Ein Melodienreigen großer Klassikthemen

~ Release by Mendelsson Bartholdy, Schubert, Beethoven, Bizet, Dvorak, Tschaikowsky, Schumann, Brahms, u.v.a. (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Ein Sommernachtstraum, op. 61/9: Hochzeitsmarsch
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn5:21
2“Rosamunde, Fürstin von Zypern” D 797, op. 26
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Rosamunde, D. 797: IIIa. Entr’acte Nr. 2 D-Dur. Andante
composer:
Franz Schubert (composer) (in 1823)
parody version of:
Längtans blomma är störst på håll
part of:
Rosamunde, D. 797
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Schubert5:42
3Romanze für Violine & Orchester in G‐Dur, op. 40
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Beethoven6:36
4L’Arlesinne‐Suite Nr. 1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet4:44
5Symphonie No. 9 in e‐Moll, op. 95: Largo
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Dvorak5:14
6Schwanensee: Danse espagnole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikowsky2:19
7Träumerei
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Schumann2:38
8Ungarische Tänze No. 1 in g‐Moll: Allegro molto
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Brahms3:25
9Symphonie No. 5 in cis‐Moll: Adagietto. Sehr langsam
orchestra:
Rundfunk Sinfonie Orchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Mahler9:03
10Symphonie No. 4 in A‐Dur, op. 90 (Italienische): Andante con moto
orchestra:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Alfred Scholz
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Mendelssohn5:40
11Der Karneval der Tiere: Der Schwan
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Saint‐Saëns2:45
12Rakoczy‐Marsch
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Berlioz4:32
13Nocturne op. 15, No. 2, Fis‐Dur
piano [Bechstein]:
Peter Schmallfuss (pianist)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 15
Chopin3:20
14Säbeltanz
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Khatchaturian2:29
15Intermezzo aus Cavallerie Rusticana
choir vocals:
Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Rundfunk Sinfonie Orchester (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
chorus master:
Mirko Cuderman (choir master)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Mascagni3:23
16Blanziflor et Helena: Ave formosissima / Fortuna Imperatrix mundi: O Fortuna
baritone vocals:
Rudolf Knoll (operatic baritone)
choir vocals:
Salzburger Mozarteum Chor
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
Salzburger Mozarteum Orchestra (Salzburg Mozarteum Orchestra)
conductor:
Kurt Prestel (conductor, chorus master)
compilation of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima by Mozarteum Chor & Orchester Salzburg (Salzburg Mozarteum Orchestra), Kurt Prestel (conductor, chorus master) and Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna by Mozarteum Chor Salzburg, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Kurt Prestel (conductor, chorus master)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Orff4:25
17West Side Story: Tonight
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Bernstein4:55
2▼CD
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1“Bolero” für Orchester
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Ravel13:47
2Slawischer Tanz Nr. 2 e‐Moll
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Dvorak5:33
3Sinfonische Dichtung “Die Moldau”
orchestra:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Alfred Scholz
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana12:51
4Ouvertüre Ruslan und Ludmilla
orchestra:
The New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Alfred Scholz
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Glinka5:31
5Dornröschen, Ballett‐Suite: Introduktion, die Fliederfee
orchestra:
The New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Alfred Scholz
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tschaikowsky3:33
6Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto
audio engineer:
Südwest Tonstudio (engineering)
grand piano and solo piano:
Dubravka Tomšič (pianist)
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Beethoven6:01
7Concerto für Violine & Orchester No. 1, op. 6, D‐Dur: Rondo. Allegro spirituoso
violin:
Iwan Cerkow (violinist, an Alfred Scholz pseudonym)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21: III. Rondò - Allegro spiritoso
composer:
Niccolò Paganini (Italian composer and violinist) (from 1815 until 1816)
part of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21
Paganini6:28
8Minutenwalzer in Des‐Dur, op. 64/1
piano:
Silvia Čápová (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Chopin1:48
9Carmen‐Suite No. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Bizet2:40
10Symphonie No. 5 in B‐Dur D 485: Allegro
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in B-flat major, D. 485: I. Allegro
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Schubert4:29
11Liebeslied op. 43/5: Erotic
piano:
Dieter Goldman (pianist, Alfred Scholz related)
recording of:
Lyriske stykker, hefte III, op. 43: No. 5: Erotikk (for piano)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Grieg2:24
12Ballettsuite aus Sylvia
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym)
conductor:
Henry Adolf (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Sylvia: Ballet Suite: III. Pizzicati
composer:
Léo Delibes (French composer) (from 1876 until 1880)
arrangement of:
Bake Sale
part of:
Sylvia: Ballet Suite
Delibes2:26
13Ägyptischer Marsch, op. 335
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym) and Royal Philharmonic Orchestra
conductor:
Henry Adolf (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Frank Shipway (British conductor)
recording of:
Egyptischer Marsch, op. 335
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 335)
Strauss2:39

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