100 Crooner Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Delilah
recording of:
Delilah (Tom Jones song) (in 1968)
Texter:
Barry Mason (English songwriter)
Komponist(in):
Les Reed
publisher:
Donna Music Ltd. (publisher)
Tom Jones43:23
2The Last Waltz
Engelbert Humperdinck3:02
3You Don't Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:49
4Whatever Will Be, Will Be (Que Sera, Sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:05
5Put Your Head on My Shoulder
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 1958-08)
conductor:
Joe Sherman (in 1958-08)
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
produced for:
Camy Productions, Inc.
recording of:
Put Your Head on My Shoulder (in 1958-08)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Chrysalis Standards Inc. und Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:35
6Singing the Blues
recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:27
7Can't Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:21
8Caterina
recording of:
Caterina
Verfasser(in):
“Bugs” Bower (producer, trumpet arranger, band leader, composer / lyricist, author) und Earl S. Shuman (composer / lyricist)
publisher:
Music Sales Corp. (American copyright holder in both popular and classical music) und Nancy Music Company Inc.
sub-publisher:
Basart Belgium Editions und BMC Publishing NV
Perry Como2:13
9And I Love You So
recording of:
And I Love You So
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean34:17
10Memories Are Made of This
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin2:16
11My Special Angel
Malcolm Vaughan2:45
12It's Not for Me to Say
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
Orchester:
Ray Conniff and His Orchestra
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1957)
recording of:
It’s Not for Me to Say
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:04
13She Believes in Me
Techniker(in):
Billy Sherrill (US songwriter/producer/arranger)
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Liberty Records, Inc. (in 1978)
aufgenommen bei:
Jack Clement Recording Studio in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
She Believes in Me
Texter und Komponist(in):
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
recording of:
She Believes in Me
Texter und Komponist(in):
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Kenny Rogers4:16
14More
Danny Williams3:03
15Mañana (Is Soon Enough for Me)
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-25)
Orchester:
Dave Barbour and The Brazilians (am 1947-11-25)
cover recording of:
Mañana (Is Soon Enough for Me) (am 1947-11-25)
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
Peggy Lee2:52
16I Wanna Be Around
cover recording of:
I Wanna Be Around
Texter:
Johnny Mercer und Sadie Vimmerstedt
Komponist(in):
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:12
17So in Love
Gordon MacRae2:38
18Roses of Picardy
Vince Hill2:52
19Serenade
Della Reese3:24
20La Vie En Rose
Tony Martin3:18
2▼CD
Nr.TitelKünstlerBewertungLänge
1Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
2Strangers in the Night
cover recording of:
Strangers in the Night
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Matt Monro2:29
3Buona Sera
Louis Prima3:00
4Love Letters in the Sand
recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
cover recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:15
5Smile
Techniker(in):
Dan Lacksman (Belgian musician & producer)
arranger:
Wim Bohets (Belgian conductor & arranger) und Helmut Lotti
phonographisches Urheberrecht (℗) von:
Piet Roelen Productions NV (copyright holder, not for release label use!) (in 2006)
aufgenommen bei und mixed at:
SynSound Studios (recording studio) in Brussels (Region Brüssel-Hauptstadt), Belgien
cover recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Helmut Lotti2:39
6It Must Be Him
recording of:
It Must Be Him (English translation)
Texter und Übersetzer:
Mack David (American lyricist and songwriter)
Komponist(in):
Gilbert Bécaud
publisher:
J. Albert & Son Pty. Ltd.
übersetzte Version von:
Seul sur son étoile
Vikki Carr2:49
7Who's Sorry Now
recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis2:18
8My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:37
9Love Is All
Malcolm Roberts3:47
10Marie
The Bachelors2:19
11Kiss Me, Honey Honey, Kiss Me
vocals:
Shirley Bassey (Welsh singer) (in 1958)
Orchester:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
Verfasser(in):
Michael Julien (British songwriter) und Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:27
12I Love You, You Love Me
Anthony Quinn with The Harold Spina Singers2:34
13All Alone Am I
vocals:
Brenda Lee (1960s American singer)
recording of:
All Alone Am I
Texter:
Arthur Altman
Komponist(in):
Μάνος Χατζιδάκις (Manos Hatzidakis, Greek composer)
publisher:
Seed Point Music Publishing, Ltd. und Songs of Universal, Inc. (BMI)
übersetzte Version von:
Μη τον ρωτάς τον ουρανό
Brenda Lee2:44
14Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
15Mister Sandman
The Four Aces2:37
16Danke Schoen
recording of:
Danke Schoen (English version) (in 1963)
Texter:
Kurt Schwabach (songwriter, lyricist, singer)
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
Übersetzer:
Milt Gabler
publisher:
Belinda Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
übersetzte Version von:
Danke schön (German lyrics)
Wayne Newton4.52:36
17Vaya Con Dios (May God Be with You)
cover recording of:
Vaya con Dios (original)
Verfasser(in):
Inez James, Buddy Pepper und Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. und Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Les Paul & Mary Ford2:51
18The Shadow of Your Smile
Vic Damone2:47
19Island in the Sun
Produzent(in):
Joe Carlton
Bongos:
Noah Rodriguez (am 1957-01-27)
Conga:
Daniel Barrajanos (am 1957-01-27)
flute:
James N. DeMeo (am 1957-01-27) und Harold M. Jones (50s US flautist) (am 1957-01-27)
Gitarre:
Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
Kontrabass:
Norman Keenan (am 1957-01-27)
Marimba:
Joe Venuto (am 1957-01-27)
Trompete:
Joseph B. Wilder (am 1957-01-27)
Chorgesang:
Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (baritone) (am 1957-01-27), Marvin Hayes (bass-baritone) (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-27)
Sologesang:
Harry Belafonte (am 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-27)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
recording of:
Island in the Sun (am 1957-01-27)
Verfasser(in):
Harry Belafonte und Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing und Clara Music Publ. Corp.
Harry Belafonte3:23
20Autumn Leaves
Produzent(in):
David Axelrod (baroque pop composer)
vocals:
Lou Rawls
conductor:
H.B. Barnum
arranger:
H.B. Barnum
recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Lou Rawls2:57
3▼CD
Nr.TitelKünstlerBewertungLänge
1Volare
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1975)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Al Martino2:51
2Red Roses for a Blue Lady
recording of:
Red Roses for a Blue Lady
Verfasser(in):
Roy C. Bennett (US songwriter) und Sid Tepper
Vic Dana2:49
3Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:37
4Walk Away
recording of:
Walk Away (based on Warum nur, warum)
Texter und Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
Übersetzer:
Don Black (English lyricist)
publisher:
Hollis Music, Inc. und Montana GMBH-Co Musikverlagsgesellschaft Edit
übersetzte Version von:
Warum nur, warum
Matt Monro3:07
5A Rockin' Good Way (To Mess Around and Fall in Love)
vocals:
Brook Benton (in 1960) und Dinah Washington (in 1960)
cover recording of:
A Rockin’ Good Way
Verfasser(in):
Brook Benton, Luchi de Jesus (American composer and producer) und Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
A Rockin’ Good Way
Verfasser(in):
Brook Benton, Luchi de Jesus (American composer and producer) und Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dinah Washington & Brook Benton42:27
6She Wears My Ring
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
She Wears My Ring
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label) und Sony/ATV Music Publishing
Version von:
La golondrina
Solomon King3:13
7Honey
recording of:
Honey
Texter und Komponist(in):
Bobby Russell
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Bobby Goldsboro3:57
8A Woman in Love
recording of:
A Woman in Love (1955 film "Guys and Dolls")
Texter und Komponist(in):
Frank Loesser
Teil von:
Guys and Dolls (1955 musical film)
Frankie Laine42:22
9Hurt
Timi Yuro2:29
10April Love
Pat Boone2:43
11Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters2:41
12Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
13There Will Never Be Another You
Chris Montez2:54
14I Left My Heart in San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett32:53
15Moon River
vocals:
Danny Williams
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Danny Williams3.52:36
16Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:53
17Georgia on My Mind
Günther Neefs3:27
18Night and Day
Fred Astaire3:14
19The Best Things in Life Are Free
Bing Crosby52:25
20Rose Marie
recording of:
Rose-Marie (title song of the 1924 operetta)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml
publisher:
Chappell & Co.
Teil von:
Rose-Marie (1924 operetta-style musical)
Slim Whitman2:07
4▼CD
Nr.TitelKünstlerBewertungLänge
1Before the Next Teardrop Falls
cover recording of:
Before the Next Teardrop Falls
Verfasser(in):
Vivian Keith und Ben Peters (country music songwriter)
publisher:
Shelby Singleton Music Inc.
Freddy Fender2:34
2Don't Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:37
3Son-Of-A Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:25
4If I Only Had Time
recording of:
If I Only Had Time
Texter:
Pierre Delanoë
Komponist(in):
Jack Fishman und Michel Fugain
übersetzte Version von:
Je n’aurai pas le temps
John Rowles2:44
5Stand by Your Man
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Stand by Your Man
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette2:41
6The Lonely Boy
Paul Anka2:31
7Goodnight My Love
Ray Peterson2:40
8Follow the Boys
recording of:
Follow the Boys
Texter:
Benny Davis (US vaudeville performer and songwriter)
Komponist(in):
Murray Mencher
publisher:
Benny Davis Music und EMI Full Keel Music
Connie Francis2:41
9If You Stop Loving Me
Will Tura2:59
10Don't You Know
Della Reese2:34
11Broken Hearted Melody
recording of:
Broken-Hearted Melody
Texter:
Hal David
Komponist(in):
Sherman Edwards
Sarah Vaughan2:24
12I Only Have Eyes for You
Rosemary Clooney with Pérez Prado and His Orchestra2:08
13Mélodie D'Amour (Melody of Love)
The Ames Brothers2:38
14Make the World Go Away
Eddy Arnold2:39
15Welcome to My World
recording of:
Welcome to My World
Texter und Komponist(in):
Johnny Hathcock und Ray Winkler
publisher:
Neillrae Music, Sony/ATV Songs LLC und Sony/ATV Tree Publishing
Jim Reeves2:38
16Oh! My Pa-Pa
Eddie Fisher2:56
17It's All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:38
18Fascination
recording of:
Fascination (English version)
Texter:
Maurice de Féraudy (in 1905)
Komponist(in):
Fermo Dante Marchetti (in 1904)
Übersetzer:
Dick Manning (American songwriter)
übersetzte Version von:
Fascination (original French version)
Jane Morgan2:49
19Sugartime
recording of:
Sugartime
Komponist(in):
Odis Echols und Charlie Phillips
The McGuire Sisters2:32
20Sheik of Araby
Lou Monte2:15
5▼CD
Nr.TitelKünstlerBewertungLänge
1That's Amore
recording of:
That’s Amore
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin3:09
2The Most Beautiful Girl
cover recording of:
The Most Beautiful Girl
Verfasser(in):
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) und Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Gallico Music Ltd.
Version von:
Hey Mister
Charlie Rich2:43
3The More I See You
Chris Montez2:41
4Green, Green Grass of Home
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
cover recording of:
Green, Green Grass of Home
Texter und Komponist(in):
Claude “Curly” Putman, Jr.
publisher:
Burlington Music, Burlington Music Ltd. und Tree Music
übersetzte Version von:
Ik ben weer in m’n dorpje
Tom Jones43:05
5Release Me
recording of:
Release Me
Verfasser(in):
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) und Robert Yount (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:20
6It's Impossible
Produzent(in):
Ernie Altschuler
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1970-05-05)
conductor:
Marty Manning (am 1970-05-05)
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recording of:
It’s Impossible (am 1970-05-05)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
Perry Como33:16
7Blue Velvet
Bobby Vinton2:49
8The Impossible Dream
Robert Goulet43:34
9Love Story (Where Do I Begin)
Andy Williams3:11
10Love Is a Many Splendoured Thing
Jerry Vale2:41
11As I Love You
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
phonographisches Urheberrecht (℗) von:
Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
recording of:
As I Love You (1958 song from the film "The Big Beat") (von 1984-07 bis 1984-08)
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Larry Shayne Enterprises und Warner Chappell Music, Inc.
Shirley Bassey3:05
12So Many Ways
Brook Benton2:42
13I'm Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:41
14Chances Are
recording of:
Chances Are
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:04
15Once I Love
Vic Damone2:44
16Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.44:03
17I Won't Forget You
recording of:
I Won’t Forget You (1961 song)
Texter und Komponist(in):
Harlan Howard
Jim Reeves2:01
18The End of the World
recording of:
The End of the World
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis2:39
19Just Walking in the Rain
Johnnie Ray2:48
20High Noon
Frankie Laine2:46

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