Notenbüchlein für Anna Magdalena Bach

~ Veröffentlichung von Johann Sebastian Bach; Tragicomedia, Stephen Stubbs (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wachet auf, ruft uns die Stimme from: Cantata BWV 140/organ prelude BWV 645
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1991-04)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 645)
basiert auf:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Teil von:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:30
2O Ewigkeit, du Donnerwort Chorale No.42, BWV 513
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
Baritongesang:
Harvey Brough (composer, arranger and performer) (in 1991-04)
Bass-Gesang:
Richard Wistreich (British bass vocalist) (in 1991-04)
Soprangesang:
Emily Van Evera (soprano) (in 1991-04)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Johann von Rist (in 1642)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 513) und Bach Compendium (Nummer: BC F 218)
Johann Sebastian Bach1:23
3Gedenke doch, mein Geist zurucke Aria No.41, BWV 509
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 41) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 509)
Johann Sebastian Bach1:31
4Wer nur den lieben Gott Laßt walten Chorale No.11, BWV 691
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Chorale Preludes, Kirnberger Collection (Nummer: 2), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 691) und Bach Compendium (Nummer: BC K 99)
basiert auf:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach2:28
5Rondeau No.6, Les Bergeries BWV Anhang 183
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Rondeau, BWV Anh. 183 (in 1991-04)
Komponist(in):
François Couperin (French composer of the Baroque era)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (Nummer: BWV Suppl 1, S. 638) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV Anh. 183)
Johann Sebastian Bach4:27
6Musette No.22, BWV Anhang 126
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Musette in D major, BWV Anh. 126 (in 1991-04)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 22) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 126)
Johann Sebastian Bach0:59
7Menuet No.4-Menuet No.5, BWV Anhang 114 & 115
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements) (in 1991-04)
Komponist(in):
Christian Petzold
arranger:
Thomas Frost (classical music producer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Minuet in G major, BWV Anh. 114 (for keyboard)
Teil von:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
recording of:
Menuet in G minor, BWV Anh. 115 (in 1991-04)
Komponist(in):
Christian Petzold
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV Anh. II 115 / Anh. III 183‑>) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1991-04)
Komponist(in):
Christian Petzold
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 4) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 114)
Johann Sebastian Bach4:27
8Gib dich zufrieden und sei stille Chorale No.12, BWV 510
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
Baritongesang:
Harvey Brough (composer, arranger and performer) (in 1991-04)
Bass-Gesang:
Richard Wistreich (British bass vocalist) (in 1991-04)
Soprangesang:
Emily Van Evera (soprano) (in 1991-04)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful) (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Paul Gerhardt (17th century hymn writer)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 510) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 510)
Johann Sebastian Bach1:16
9Gib dich zufrieden und sei stille Aria No.13a, BWV 511
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
Baritongesang:
Harvey Brough (composer, arranger and performer)
Bass-Gesang:
Richard Wistreich (British bass vocalist)
Soprangesang:
Emily Van Evera (soprano)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 511) und Bach Compendium (Nummer: BC F 214a)
Johann Sebastian Bach1:17
10Marche-Polonaise-Marche-Polonaise Nos.16-19, BWV Anhang 122-125
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (in 1991-04)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (Nummer: H. 1/1), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 16) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 122)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (in 1991-04)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (Nummer: H. 1/3), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 18) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 124)
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2 (in 1991-04)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (Nummer: BR‑CPEB A‑Juv 3), Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (Nummer: H. 1/2), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 17), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV Anh. II 123 / Anh. III 183‑>) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV Anh. 123)
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4 (in 1991-04)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (Nummer: H. 1/4), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 19) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 125)
Johann Sebastian Bach6:17
11Erbauliche Gedanken eines Tobackrauchers...
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 20)
Johann Sebastian Bach4:39
12Prelude and Fugue in C No.29, BWV 846
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Bach Compendium (Nummer: BC L 80) und Bach-Werke-Verzeichnis (Nummer: BWV 846)
Teil von:
The Well-Tempered Clavier, Book I
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach4:46
13Wie wohl ist mir, o Freund der Seelen Aria No.40, BWV 517
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
Bass-Gesang:
Richard Wistreich (British bass vocalist) (in 1991-04)
Soprangesang:
Emily Van Evera (soprano) (in 1991-04)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Wolfgang Christoph Dessler (in 1692)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 40) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 517)
Johann Sebastian Bach1:22
14Menuet No.14, BWV Anhang 120
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 14) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 120)
Johann Sebastian Bach1:55
15Schaff's mit mir, Gott Chorale No.35, BWV 514
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Benjamin Schmolck
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 514) und Bach Compendium (Nummer: BC F 216)
Johann Sebastian Bach1:08
16Willst du dein Herz mir schenken Aria di Giovannini No.37, BWV 518...
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/An/13), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (Nummer: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 518) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 518)
Johann Sebastian Bach5:36
17Warum betrubst du dich Aria No.33, BWV 516
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Aria “Warum betrübst du dich”, BWV 516 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 33) und Bach-Werke-Verzeichnis (Nummer: BWV 516)
Johann Sebastian Bach1:10
18Menuet No.36-Menuet No.15, BWV Anhang 132 & 121
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Menuett c-Moll, BWV Anh. 121 (in 1991-04)
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV Anh. II 121) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV Anh. 121)
recording of:
Menuett in d-Moll, BWV Anh. 132 (in 1991-04)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV Anh. II 132) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV Anh. 132)
Johann Sebastian Bach2:45
19Dir, dir, Jehova Chorale No.39, BWV 299
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Orchester:
Tragicomedia (instrumental ensemble) (in 1991-04)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1991-04)
Texter:
Bartholomäus Crasselius (German hymn writer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 39a), Breitkopf 389 Choralgesänge (Nummer: 67) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1999)
Texter:
Bartholomäus Crasselius (German hymn writer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 39a), Breitkopf 389 Choralgesänge (Nummer: 67) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
Johann Sebastian Bach1:05
20Bist du bei mir Aria No.25, BWV 508
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist) (in 1991-04)
viola da gamba:
Erin Headley (American lirone player, teacher, and director) (in 1991-04)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1991-04)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV 508), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 508) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 508)
Johann Sebastian Bach2:54
21Aria No.26 BWV 988
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:57
22So oft ich meine Tobackspfeife Aria No.20a, BWV 515
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 20)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:01
23Ich habe genug! Recitatibo No.34, BWV 82.ii
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Orgel:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
Teil von:
Kantate, BWV 82 “Ich habe genung” (for bass)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 34)
Teil von:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:11
24Schlummert ein, ihr matten Augen Aria No.34/38, BWV 82.iii
recording engineer, Produzent(in) und Editing:
John Hadden (in 1991-04)
Instrumente und Interpret(in):
Tragicomedia (instrumental ensemble) (in 1991-04)
Laute:
Stephen Stubbs (US early music lutenist)
Tenor-Gesang:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
aufgenommen bei:
St. Andrew's Church in Toddington, Gloucestershire, England, Vereinigtes Königreich (in 1991-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
Teil von:
Kantate, BWV 82 “Ich habe genung” (for bass)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1991-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 34)
Teil von:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach7:48

Nennungen

Veröffentlichung

liner notes:Melania Bucciarelli (liner notes)
Jacques Fournier (liner notes French translator)
Christian Hinzelin
Andrew Lawrence‐King (Early music harpist and conductor)
Marco Marica (liner notes)
Stewart Spencer (linernotes, translation)
leitende(r) Produzent(in):Wolfgang Mohr
Marita Prohmann
Discogs:https://www.discogs.com/release/4861767 [Info]
ASIN:US: B000000SK5 [Info]
Diskografieeintrag:http://www.arkivmusic.com/classical/album.jsp?album_id=7938 [Info]