Messe in h-Moll

~ Release by Johann Sebastian Bach; Janowitz, Ludwig, Schreier, Kerns, Ridderbusch, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Mass in B minor: Kyrie: I. Chorus: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach11:46
2Mass in B minor: Kyrie: II. Duet (soprano, contralto): Christe eleison
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:15
3Mass in B minor: Kyrie: III. Chorus: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
4Mass in B minor: Gloria: IV. Chorus: Gloria in excelsis
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:54
5Mass in B minor: Gloria: V. Chorus: Et in terra pax
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
6Mass in B minor: Gloria: VI. Aria (contralto): Laudamus te
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:25
7Mass in B minor: Gloria: VII. Chorus: Gratias agimus tibi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:46
8Mass in B minor: Gloria: VIII. Duet (soprano, tenor): Domine Deus
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:09
9Mass in B minor: Gloria: IX. Chorus: Qui tollis peccata mundi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
10Mass in B minor: Gloria: X. Aria (contralto): Qui sedes ad dexteram Patris
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
11Mass in B minor: Gloria: XI. Aria (bass): Quoniam tu solus Sanctus
producer:
Hans Weber (producer/engineer)
bass vocals:
Karl Ridderbusch (operatic bass) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
12Mass in B minor: Gloria: XII. Chorus: Cum Sancto Spiritu
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
2▼CD
#TitleArtistRatingLength
1Mass in B minor: Credo: XIII. Chorus: Credo in unum Deum
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:48
2Mass in B minor: Credo: XIV. Chorus: Credo in unum Deum, Patrem omnipotentem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
3Mass in B minor: Credo: XV. Duet (soprano, contralto): Et in unum Dominum
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:36
4Mass in B minor: Credo: XVI. Chorus: Et incarnatus est
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
5Mass in B minor: Credo: XVII. Chorus: Crucifixus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
6Mass in B minor: Credo: XVIII. Et resurrexit
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
7Mass in B minor: Credo: XIX. Aria (bass): Et in Spiritum Sanctum
producer:
Hans Weber (producer/engineer)
bass vocals:
Robert Kerns (baritone) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:30
8Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
9Mass in B minor: Credo: XXI. Chorus: Et expecto resurrectionem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
10Mass in B minor: Sanctus: XXII. Chorus: Sanctus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:14
11Mass in B minor: Sanctus: XXIII. Chorus: Osanna in excelsis
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
12Mass in B minor: Sanctus: XXIV. Aria (tenor): Benedictus, qui venit
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:30
13Mass in B minor: Sanctus: XXV. Chorus: Osanna in excelsis (da capo)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
14Mass in B minor: Agnus Dei: XXVI. Aria (contralto): Agnus Dei
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:33
15Mass in B minor: Agnus Dei: XXVII. Chorus: Dona nobis pacem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02

Credits

Release

chorus master:Helmuth Froschauer (conductor and chorus master)
part of:Galleria (Deutsche Grammophon) (order: 110)
Discogs:https://www.discogs.com/release/2672225 [info]
ASIN:DE: B000001G6R [info]
other databases:https://d-nb.info/35230751X [info]