French Cafe

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1I'm in the Mood for Love
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood (in 1955-08)
guitar:
Barney Kessel (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Julie London42:30
2Don't Wait Too Long
assistant engineer:
Ricky Chao and Nicholas Fournier
engineer and mixer:
Helik Hadar
producer:
Larry Klein
acoustic guitar:
Madeleine Peyroux (US jazz singer & songwriter)
bass:
David Piltch
keyboard [piano, wurlitzer piano, organ, celesta]:
Larry Goldings
percussion [drums, percussion]:
Jay Bellerose (american drummer and percussionist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographic copyright (℗) by:
Rounder Records Corp. (not for release label use!) and Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004)
recording of:
Don't Wait Too Long
composer:
Jesse Harris, Larry Klein and Madeleine Peyroux (US jazz singer & songwriter)
Madeleine Peyroux4.053:12
3Si La Photo Est Bonne
piano:
Barbara (French female singer) (in 1965)
vocals:
Barbara (French female singer) (in 1965)
recording of:
Si la photo est bonne (in 1965)
lyricist and composer:
Barbara (French female singer)
publisher:
Tutti, Tutti Intersong Éditions musicales, Warner Chappell Music France and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbara2:52
4On n'a Pas Besoin
Paris Combo4:08
5Samba da Minha Terra - Live at Carnegie Hall/1964
Stan Getz & João Gilberto3:08
6Un Jour Comme Un Autre
audio engineer:
Roger Roche (French engineer)
producer:
Claude Dejacques
vocals:
Brigitte Bardot
orchestra:
Alain Goraguer et son orchestre
recorded at:
Studio Blanqui (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 1963-12-17 until 1964-01-02)
recording of:
Un jour comme un autre (in 1964)
lyricist:
Gloria Lasso and Jean-Max Rivière (French lyricist and occasionally composer)
composer:
Gérard Bourgeois
Brigitte Bardot2:20
7Quelqu'Un M'a DitCarla Bruni3.12:46
8Bryter Layter
bass:
Dave Pegg
drums (drum set):
Dave Mattacks
flute:
Lyn Dobson
recording of:
Bryter Layter
composer:
Nick Drake (English singer‐songwriter)
Nick Drake3:21
9Meet You at the Moon
producer:
Imelda May
phonographic copyright (℗) by:
Ambassador Records (in 2007)
recorded at:
Embassy Studios in Basingstoke, Hampshire, England, United Kingdom
mixed at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
Meet You at the Moon
writer:
Imelda May
Imelda May2:47
10Les Feuilles Mortes
vocals:
Yves Montand (in 1949)
conductor:
Bob Castella (French pianist, bandleader and composer) (in 1949)
orchestrator:
Hubert Rostaing
recording of:
Les Feuilles mortes (Autumn Leaves) (in 1949)
lyricist:
Jacques Prévert (in 1946)
composer:
Joseph Kosma (composer) (in 1946)
Yves Montand3:21
11Worrisome Heart
additional engineer:
Dave Gerhart
engineer and mixer:
Glenn Barrett
additional producer:
Charlie Patierno
producer:
Glenn Barrett and Melody Gardot
recording of:
Worrisome Heart
composer:
Melody Gardot
Melody Gardot54:21
12April in Paris
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
electric guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday33:02
13Déshabillez-Moi
vocals:
Juliette Gréco (French singer and actress) (on 1967-06-26)
conductor:
Bernard Gérard (French conductor, arranger, film music composer) (on 1967-06-26)
recording of:
Déshabillez‐moi (on 1967-06-26)
lyricist:
Robert Nyel
composer:
Gaby Verlor (composer, singer)
publisher:
Warner Chappell Music France
Juliette Gréco3:38
14La Vie En Rose - (single version)
orchestra:
Sy Oliver’s Orchestra (on 1950-06-26)
cover recording of:
La Vie en rose (English translation) (on 1950-06-26)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Louis Armstrong43:25
15Le Temps Qui Passe
Laura Fygi3:38
16For Me... Formidable
vocals:
Charles Aznavour (in 1963)
orchestra:
Paul Mauriat et son orchestre (Paul Mauriat & His Orchestra, Paul Mauriat’s 1959–1964 orchestra) (in 1963)
orchestrator:
Paul Mauriat
phonographic copyright (℗) by:
Barclay (in 2013)
recording of:
For me... Formidable (in 1963)
lyricist:
Jacques Plante
composer:
Charles Aznavour
Charles Aznavour12:21
17Les Feuilles Mortes / Autumn Leaves
Dee Dee Bridgewater6:51
18Je T'Aime Moi Non Plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:23
19Bibbidi-Bobbidi-Boo - French Version
cover recording of:
Bibbidi-Bobbidi-Boo (French version)
writer:
Mack David (American lyricist and songwriter), Al Hoffman and Jerry Livingston (songwriter)
translated version of:
Bibbidi‐Bobbidi‐Boo (Cinderella, 1950 animated film)
Stacey Kent3:12
20Corcovado (Quiet Nights of Quiet Stars)
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
Astrud Gilberto (from 1963-03-18 until 1963-03-19), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19) and Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
Corcovado (original Portuguese version) (from 1963-03-18 until 1963-03-19)
lyricist and composer:
Antônio Carlos Jobim
Stan Getz, João Gilberto, Astrud Gilberto & Antônio Carlos Jobim4:14
21Mrs. Cold
assistant recording engineer and assistant mixer:
Carlo Pinna (engineer)
recording engineer and mixer:
Davide Bertolini (sound engineer)
producer:
Davide Bertolini (sound engineer), Robert Jønnum and Kings of Convenience
classical guitar [nylon string guitar] and lead vocals:
Erlend Øye
double bass [upright bass]:
Davide Bertolini (sound engineer)
steel-string acoustic guitar and background vocals:
Eirik Glambek Bøe
viola:
Tobias Hett
recorded at and mixed at:
Esagono Recording Studio (Recording Studio Reggio emilia) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy
recording of:
Mrs. Cold
writer:
Eirik Glambek Bøe and Erlend Øye
Kings of Convenience3:06
22Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sidney Bechet4:10
23I've Got a Crush on You
recorded in:
New York, New York, United States (on 1950-09-11)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-11)
cover recording of:
I’ve Got a Crush on You (on 1950-09-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald3:17
24Perfidia
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
bass:
Charlie Harris (jazz bassist) (from 1959-04-13 until 1959-04-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (from 1959-04-13 until 1959-04-16)
guitar:
John Collins (US jazz guitarist) (from 1959-04-13 until 1959-04-16)
vocals:
Nat King Cole (from 1959-04-13 until 1959-04-16)
conductor:
Dave Cavanaugh (from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
cover recording of:
Perfidia (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Alberto Domínguez
Nat King Cole2:21
25Água de Beber
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
Astrud Gilberto & Antônio Carlos Jobim2:19
26Águas de Marco
instrumental recording of:
Águas de março
lyricist and composer:
Antônio Carlos Jobim
Elis Regina53:06
27The Boy From Ipanema
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
Nancy Wilson2:14
28The Way You Look Tonight - 2008 (remastered)
recorded in:
Los Angeles, California, United States (on 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-27)
conductor:
Nelson Riddle (on 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1964-01-27)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Frank Sinatra3.153:21
29Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:56

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2024)
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https://www.deezer.com/album/128612952 [info]
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