Purcell Collection

~ Release by Henry Purcell (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1King Arthur: First Music: Chaconne (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
33:24
2King Arthur: Second Music: Overture (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
31:59
3King Arthur: Second Music: Air (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
31:27
4King Arthur: Act 1: Woden, first to thee…We have sacrific’d (Bass/Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:20
5King Arthur: Act 1: The white horse neigh’d aloud…To Woden thanks we render (Tenors/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
31:22
6King Arthur: Act 1: The lot is cast (Soprano)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
30:43
7King Arthur: Act 1: Brave souls (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:34
8King Arthur: Act 1: I call ye all (Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:09
9King Arthur: Act 1: Come if you dare (Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. First Act Tune (unnumbered interstitial work) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
34:06
10King Arthur: Act 2: Hither, this way (Philidel/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
32:05
11King Arthur: Act 2: Let not a moonborn elf (Grimbald)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Grimbald]:
Gerald Finley (bass-baritone) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
31:12
12King Arthur: Act 2: Hither, this way bend (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
30:38
13King Arthur: Act 2: Come, follow, follow, follow me (Philidel/Sopranos/Alto/Bass/Voices/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
32:19
14King Arthur: Act 2: How blest are shepherds (Shepherd/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Shepherd]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
34:34
15King Arthur: Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Shepherdess I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Shepherdess II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
31:55
16King Arthur: Act 2: Come, shepherds (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
31:30
17King Arthur: Act 2: Second Act Tune: Air (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
31:12
18King Arthur: Act 3: Prelude (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
30:23
19King Arthur: Act 3: What ho! (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:08
20King Arthur: Act 3: What power art thou (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
32:51
21King Arthur: Act 3: Thou doting fool (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
30:54
22King Arthur: Act 3: Great Love, I know thee now (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:02
23King Arthur: Act 3: No part of my dominion (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:11
24King Arthur: Act 3: Prelude (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1991-06)
part of:
King Arthur, Z. 628: Act III
30:51
25King Arthur: Act 3: See, see, we assemble (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Dance (latter part of Act III, 25. “See, see, we assemble”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
33:20
26King Arthur: Act 3:’Tis I that have warm’d ye (Cupid/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
32:11
27King Arthur: Act 3: Sound a parley…’Tis Love, ’tis Love that has warm’d us (Cupid/Genius/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
34:25
28King Arthur: Act 3: Third Act Tune: Hornpipe (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
30:48
2▼CD
#TitleRatingLength
1King Arthur: Act 4: Two daughters (Sirens)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Siren I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Siren II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
33:06
2King Arthur: Act 4: Passacaglia: How happy the lover… Ritornello: For love evr’y creature… No joys are above…In vain are our graces… Then use the sweet blessing (Tenor/Soprano/Bass/Nymphs/Men/Women/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Sylvan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
36:08
3King Arthur: Act 4: Fourth Act Tune: Air (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
30:44
4King Arthur: Act 5: Trumpet Tune (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
30:53
5King Arthur: Act 5: Ye blust’ring brethren (Aeolus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Aeolus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
33:03
6King Arthur: Act 5: Symphony (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
32:00
7King Arthur: Act 5: Round thy coast (Nereid/Pan/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Pan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nereid]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
32:26
8King Arthur: Act 5: For folded flocks (Countertenor/Tenor/Bass)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
33:39
9King Arthur: Act 5: Your hay it is mow’d (Comus/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Comus]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
32:37
10King Arthur: Act 5: Fairest Isle (Venus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Venus]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
34:49
11King Arthur: Act 5: Dialogue: You say, ’tis Love (Soprano/Bass)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [He]:
Gerald Finley (bass-baritone) (in 1991-06)
soprano vocals [She]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
35:24
12King Arthur: Act 5: Trumpet Tune (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
30:40
13King Arthur: Act 5: Saint George, the patron of our Isle… Our natives not alone appear (Honour/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Honour]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
33:27
3▼CD
#TitleRatingLength
1The Fairy Queen: First Music: Prelude
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: First Musick, no. 1. Prelude (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:49
2The Fairy Queen: First Music: Hornpipe
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:53
3The Fairy Queen: Second Music: Air
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Second Musick, no. 3. Air (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:50
4The Fairy Queen: Second Music: Rondeau
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:12
5The Fairy Queen: Act 1: Overture
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act I, no. 5. Overture (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:27
6The Fairy Queen: Act 1: Duet: Come, let us leave the town (GK/ME)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act I, no. 6. Duet: "Come Let Us Leave the Town" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:18
7The Fairy Queen: Act 1: Scene of the Drunken Poet (MB/GK/RO)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act I, no. 7. Scene of the Drunken Poet: "Fill Up the Bowl" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
6:41
8The Fairy Queen: Act 1: First Act Tune: Jig
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act I, no. 8. First Act Tune: Jig (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:15
9The Fairy Queen: Act 2: Solo: Come, all ye songsters (AC)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 9. Prelude and Song: "Come All Ye Songsters of the Sky" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:21
10The Fairy Queen: Act 2: Interlude
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 10. Prelude (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:58
11The Fairy Queen: Act 2: Terzetto: xMay the God of Wit inspire (WT/RM/MB)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 11. Trio: "May the God of Wit Inspire" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:09
12The Fairy Queen: Act 2: Echo
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 12. Echo (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:25
13The Fairy Queen: Act 2: Chorus: Now join your warbling voices all
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 13a. Chorus: "Now Joyn Your Warbling Voices All" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:32
14The Fairy Queen: Act 2: Solo with Chorus: Sing while we trip it (GK)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 13b. Song and Chorus: "Sing While We Trip It on the Green" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
live recording of:
The Fairy Queen, Z. 629: Act II, no. 13c. A Dance of Fairies (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:23
15The Fairy Queen: Act 2: Night: See, even Night herself is here (CS)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 14. Song: "See, Even Night Her Self Is Here" (Night) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
5:37
16The Fairy Queen: Act 2: Mistery: I am come to lock all fast (RO)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 15. Song: "I Am Come to Lock All Fast (Mystery) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:58
17The Fairy Queen: Act 2: Secrecy: One charming night (AC)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 16. Song: "One Charming Night" (Secresie) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:27
18The Fairy Queen: Act 2: Sleep and Chorus: Hush, no more, be silent all (MB)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 17. Song and Chorus: "Hush, No More, Be Silent All" (Sleep) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
4:39
19The Fairy Queen: Act 2: Dance for the Followers of Night
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 18. A Dance for the Followers of Night (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:15
20The Fairy Queen: Act 2: Second Act Tune: Air
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act II, no. 19. Second Act Tune: Air (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:11
21The Fairy Queen: Act 3: Solo with Chorus: If love’s a sweet passion (RO)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
3:51
22The Fairy Queen: Act 3: Symphony while the swans come forward
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:35
23The Fairy Queen: Act 3: Dance for the Fairies
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 22. Dance for the Fairies (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:48
24The Fairy Queen: Act 3: Dance for the Green Man
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 23. Dance for the Green Men (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:21
25The Fairy Queen: Act 3: Solo: Ye gentle spirits of the air (CS)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 24. Song: "Ye Gentle Spirits of the Air, Appear" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
5:33
26The Fairy Queen: Act 3: Dialogue between Coridon and Mopsa: Now the Maids and the Men (MB/WT)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
3:50
27The Fairy Queen: Act 3: A Nymph: When I have often heard (CS)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 26. Song: "When I Have Often Heard" (A Nymph) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:29
28The Fairy Queen: Act 3: Dance of the Haymakers
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 27. A Dance of Haymakers (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
0:59
29The Fairy Queen: Act 3: Solo with Chorus: A thousand, thousand ways (AC)
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 28. Song and Chorus: "A Thousand Thousand Ways We'll Find" (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
2:24
30The Fairy Queen: Act 3: Third Act Tune: Hornpipe
orchestra:
Accademia Bizantina (on 2001-07-10)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (on 2001-07-10)
phonographic copyright (℗) by:
Arts Music (not for release label use; for copyrights use, German classical music company) (in 2003)
live recording of:
The Fairy Queen, Z. 629: Act III, no. 29. Third Act Tune: Hornpipe (Hornpipe in d) (on 2001-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
1:24
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