Little Voice: Music From the Miramax Motion Picture

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1That’s Entertainment
registrazione di:
That’s Entertainment!
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
parte di:
That’s Entertainment (1974 film)
parte di:
That’s Entertainment, Part 2 (1976 film)
parte di:
The Band Wagon (1953 film)
Judy Garland2:29
2The Man That Got Away
registrazione di:
The Man That Got Away (A Star Is Born)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
Judy Garland4:09
3Lover Man (Oh, Where Can You Be?)
produttore:
Milt Gabler
batteria :
Johnny Blowers (il 1944-10-04)
chitarra :
Carl Kress (il 1944-10-04)
contrabbasso [bass] :
Haig Stephens (il 1944-10-04)
pianoforte :
Dave Bowman (jazz pianist) (il 1944-10-04)
sassofono contralto :
Jack Cressey (il 1944-10-04) e Hymie Shertzer (il 1944-10-04)
sassofono tenore :
Larry Binyon (il 1944-10-04) e Paul Ricci (il 1944-10-04)
tromba :
Russ Case (US trumpeter & bandleader)
voce principale:
Billie Holiday (il 1944-10-04)
orchestra:
Toots Camarata and His Orchestra (il 1944-10-04)
direttore d'orchestra:
Tutti Camarata
arrangiatore:
Tutti Camarata (il 1944-10-04)
registrazione di:
Lover Man (il 1944-10-04)
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday43:18
4I Wanna Be Loved by You
registrazione cover di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jane Horrocks3:13
5It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:01
6Big Spender
produttore:
Kenneth Hume e Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce principale:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
direttore d'orchestra:
Ernest Freeman
arrangiatore:
Ernest Freeman
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Shirley Bassey4.51:50
7My Heart Belongs to Daddy
registrazione di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Marilyn Monroe5:01
8Come Rain or Come Shine
registrazione cover di:
Come Rain or Come Shine (il 1956-03-31)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
Judy Garland3:43
9Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:50
10Get Happy
registrazione cover di:
Get Happy
paroliere:
Ted Koehler (nel 1929)
compositore:
Harold Arlen (nel 1929)
editore:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
Summer Stock
parte di:
The Nine‐Fifteen Revue (1930)
Jane Horrocks2:42
11There’s No Business Like Show Business
registrazione di:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Ltd., Irving Berlin Music Company e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Annie Get Your Gun
Ethel Merman5:25