Hello Dolly

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
42:24
2Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:23
3On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:21
4When the Saints Go Marching In
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
1:32
5Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
4:02
6Cut Off My Legs and Call Me Shorty
recorded in:
New York, New York, United States (on 1940-05-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1940-05-01)
bass:
George "Pops" Foster (on 1940-05-01)
drums (drum set):
Sid Catlett (on 1940-05-01)
guitar:
Lee Blair (on 1940-05-01)
piano:
Luis Russell (on 1940-05-01)
saxophone:
Joe Garland (saxophonist, composer) (on 1940-05-01)
trumpet:
Louis Armstrong (on 1940-05-01)
vocals:
Louis Armstrong (on 1940-05-01)
orchestra:
Louis Armstrong & His Orchestra (on 1940-05-01)
recording of:
Cut Off My Legs and Call Me "Shorty" (on 1940-05-01)
writer:
Don Raye and Van Alexander (aka Al Feldman)
2:32
7Blueberry Hill
cover recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
1:38
8Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
4:42
9You Won't Be Satisfied
recording of:
You Won’t Be Satisfied (Until You Break My Heart)
writer:
Freddy James and Larry Stock
3:00
10Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3:10
11Cain and Abel
3:00
12Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:19
13C'est si bon (It's So Good)
recording of:
C’est si bon (It's So Good, English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
translator:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
3:31
14Baby Won't You Please Come Home
recorded in:
New York, New York, United States (on 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-06-15)
bass:
George "Pops" Foster (on 1939-06-15)
drums (drum set):
Sid Catlett (on 1939-06-15)
guitar:
Lee Blair (on 1939-06-15)
piano:
Luis Russell (on 1939-06-15)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-06-15)
saxophone:
Joe Garland (saxophonist, composer) (on 1939-06-15)
tenor saxophone:
Bingie Madison (on 1939-06-15)
trombone:
Wilbur de Paris (on 1939-06-15), J.C. Higginbotham (on 1939-06-15) and George Washington (jazz trombonist) (on 1939-06-15)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-06-15), Louis Armstrong (on 1939-06-15), Bernard Flood (on 1939-06-15) and Shelton "Scad" Hemphill (on 1939-06-15)
vocals:
Louis Armstrong (on 1939-06-15)
orchestra:
Louis Armstrong & His Orchestra (on 1939-06-15)
performer:
Louis Armstrong (on 1939-12-18)
cover recording of:
Baby Won’t You Please Come Home (on 1939-06-15)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:18
15Honeysuckle Rose
cover recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:59
16I'm Confessin' (That I Love You)
recording of:
I’m Confessin’ (That I Love You)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:22
17Your Just a No Account
recorded in:
New York, New York, United States (on 1939-12-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-12-18)
bass:
George "Pops" Foster (on 1939-12-18)
drums (drum set):
Sid Catlett (on 1939-12-18)
guitar:
Lee Blair (on 1939-12-18)
piano:
Luis Russell (on 1939-12-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-12-18)
saxophone:
Joe Garland (saxophonist, composer) (on 1939-12-18)
tenor saxophone:
Bingie Madison (on 1939-12-18)
trombone:
Wilbur de Paris (on 1939-12-18), J.C. Higginbotham (on 1939-12-18) and George Washington (jazz trombonist) (on 1939-12-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-12-18), Louis Armstrong (on 1939-12-18), Bernard Flood (on 1939-12-18) and Shelton "Scad" Hemphill (on 1939-12-18)
vocals:
Louis Armstrong (on 1939-12-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-12-18)
recording of:
You’re Just a No Account (on 1939-12-18)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
2:52
18I'll Get Mine Bye and Bye
recording of:
I'll Get Mine Bye and Bye
writer:
Jimmie Davis (American politician, singer and songwriter)
3:04
19High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
1:30
20You Run Your Mouth and I'll Run My Business
recorded in:
New York, New York, United States (on 1940-05-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1940-05-01)
bass:
George "Pops" Foster (on 1940-05-01)
drums (drum set):
Sid Catlett (on 1940-05-01)
guitar:
Lee Blair (on 1940-05-01)
piano:
Luis Russell (on 1940-05-01)
saxophone:
Joe Garland (saxophonist, composer) (on 1940-05-01)
trumpet:
Louis Armstrong (on 1940-05-01)
vocals:
Louis Armstrong (on 1940-05-01)
orchestra:
Louis Armstrong & His Orchestra (on 1940-05-01)
recording of:
You Run Your Mouth and I'll Run My Business (on 1940-05-01)
lyricist and composer:
Lil Hardin Armstrong
2:58

Credits

Release

part of:Cheap’O’Lata (number: 097) (order: 9)
Discogs:https://www.discogs.com/release/11850813 [info]
ASIN:FR: B000JJ4TN6 [info]