Cold Feet

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Everything Must Go
registrazione di:
Everything Must Go
paroliere:
Nicky Wire
compositore:
James Dean Bradfield e Sean Moore (Manic Street Preachers)
Manic Street Preachers3:35
2Have a Nice Day
produttore:
Marshall Bird e Steve Bush (engineer/mixer)
registrazione di:
Have a Nice Day
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:23
3Glorious
registrazione di:
Glorious
paroliere e compositore:
Andreas Johnson
editore:
EMI Blackwood Music Inc. e EMI Music Publishing Scandinavia AB
Andreas Johnson43:27
4Dead From the Waist Down
tecnico:
Joe Gibb
produttore:
Catatonia (Welsh alternative rock band, ~1992–2001) e Tommy Danvers
tecnico di missaggio:
Tommy Danvers e Roland Herrington
registrata presso:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Regno Unito
mixata presso:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, Regno Unito
registrazione di:
Dead From the Waist Down
paroliere:
Mark Roberts (Welsh guitarist, Catatonia)
compositore:
Paul Jones (Welsh bassist for Catatonia), Cerys Matthews (lead singer, Catatonia), Owen Powell, Aled Richards (drummer, Catatonia) e Mark Roberts (Welsh guitarist, Catatonia)
Catatonia34:14
5She's in Fashion
tecnico di missaggio:
Steve Osborne (producer)
voce:
Brett Anderson (Suede)
video musicali:
She’s in Fashion di Suede (English rock band)
registrazione di:
She’s in Fashion
autore:
Brett Anderson (Suede) e Neil Codling
Suede3.54:51
6There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
7Common People
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer) (dal 1995-01-18 al 1995-01-24)
assistente tecnico:
Pete Lewis (engineer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1995-01-18 al 1995-01-24)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Common People di Pulp
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 3), Indie 88: Top 500 Indie Rock Songs (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 75)
registrazione di:
Common People (dal 1995-01-18 al 1995-01-24)
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp4.75:49
8Getting Away With It (All Messed Up)
registrazione di:
Getting Away With It (All Messed Up)
paroliere:
Tim Booth
compositore:
Dave Baynton-Power, Tim Booth, Saul Davies, Jim Glennie e Mark Hunter (Member of the band James)
James4:25
9Part of the Process
Morcheeba3:45
10Destiny
video musicale per:
Destiny (music video) di Zero 7
registrazione di:
Destiny
autore:
Henry Binns, Sam Hardaker, Sia Furler (Sia, Australian singer‐songwriter) e Sophie Barker (UK electronic vocalist)
Zero 73.43:44
11Why Does My Heart Feel So Bad?
tecnico, produttore e tecnico di missaggio:
Moby (electronic musician Richard Melville Hall)
cori e cori ospite:
The Shining Light Gospel Choir
video musicali:
Why Does My Heart Feel So Bad? (Animated) di Moby (electronic musician Richard Melville Hall)
registrazione di:
Why Does My Heart Feel So Bad?
paroliere e compositore:
Moby (electronic musician Richard Melville Hall)
editore:
Little Idiot Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby43:42
12Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:16
13Horny
Mousse T. vs. Hot ’n’ Juicy3:02
14Pure & Simple
diritti fonografici (℗) detenuti da:
Polydor Ltd. (not for release label use; fka Polydor Records Ltd.) (nel 2001)
video musicali:
Pure & Simple di Hearsay
registrazione di:
Pure & Simple
autore:
Alison Clarkson (British dance music singer-songwriter), Tim Hawes (songwriter) e Pete Kirtley (songwriter, producer)
editore:
Strongsongs e Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Hear’Say33:45
15The Way You Make Me Feel
registrazione di:
The Way You Make Me Feel
autore:
Bryan Adams (Canadian singer/songwriter) e Phil Thornalley
editore:
Badams Music Limited e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ronan Keating3:36
16Sing it Back
tecnico e tecnico di missaggio:
Mark Brydon
produttore:
Moloko (English‐Irish electronic music duo)
produttore aggiunto:
Boris D’Lugosch e Michael Lange
basso e chitarra :
M. Bartel
tastiera aggiunto:
Günther Gerl
voce principale:
Róisín Murphy
remixer:
Boris D’Lugosch e Michael Lange
diritti fonografici (℗) detenuti da:
The Echo Label Ltd. (nel 1999)
è stato produttore per e remixata per:
Elusive Productions
remix di:
Sing It Back (album version) di Moloko (English‐Irish electronic music duo)
edit di:
Sing It Back (Boris Musical mix) di Moloko (English‐Irish electronic music duo)
registrazione di:
Sing It Back
autore:
Mark Brydon e Róisín Murphy
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e Chrysalis Music Publishing
Moloko3.454:38
17Precious Heart
Tall Paul vs. INXS2:56
18High
diritti fonografici (℗) detenuti da:
The Wild Card Label Ltd (nel 1997)
video musicali:
High di Lighthouse Family
registrazione di:
High
paroliere:
Paul Tucker
compositore:
Tunde Baiyewu e Paul Tucker
editore:
Polygram Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3.355:11
19Your Love Gets Sweeter
co-produttore:
Kevin Bacon (Sheffield UK DJ/producer), Jonathan Quarmby (English record producer) e Finley Quaye
arrangiatore:
Finley Quaye
registrazione di:
Your Love Gets Sweeter
compositore:
[traditional] (special purpose artist)
arrangiatore:
Finley Quaye
Finley Quaye3.53:11
2▼CD
#TitoloArtistaValutazioneDurata
1Long Hot Summer
registrazione di:
Long Hot Summer
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Stylist Music Ltd.
The Style Council3:49
2While You See a Chance
registrazione di:
While You See a Chance
paroliere e compositore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood5:09
3Nothing's Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:26
4The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.24:23
5Hold the Line
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Toto (US rock group)
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (nel 1978-08)
percussione :
Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
6Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:27
7Is She Really Going Out with Him
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:37
8Up in the Junction
produttore:
Squeeze (UK new wave band) e John Wood (UK producer)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
video musicali:
Up the Junction di Squeeze (UK new wave band)
registrazione di:
Up the Junction
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Deptford Songs
Squeeze4.53:08
9Poison Arrow
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 76)
registrazione di:
Poison Arrow
autore:
Martin Fry, Mark Lickley, Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. e Virgin Music (Publishing) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4.43:23
10Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:51
11Get a Life
produttore:
Nellee Hooper e Jazzie B
registrazione di:
Get a Life
autore:
Hayden MacLaren Browne e Beresford Romeo
Soul II Soul33:41
12Help Yourself
registrazione di:
Help Yourself
paroliere:
Mogul (Italian lyricist)
autore:
Jack Fishman
compositore:
Carlo Donida
si basa su:
Gli Occhi Miei
Tom Jones2:51
13Can't Get Enough of Your Love
diritti fonografici (℗) detenuti da:
PolyGram Records (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:02
14The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
15Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.653:57
16Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:52
17May You Never
tecnico:
John Wood (UK producer)
produttore:
John Wood (UK producer) e John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
basso :
Dave Pegg (dal 1972-11 al 1972-12)
batteria :
Dave Mattacks (dal 1972-11 al 1972-12)
chitarra acustica e chitarra elettrica :
John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
clavinet, organo e pianoforte :
John “Rabbit” Bundrick (dal 1972-11 al 1972-12)
congas :
Neemoi Acquaye (dal 1972-11 al 1972-12)
contrabbasso :
Danny Thompson (English double bass player) (dal 1972-11 al 1972-12)
voce:
John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
registrazione di:
May You Never
paroliere e compositore:
Iain David McGeachy (British singer‐songwriter and guitarist)
editore:
Intersong Music Ltd. e Intersong U.S.A. (publisher)
John Martyn4.253:41
18Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:11