Jim Beam: 40 Shots of Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Matrix / Runout (CD1): [SM Logo] 6141000706 337362D1
Mastering SID Code (CD1): ifpi LR11
Mould SID Code (CD1): ifpi 7955
Matrix / Runout (CD2): [SM Logo] 6107101564 337362D2
Mastering SID Code (CD2): ifpi LR11
Mould SID Code (CD2): ifpi 7959

Annotation last modified on 2024-01-17 23:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Paradise by the Dashboard Light
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meat Loaf8:14
2Cheap Wine
engineer:
Mark Opitz and Neil Rawle
producer:
Cold Chisel
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and Ian Moss
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) and Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
Cold Chisel33:24
3Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:34
4Evie, Part 1
partial recording of:
Evie, Parts 1, 2 & 3
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Boomerang Investments Pty Limited and J. Albert & Son Pty. Ltd.
Stevie Wright3:59
5Copperhead Road
recording engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tony Brown (US producer, pianist and keyboardist) and Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
anthem of:
Tennessee, United States
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:29
6You Just Like Me ’Cos I’m Good in Bed
engineer:
John French (Australian producer/engineer)
producer:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
bass guitar:
Greg Macainsh
drums (drum set):
Fred Strauks
guitar:
Bob “Bongo” Starkie and Redmond Symons
lead vocals:
Graeme 'Shirley' Strachan
vocals:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie and Redmond Symons
recorded at:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (in 1974)
medley including a recording of:
Hooked on Hooks (megamix)
writer:
Gregory John Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company)
recording of:
You Just Like Me 'Cos I'm Good in Bed
lyricist and composer:
Greg Macainsh
Skyhooks3:42
7The Joker
producer:
Steve Miller (leader of Steve Miller Band)
acoustic guitar, slide guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set):
John King (drums)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:24
8Make Me Smile (Come Up and See Me)
cover recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Nick Barker & the Reptiles4:40
9Girls on the Avenue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:16
10Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo43:31
11Run to Paradise
bass:
Ian Hulme
drums (drum set):
Lindsay Tebbutt
guitar:
Brad Carr and Mark Gable
vocals:
Mark Gable
phonographic copyright (℗) by:
Mushroom Records (in 1987)
recording of:
Run to Paradise
writer:
Brad Carr and Mark Gable
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Choirboys44:08
12Dream Police
engineer:
Mike Beiriger and Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978, in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978, in 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Dream Police (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1978 until 1979)
Cheap Trick3.63:51
13We Can’t Be Beaten
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1982)
recording of:
We Can’t Be Beaten
writer:
Angry Anderson and Robin Riley (Australian guitarist)
publisher:
Albert Productions, BMG AM Pty Limited and BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Rose Tattoo3:04
14We’re Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:38
15No Second Prize
engineer:
Mark Opitz and Alan Wright (engineer)
producer:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and Mark Opitz
bagpipe:
Barry Gray (soundtrack composer) and Viv Riley
bass guitar:
Bruce Howe
drums (drum set):
Ray Arnott (Australian drummer)
guitar:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Mal Eastick (Australian blues guitarist) and Chris Stockley (The Dingoes)
background vocals:
Venetta Fields, Renée Geyer and Shauna Jensen
lead vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
remixer:
Bob Clearmountain
remix of:
No Second Prize by Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
recording of:
No Second Prize
lyricist and composer:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Jimmy Barnes3:38
16Easy
producer:
Faith No More and Matt Wallace (US producer & engineer)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!) (in 1992)
music videos:
Easy by Faith No More
part of:
New York Post: 100 Greatest Covers (2007) (number: 9)
cover recording of:
Easy (from 1992-01 until 1992-03)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More3.553:05
17Carry On
Motor Ace34:54
18Green Limousine
recording of:
Green Limousine (The Badloves song)
writer:
Michael Spiby
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Badloves3:46
19Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.53:59
20The Girl of My Dreams
Machine Gun Fellatio33:31
2▼CD
#TitleArtistRatingLength
1Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.33:52
2Flesh for Fantasy
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
edit of:
Flesh for Fantasy by Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy (in 1983)
writer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol43:47
3He’s Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:07
4Early Warning
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
Imago Recording Company (in 2007)
recording of:
Early Warning
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Baby Animals3:55
5Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:48
6You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:04
7Out of Mind, Out of Sight
producer:
Mark Opitz
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985) and Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
lyricist and composer:
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Models3:35
8Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:25
9Comin’ Home
bass:
Geoff Turner (Australian)
drums (drum set):
Chris Tagg
guitar:
Brian Nichol and Stephen (Fess) Parker (The Radiators)
keyboard:
Brendan Callinan
vocals:
Brian Nichol
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1979), WEA Records Pty. Limited (fka Kinney Music (Pty) Limited from 1971–1972/11) (in 1980) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1987)
recording of:
Comin’ Home
writer:
Geoff Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
The Radiators3:06
10What’s the Deal?
28 Days3:21
11Psycho Killer (live)
live recording of:
Psycho Killer
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4:20
12Second Solution
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
recorded at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Second Solution
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End42:59
13Comin Down
recording of:
Comin' Down
writer:
John Brewster, Rick Brewster and Doc Neeson
The Angels3:17
14One Bourbon, One Scotch, One Beer (live)
live cover recording of:
One Bourbon, One Scotch, One Beer
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist)
composer:
Rudolph Toombs
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
is based on:
House Rent Boogie
George Thorogood55:51
15Black and Blue
recording of:
Black and Blue
writer:
Barry Harvey, Phil Manning, Barry Sullivan (Chain bass guitarist) and Matt Taylor (Australian blues musician)
publisher:
Festival Music Pty, Ltd. and Mushroom Music Publishing
Chain4:49
16Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:09
17Are You Old Enough
bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
drums (drum set):
Kerry Jacobson
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
vocals:
Marc Hunter
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
lyricist and composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Dragon4:03
18Nips Are Getting Bigger
producer:
Cameron Allan
recorded at:
United Sound, Sydney, Australia in Sydney, New South Wales, Australia
recording of:
The Nips Are Getting Bigger
composer:
Martin Plaza (Australian musician)
Mental as Anything33:20
19Don’t Throw Stones
recording of:
Don’t Throw Stones
writer:
Stephen Cummings and Andrew Pendlebury
The Sports3:37
20Free Bird
recording of:
Free Bird
lyricist and composer:
Allen Collins and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
Lynyrd Skynyrd7:24

Credits

Release

copyrighted (©) by:Festival Mushroom Records Pty. Ltd.
Jim Beam Brands Co. (Also appears as Jim Beam Brands, Co)
phonographic copyright (℗) by:Festival Mushroom Records Pty. Ltd.
pressed by:SM Summit Holdings Ltd.
Discogs:https://www.discogs.com/release/17281567 [info]
ASIN:US: B0013NFPQW [info]

Release group

part of:Jim Beam: 40 Shots of Rock (number: 1) (order: 1)