Messe en si mineur

~ Release by Johann Sebastian Bach; Gundula Janowitz, Christa Ludwig, Peter Schreier, Orchestre Philharmonique de Berlin, Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Messe en si mineur: Kyrie: 1. Choeur: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach11:46
2Messe en si mineur: Kyrie: 2. Duo: Christe eleison (soprano, alto)
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:15
3Messe en si mineur: Kyrie: 3. Choeur: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
4Messe en si mineur: Gloria: 4. Choeur: Gloria in excelsis Deo
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:54
5Messe en si mineur: Gloria: 5. Choeur: Et in terra pax
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
6Messe en si mineur: Gloria: 6. Aria: Laudamus te (alto)
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:25
7Messe en si mineur: Gloria: 7. Choeur: Gratias agimus tibi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:46
8Messe en si mineur: Gloria: 8. Duo: Domine Deus (soprano, ténor)
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:09
9Messe en si mineur: Gloria: 9. Choeur: Qui tollis peccata mundi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
10Messe en si mineur: Gloria: 10. Aria: Qui sedes ad dexteram Patris (alto)
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
11Messe en si mineur: Gloria: 11. Aria: Quoniam tu solus Sanctus (basse)
producer:
Hans Weber (producer/engineer)
bass vocals:
Karl Ridderbusch (operatic bass) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
12Messe en si mineur: Gloria: 12. Choeur: Cum Sancto Spiritu
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
2▼CD
#TitleArtistRatingLength
1Messe en si mineur: Credo (Symbolum Nicenum): 13. Choeur: Credo in unum Deum
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:47
2Messe en si mineur: Credo (Symbolum Nicenum): 14. Choeur: Credo in unum Deum, Patrem omnipotentem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
3Messe en si mineur: Credo (Symbolum Nicenum): 15. Duo: Et in unum Dominum (soprano, alto)
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:36
4Messe en si mineur: Credo (Symbolum Nicenum): 16. Choeur: Et incarnatus est
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
5Messe en si mineur: Credo (Symbolum Nicenum): 17. Choeur: Crucifixus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:42
6Messe en si mineur: Credo (Symbolum Nicenum): 18. Choeur: Et resurrexit
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:20
7Messe en si mineur: Credo (Symbolum Nicenum): 19. Aria: Et in Spiritum Sanctum (basse)
producer:
Hans Weber (producer/engineer)
bass vocals:
Robert Kerns (baritone) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:29
8Messe en si mineur: Credo (Symbolum Nicenum): 20. Choeur: Confiteor unum baptisma
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:39
9Messe en si mineur: Credo (Symbolum Nicenum): 21. Choeur: Et expecto resurrectionem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:10
10Messe en si mineur: Sanctus: 22. Choeur: Sanctus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:14
11Messe en si mineur: Sanctus: 23. Choeur: Osanna in excelsis
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
12Messe en si mineur: Sanctus: 24. Aria: Benedictus, qui venit (ténor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:31
13Messe en si mineur: Sanctus: 25. Choeur: Osanna in excelsis (da capo)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
14Messe en si mineur: Agnus Dei: 26. Aria: Agnus Dei (contralto)
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:33
15Messe en si mineur: Agnus Dei: 27. Choeur: Dona nobis pacem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:59

Credits

Release

liner notes:Jacques Lory
liner notes translator:Christopher Whyte (liner notes translator)
Discogs:https://www.discogs.com/release/9576561 [info]