Eight Classic Albums

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Mean to Me
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Nat Jaffe (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
cover recording of:
Mean to Me (on 1945-05-25)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:38
2Interlude
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31) and Dizzy Gillespie (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
cover recording of:
Interlude (on 1944-12-31)
writer:
Dizzy Gillespie, Raymond Leveen (Composer, songwriter and author) and Frank Paparelli
2:28
3What More Can a Woman Do
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Nat Jaffe (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
cover recording of:
What More Can a Woman Do? (on 1945-05-25)
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
3:00
4No Smoke Blues
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
recording of:
No Smoke Blues
writer:
Leonard Feather
2:24
5East of the Sun (And West of the Moon)
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
cover recording of:
East of the Sun (and West of the Moon) (on 1944-12-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
2:49
6I’d Rather Have a Memory Than a Dream
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Tadd Dameron (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
recording of:
I’d Rather Have a Memory Than a Dream (on 1945-05-25)
writer:
Leonard Feather and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:40
7Singing Off
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
2:37
8The Touch of Your Lips
cover recording of:
The Touch of Your Lips
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
2:45
9’s Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:28
10Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:07
11It’s Magic
performer:
Hugo Peretti and His Orchestra (from 1954-10-20 until 1954-10-21)
cover recording of:
It’s Magic (from 1954-10-20 until 1954-10-21)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:09
12Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-18)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
3:59
13April in Paris
cover recording of:
April in Paris (on 1954-12-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
6:19
14He’s My Guy
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18)
flute:
Herbie Mann (on 1954-12-18)
tenor saxophone:
Paul Quinichette (on 1954-12-18)
trumpet:
Clifford Brown (trumpet) (on 1954-12-18)
vocals:
Sarah Vaughan (on 1954-12-18)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
He’s My Guy (on 1954-12-18)
lyricist:
Don Raye
composer:
Gene de Paul
4:10
15Jim
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18)
flute:
Herbie Mann (on 1954-12-18)
tenor saxophone:
Paul Quinichette (on 1954-12-18)
trumpet:
Clifford Brown (trumpet) (on 1954-12-18)
vocals:
Sarah Vaughan (on 1954-12-18)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Jim (on 1954-12-18)
lyricist:
Nelson Shawn
composer:
Edward Ross and Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
5:48
16You’re Not That Kind
recorded in:
New York, New York, United States (on 1954-12-16)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
You’re Not the Kind (on 1954-12-16)
writer:
Will Hudson and Irving Mills
4:40
17Embraceable You
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18)
vocals:
Sarah Vaughan (on 1954-12-18)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (on 1954-12-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:47
18I’m Glad There Is You
recorded in:
New York, New York, United States (on 1954-12-16)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
I’m Glad There Is You (on 1954-12-16)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
5:07
19September Song
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-16)
recording of:
Knickerbocker Holiday: September Song (on 1954-12-16)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
5:42
20It’s Crazy
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18)
flute:
Herbie Mann (on 1954-12-18)
tenor saxophone:
Paul Quinichette (on 1954-12-18)
trumpet:
Clifford Brown (trumpet) (on 1954-12-18)
vocals:
Sarah Vaughan (on 1954-12-18)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
It’s Crazy (on 1954-12-18)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Richard Rodgers (composer)
publisher:
Chappell S.A. and Crestview Music Corp.
4:52
2▼CD
#TitleRatingLength
1Over the Rainbow
recorded in:
New York, New York, United States (on 1955-10-27)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-27) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-27)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-27)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-27)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-27)
guitar:
Turk Van Lake (on 1955-10-27)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-27)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-27) and Kai Winding (on 1955-10-27)
trumpet:
Bernie Glow (on 1955-10-27) and Ernie Royal (on 1955-10-27)
vocals:
Sarah Vaughan (on 1955-10-27)
conductor:
Ernie Wilkins (on 1955-10-27)
arranger:
Ernie Wilkins
cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1955-10-27)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:28
2Soon
recorded in:
New York, New York, United States (on 1955-10-26)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-26) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-26)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-26)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-26)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-26)
guitar:
Turk Van Lake (on 1955-10-26)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-26) and Kai Winding (on 1955-10-26)
trumpet:
Bernie Glow (on 1955-10-26) and Ernie Royal (on 1955-10-26)
vocals:
Sarah Vaughan (on 1955-10-26)
conductor:
Ernie Wilkins (on 1955-10-26)
arranger:
Ernie Wilkins
cover recording of:
Soon (on 1955-10-26)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. and New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
2:34
3Cherokee
recorded in:
New York, New York, United States (on 1955-10-26)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-26) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-26)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-26)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-26)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-26)
guitar:
Turk Van Lake (on 1955-10-26)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-26) and Kai Winding (on 1955-10-26)
trumpet:
Bernie Glow (on 1955-10-26) and Ernie Royal (on 1955-10-26)
vocals:
Sarah Vaughan (on 1955-10-26)
conductor:
Ernie Wilkins (on 1955-10-26)
arranger:
Ernie Wilkins
cover recording of:
Cherokee (on 1955-10-26)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
2:28
4I’ll Never Smile Again
recorded in:
New York, New York, United States (on 1955-10-25)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-25) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-25)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-25)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-25)
guitar:
Turk Van Lake (on 1955-10-25)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-25) and Kai Winding (on 1955-10-25)
trumpet:
Bernie Glow (on 1955-10-25) and Ernie Royal (on 1955-10-25)
vocals:
Sarah Vaughan (on 1955-10-25)
conductor:
Ernie Wilkins (on 1955-10-25)
arranger:
Ernie Wilkins
cover recording of:
I’ll Never Smile Again (on 1955-10-25)
lyricist and composer:
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:33
5Don’t Be on the Outside
recorded in:
New York, New York, United States (on 1955-10-25)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-25) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-25)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-25)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-25)
guitar:
Turk Van Lake (on 1955-10-25)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-25) and Kai Winding (on 1955-10-25)
trumpet:
Bernie Glow (on 1955-10-25) and Ernie Royal (on 1955-10-25)
vocals:
Sarah Vaughan (on 1955-10-25)
conductor:
Ernie Wilkins (on 1955-10-25)
arranger:
Ernie Wilkins
cover recording of:
Don’t Be on the Outside (on 1955-10-25)
writer:
George Kelly (US jazz tenor saxophonist, vocalist and arranger), Mayme Watts and Sid Wyche
publisher:
Munson Music Co.
2:59
6How High the Moon
recorded in:
New York, New York, United States (on 1955-10-27)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-27) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-27)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-27)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-27)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-27)
guitar:
Turk Van Lake (on 1955-10-27)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-27)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-27) and Kai Winding (on 1955-10-27)
trumpet:
Bernie Glow (on 1955-10-27) and Ernie Royal (on 1955-10-27)
vocals:
Sarah Vaughan (on 1955-10-27)
conductor:
Ernie Wilkins (on 1955-10-27)
arranger:
Ernie Wilkins
cover recording of:
How High the Moon (on 1955-10-27)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:35
7It Shouldn’t Happen to a Dream
recorded in:
New York, New York, United States (on 1955-10-25)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-25) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-25)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-25)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-25)
guitar:
Turk Van Lake (on 1955-10-25)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-25) and Kai Winding (on 1955-10-25)
trumpet:
Bernie Glow (on 1955-10-25) and Ernie Royal (on 1955-10-25)
vocals:
Sarah Vaughan (on 1955-10-25)
conductor:
Ernie Wilkins (on 1955-10-25)
arranger:
Ernie Wilkins
cover recording of:
It Shouldn’t Happen to a Dream (on 1955-10-25)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Don George (US songwriter/composer, 1909–1987) and Johnny Hodges
publisher:
United Music Corp.
3:17
8Sometimes I’m Happy
recorded in:
New York, New York, United States (on 1955-10-25)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-25) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-25)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-25)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-25)
guitar:
Turk Van Lake (on 1955-10-25)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-25) and Kai Winding (on 1955-10-25)
trumpet:
Bernie Glow (on 1955-10-25) and Ernie Royal (on 1955-10-25)
vocals:
Sarah Vaughan (on 1955-10-25)
conductor:
Ernie Wilkins (on 1955-10-25)
cover recording of:
Sometimes I’m Happy (on 1955-10-25)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:54
9Maybe
recorded in:
New York, New York, United States (on 1955-10-26)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-26) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-26)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-26)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-26)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-26)
guitar:
Turk Van Lake (on 1955-10-26)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-26) and Kai Winding (on 1955-10-26)
trumpet:
Bernie Glow (on 1955-10-26) and Ernie Royal (on 1955-10-26)
vocals:
Sarah Vaughan (on 1955-10-26)
conductor:
Ernie Wilkins (on 1955-10-26)
arranger:
Ernie Wilkins
cover recording of:
Maybe (on 1955-10-26)
writer:
Allan Flynn and Frank Madden (US songwriter)
publisher:
Robbins (publisher)
2:30
10An Occasional Man
recorded in:
New York, New York, United States (on 1955-10-26)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-26) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-26)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-26)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-26)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-26)
guitar:
Turk Van Lake (on 1955-10-26)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-26) and Kai Winding (on 1955-10-26)
trumpet:
Bernie Glow (on 1955-10-26) and Ernie Royal (on 1955-10-26)
vocals:
Sarah Vaughan (on 1955-10-26)
conductor:
Ernie Wilkins (on 1955-10-26)
arranger:
Ernie Wilkins
cover recording of:
An Occasional Man (on 1955-10-26)
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
2:29
11Why Can’t I
recorded in:
New York, New York, United States (on 1955-10-27)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-27) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-27)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-27)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-27)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-27)
guitar:
Turk Van Lake (on 1955-10-27)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-27)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-27) and Kai Winding (on 1955-10-27)
trumpet:
Bernie Glow (on 1955-10-27) and Ernie Royal (on 1955-10-27)
vocals:
Sarah Vaughan (on 1955-10-27)
conductor:
Ernie Wilkins (on 1955-10-27)
arranger:
Ernie Wilkins
cover recording of:
Why Can’t I? (on 1955-10-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Harms, Inc. (on 1929-03-14)
2:53
12Oh My
recorded in:
New York, New York, United States (on 1955-10-27)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-10-27) and Sam Marowitz (saxophonist and clarinetist) (on 1955-10-27)
double bass:
Joe Benjamin (US jazz bassist) (on 1955-10-27)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-10-27)
flute and tenor saxophone:
Jerome Richardson (on 1955-10-27)
guitar:
Turk Van Lake (on 1955-10-27)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1955-10-27)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-10-27) and Kai Winding (on 1955-10-27)
trumpet:
Bernie Glow (on 1955-10-27) and Ernie Royal (on 1955-10-27)
vocals:
Sarah Vaughan (on 1955-10-27)
conductor:
Ernie Wilkins (on 1955-10-27)
arranger:
Ernie Wilkins
recording of:
Oh My (on 1955-10-27)
lyricist and composer:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Admont Music Corp.
2:20
13Shulie a Bop
recorded in:
New York, New York, United States (on 1954-04-02)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-04-02)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02)
piano:
John Malachi (on 1954-04-02)
vocals:
Sarah Vaughan (on 1954-04-02)
recording of:
Shulie a Bop (on 1954-04-02)
composer:
George Treadwell and Sarah Vaughan
2:38
14Lover Man (Oh, Where Can You Be)
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
Lover Man (on 1957-02-14)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:15
15I Cried for You
double bass:
Richard Davis (American jazz bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
recording of:
I Cried for You
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
1:38
16Polka Dots and Moonbeams
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
Polka Dots and Moonbeams (on 1957-02-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
2:33
17All of Me
double bass:
Richard Davis (American jazz bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:15
18Words Can’t Describe
double bass:
Richard Davis (American jazz bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
4:31
19Prelude to a Kiss
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
Prelude to a Kiss (on 1957-02-14)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
2:45
20You Hit the Spot
double bass:
Joe Benjamin (US jazz bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
John Malachi
vocals:
Sarah Vaughan
recording of:
You Hit the Spot
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
3:00
21Pennies for Heaven
double bass:
Richard Davis (American jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
Pennies From Heaven (on 1957-02-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
3:04
22If I Knew Then (What I Know Now)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
John Malachi
vocals:
Sarah Vaughan
recording of:
If I Knew Then (What I Know Now)
writer:
Eddy Howard (vocalist and bandleader) and Dick Jurgens
2:30
23Body and Soul
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
Body and Soul (on 1957-02-14)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:12
24They Can’t Take That Away From Me
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-02-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:40
25Linger Awhile
double bass:
Richard Davis (American jazz bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
recording of:
Linger a While
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
recording of:
Linger Awhile
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Paul Whiteman
0:59
3▼CD
#TitleRatingLength
1The Man I Love
vocals:
Sarah Vaughan
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:34
2Someone to Watch Over Me
vocals:
Sarah Vaughan
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:58
3I’ll Build a Stairway to Paradise
vocals:
Sarah Vaughan
cover recording of:
I’ll Build a Stairway to Paradise
lyricist:
Arthur Francis (in 1922) and Buddy DeSylva (in 1922)
composer:
George Gershwin (composer) (in 1922)
publisher:
Chappell Music Ltd. and Harms, Inc. (in 1922)
included in:
An American in Paris (2015 Broadway musical)
2:39
4Isn’t It a Pity
vocals:
Sarah Vaughan
cover recording of:
Isn’t It a Pity?
lyricist:
Ira Gershwin (in 1933)
composer:
George Gershwin (composer) (in 1933)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1932) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Pardon My English
3:52
5Biding My Time
vocals:
Sarah Vaughan
cover recording of:
Bidin’ My Time (from Girl Crazy)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:00
6Of Thee I Sing
vocals:
Sarah Vaughan
cover recording of:
Of Thee I Sing
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music Corp. (in 1931)
part of:
Of Thee I Sing: Act I
3:08
7How Long Has This Been Going On
vocals:
Sarah Vaughan
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:58
8I’ve Got a Crush on You
vocals:
Sarah Vaughan
cover recording of:
I’ve Got a Crush on You (on 1957-03-20)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
4:01
9Lorelei
vocals:
Sarah Vaughan
cover recording of:
Lorelei
lyricist:
Ira Gershwin (in 1933)
composer:
George Gershwin (composer) (in 1933)
publisher:
New World Music Co. (in 1932)
part of:
Pardon My English
2:32
10My One and Only
vocals:
Sarah Vaughan
cover recording of:
My One and Only (from “Funny Face”)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:12
11A Foggy Day
vocals:
Sarah Vaughan
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:47
12Aren’t You Kinda Glad We Did
vocals:
Sarah Vaughan
recording of:
Aren’t You Kind of Glad We Did?
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1946)
3:27
13They All Laughed
vocals:
Sarah Vaughan
cover recording of:
They All Laughed (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
2:23
14Looking for a Boy
vocals:
Sarah Vaughan
cover recording of:
Looking for a Boy
lyricist:
Ira Gershwin (in 1925)
composer:
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to ????)
part of:
Tip-Toes
3:39
15My Man’s Gone Now
vocals:
Sarah Vaughan
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
4:20
16He Loves and She Loves
vocals:
Sarah Vaughan
cover recording of:
He Loves and She Loves
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:24
17Do It Again
vocals:
Sarah Vaughan
cover recording of:
Do It Again
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
3:14
18Let’s Call the Whole Thing Off
vocals:
Sarah Vaughan
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
2:22
19Things Are Looking Up
vocals:
Sarah Vaughan
cover recording of:
Things Are Looking Up (A Damsel in Distress)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:32
20Love Walked In
cover recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:06
21I Won’t Say I Will
vocals:
Sarah Vaughan
recording of:
I Won’t Say I Will But I Won’t Say I Won’t
lyricist:
Arthur Francis and Buddy DeSylva
composer:
George Gershwin (composer)
3:22
4▼CD
#TitleRatingLength
1Alexanders Rag Time Band
cover recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
4:00
2Isn’t It a Loveley Day
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:51
3I’ve Got My Love to Keep Me Warm
cover recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:12
4All of My Life
cover recording of:
All of My Life
lyricist and composer:
Irving Berlin
3:14
5Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
2:44
6You’re Just in Love
cover recording of:
You’re Just in Love (Call Me Madam)
lyricist and composer:
Irving Berlin (in 1950)
publisher:
Irving Berlin Music Corp.
part of:
Call Me Madam
3:41
7Remember
cover recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:18
8Always
cover recording of:
Always
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:36
9Easter Parade
cover recording of:
Easter Parade (from “Easter Parade”)
lyricist and composer:
Irving Berlin (in 1933)
part of:
Easter Parade (full musical)
3:14
10The Girl That I Marry
cover recording of:
The Girl That I Marry (from "Annie Get Your Gun")
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
2:58
11Now It Can Be Told
cover recording of:
Now It Can Be Told
lyricist and composer:
Irving Berlin (in 1938)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
3:41
12Say It Isn’t So
cover recording of:
Say It Isn’t So (in 1959)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
2:49
13Missing You
recording of:
Missing You (in 1959)
writer:
Ronnell Bright
2:54
14I’ve Got to Talk to My Heart
recording of:
I’ve Got to Talk to My Heart (in 1959)
writer:
Ronnell Bright
2:58
15I’ll Never Be the Same
orchestra:
Belford Hendricks' Orchestra (in 1959)
cover recording of:
I’ll Never Be the Same (in 1959)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
2:26
16There’s No You
cover recording of:
There’s No You (in 1959)
lyricist:
Thomas Montgomery Adair
writer:
G. Durgom
composer:
Hal Hopper
publisher:
Barton Music Corp.
2:20
17I Should Care
vocals:
Sarah Vaughan (on 1959-09-02)
cover recording of:
I Should Care (on 1959-09-02)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:27
18If You Are but a Dream
recording of:
If You Are But a Dream (in 1959)
lyricist and composer:
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) and Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
2:48
19Maybe You’ll Be There
cover recording of:
Maybe You’ll Be There (in 1959)
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
2:52
20Out of This World
cover recording of:
Out of This World (in 1959)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
2:29
21Last Night When We Were Young
cover recording of:
Last Night When We Were Young (in 1959)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
2:53
22Funny
cover recording of:
Funny (Not Much)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
2:57
23Close to You
vocals:
Sarah Vaughan (on 1959-09-02)
orchestra:
Belford Hendricks' Orchestra (on 1959-09-02)
cover recording of:
Close to You (on 1959-09-02)
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
3:05