Bach Trios

~ Veröffentlichung von Bach; Yo‐Yo Ma, Chris Thile, Edgar Meyer (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Trio Sonata no. 6 in G major, BWV 530: I. Vivace
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: I. Vivace (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: I. Vivace
Johann Sebastian Bach3:12
2Trio Sonata no. 6 in G major, BWV 530: II. Lento
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: II. Lente (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: II. Lente
Johann Sebastian Bach6:08
3Trio Sonata no. 6 in G major, BWV 530: III. Allegro
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Triosonate Nr. 6 G-Dur, BWV 530: III. Allegro (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: III. Allegro
Johann Sebastian Bach2:59
4Prelude no. 19 in A major from The Well-Tempered Clavier Book I, BWV 864
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 19 in A major, BWV 864: Prelude (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 19 in A major, BWV 864: Prelude
Johann Sebastian Bach1:36
5Wachet auf, ruft uns die Stimme, BWV 645
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach4:43
6Fugue no. 20 in A minor from The Well-Tempered Clavier Book II, BWV 889
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 20 in A minor, BWV 889: Fugue (catch all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 20 in A minor, BWV 889: Fugue
Johann Sebastian Bach1:34
7Ich ruf zu dir, Herr Jesu Christ, BWV 639
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
Johann Sebastian Bach2:29
8Prelude no. 18 in E minor, BWV 548
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Präludium und Fuge e-Moll, BWV 548: I. Präludium (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Präludium und Fuge e-Moll, BWV 548: I. Präludium
Johann Sebastian Bach5:41
9Fugue no. 18 in E minor, BWV 548
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Präludium und Fuge e-Moll, BWV 548: II. Fuge (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Präludium und Fuge e-Moll, BWV 548: II. Fuge
Johann Sebastian Bach6:11
10Passepied from Keyboard Partita no. 5 in G major, BWV 829
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Partita no. 5 in G major, BWV 829: VI. Passepied (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Partita no. 5 in G major, BWV 829: VI. Passepied
Johann Sebastian Bach2:04
11Kommst du nun, Jesu, vom Himmel herunter, BWV 650
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
Johann Sebastian Bach2:55
12Contrapunctus XIII: Rectus from The Art of the Fugue, BWV 1080
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
Teil von:
Die Kunst der Fuge, BWV 1080 (catch-all for arrangements)
Johann Sebastian Bach2:20
13Contrapunctus XIII: Inversus from The Art of the Fugue, BWV 1080
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
Teil von:
Die Kunst der Fuge, BWV 1080 (catch-all for arrangements)
Johann Sebastian Bach2:22
14Erbarm dich mein, o Herre Gott, BWV 721
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Erbarm' dich mein, o Herre Gott, BWV 721 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Erbarm' dich mein, o Herre Gott, BWV 721
Johann Sebastian Bach4:11
15Sonata for Viola da Gamba no. 3 in G minor, BWV 1029: I. Vivace
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace (catch all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace
Johann Sebastian Bach4:54
16Sonata for Viola da Gamba no. 3 in G minor, BWV 1029: II. Adagio
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (catch all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
Johann Sebastian Bach4:18
17Sonata for Viola da Gamba no. 3 in G minor, BWV 1029: III. Allegro
Cello:
Yo‐Yo Ma (cellist)
Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Mandoline:
Chris Thile
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: III. Allegro (catch all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: III. Allegro
Johann Sebastian Bach3:15