The Best Long Versions… Ever! Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Radio Ga Ga
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
synthesizer programming:
Fred Mandel (from 1983-08 until 1984-01)
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
bass guitar:
John Deacon (from 1983-08 until 1984-01)
drum machine, drums (drum set), vocoder and background vocals:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest sampler and guest synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
guitar:
Brian May (Queen guitarist) (from 1983-08 until 1984-01)
sampler:
Freddie Mercury (from 1983-08 until 1984-01) and Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
synthesizer arranger:
Fred Mandel
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
produced at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
recording of:
Radio Ga Ga (from 1983-08 until 1984-01)
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.95:46
2In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
Phil Collins (of Genesis) (in 1980)
violin:
Sharokav (in 1980)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4.45:27
3Sowing the Seeds of Love
producer:
David Bascombe
Hammond organ:
Ian Stanley
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears4.26:19
4Better Be Good to Me
percussion programming:
Rupert Hine
producer:
Rupert Hine
bass and keyboard:
Rupert Hine
drums (drum set):
Trevor Morais
guitar:
Jamie West‐Oram
background vocals:
Cy Curnin and Rupert Hine
background vocals and lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
cover recording of:
Better Be Good to Me
writer:
Mike Chapman (Australian producer and songwriter), Nicky Chinn and Holly Knight
publisher:
Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
Tina Turner3.755:12
5When the Lady Smiles
engineer:
John Kriek
producer:
Shell Schellekens
drums (drum set):
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
George Kooymans
guitar:
Barry Hay and George Kooymans
vocals:
Barry Hay and George Kooymans
phonographic copyright (℗) by:
CNR (Dutch label, distributor and record company) and 21 Records (in 1984)
recorded at:
Kooymans' Pseudo Studios (George Kooymans residence & recording studio) in Rijkevorsel, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium
mixed at:
Sound Push Studios in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
When the Lady Smiles
lyricist:
Barry Hay
composer:
George Kooymans
Golden Earring45:39
6Love Like Blood
engineer:
Thomas Stiehler
producer:
Chris Kimsey
bass guitar:
Paul Raven (UK bassist)
drums (drum set):
Paul Ferguson
guitar:
Geordie
keyboard:
Jaz Coleman
vocals:
Jaz Coleman
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 2007)
recorded at:
Hansa Studios in Berlin, Germany (from 1984-08 until 1984-09)
part of:
Pitchfork: The Story of Goth in 33 Songs
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.756:51
7Mama
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (in 1983)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (in 1983)
background vocals:
Tony Banks (Genesis) (in 1983) and Mike Rutherford (in 1983)
phonographic copyright (℗) by:
Anthony Banks Ltd., Michael Rutherford Ltd. and Philip Collins Ltd.
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
recording of:
Mama (in 1983)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (from 1983 to present), Hit & Run Music (Publishing) Ltd (from 1983 to present), Michael Rutherford Ltd. (from 1983 to present) and Philip Collins Ltd. (from 1983 to present)
Genesis4.46:46
8You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Polygram Music, Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:06
9While You See a Chance
recording of:
While You See a Chance
lyricist and composer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood5:10
10The Eve of the WarJeff Wayne8:21
11Smalltown Boy
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Bronski Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat9:03
12Worn Down Piano
recording of:
Worn Down Piano
writer:
Clark Seymour and Mark Seymour (Mark & Clark Band)
Mark & Clark Band8:08
CD 2
#TitleArtistRatingLength
1Killer / Papa Was a Rollin’ Stone
compilation of:
Killer by George Michael and Papa Was a Rollin’ Stone by George Michael
live cover recording of:
Killer / Papa Was a Rollin’ Stone (in 1992)
writer:
Seal (English‐born singer and songwriter), Barrett Strong, Adam Paul Tinley and Norman Whitfield
medley of:
Papa Was a Rollin’ Stone
medley of:
Killer
George Michael11:20
2Let’s Dance
assistant engineer:
Dave Greenberg (US engineer Sonopod/Boomtown)
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1983-01-03 until 1983-01-20)
bass:
Carmine Rojas (from 1983-01-03 until 1983-01-20)
congas, tambourine and wood block:
Sammy Figueroa (from 1983-01-03 until 1983-01-20)
drums (drum set):
Omar Hakim (from 1983-01-03 until 1983-01-20)
guitar:
Nile Rodgers (from 1983-01-03 until 1983-01-20) and Stevie Ray Vaughan (from 1983-01-03 until 1983-01-20)
Hammond organ and keyboard:
Rob Sabino (from 1983-01-03 until 1983-01-20)
tenor saxophone:
Robert Aaron (from 1983-01-03 until 1983-01-20) and Stan Harrison (from 1983-01-03 until 1983-01-20)
trumpet:
Mac Gollehon (from 1983-01-03 until 1983-01-20)
background vocals:
Frank Simms (from 1983-01-03 until 1983-01-20), George Simms (from 1983-01-03 until 1983-01-20) and David Spinner (from 1983-01-03 until 1983-01-20)
lead vocals:
David Bowie (English singer‐songwriter) (from 1983-01-03 until 1983-01-20)
horn arranger:
David Bowie (English singer‐songwriter) and Nile Rodgers
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1983-01-03 until 1983-01-20)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 156)
recording of:
Let’s Dance (from 1983-01-03 until 1983-01-20)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie4.457:38
3With a Little Help From My Friends
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Joe Cocker9:25
4Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:32
5Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use!), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes44:27
6Paradise by the Dashboard Light
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar:
Todd Rundgren
keyboard and other vocals [lascivious effects]:
Jim Steinman
keyboard and piano:
Roy Bittan
saxophone:
Edgar Winter
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Marvin Lee and Todd Rundgren
background vocals and lead vocals [featured female vocal]:
Ellen Foley
lead vocals:
Meat Loaf
spoken vocals [baseball play-by-play]:
Phil Rizzuto
performer:
Ellen Foley
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1977)
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meat Loaf4.28:29
7The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.15:11
8Black Magic Woman / Gypsy Queen
medley including a recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
medley including a recording of:
Gypsy Queen
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
Carlos Santana5:22
9I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner45:03
10It’s a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band8:38
11Tinseltown in the Rain
recording of:
Tinseltown in the Rain
writer:
Robert Bell (The Blue Nile) and Paul Buchanan (Scottish alt. pop musician, of Blue Nile)
The Blue Nile5:54

Credits

Release

manufactured in:Netherlands, Kingdom of the Netherlands
printed in:Netherlands, Kingdom of the Netherlands
mastering:Masters of Media
design:The Partners B.V. (design studio in Amsterdam, Netherlands)
distributed by and marketed by:EMI (EMI Records, since 1972)
copyrighted (©) by and phonographic copyright (℗) by:EMI (EMI Records, since 1972) (in 2002)
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 2002)
licensed to:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
Discogs:https://www.discogs.com/release/2642441 [info]