprano) (on 1910-11-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1910-11-10)
recording of:
La Traviata : Acte I. « Folie, folie, oh ! Je suis insensée » (Violetta) (on 1910-11-10)
composer:
Giuseppe Verdi (Italian opera composer)
Giuseppe Verdi3:17

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Release

ASIN:FR: B001Q8UPI2 [info]