The 80’s Collection 1980

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1CD
Nr.TitelKünstlerBewertungLänge
1Another One Bites The Dust
recording of:
Another One Bites the Dust
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3:38
2Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:28
3Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3.52:58
4Please Don’t Go
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
KC and the Sunshine Band43:51
5On the Radio
Donna Summer4:08
6Kiss on My List
phonographisches Urheberrecht (℗) von:
RCA Records Ltd. (RCA Records, not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
Kiss on My List
Verfasser(in):
Janna Allen (songwriter) und Daryl Hall
publisher:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian und Unichappell Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Hall & Oates4.653:52
7Babooshka
assistierende(r) Techniker(in):
John Barratt (British audio engineer) (von 1979-09 bis 1980-05)
Techniker(in):
Jon Kelly (engineer at Air London Studios) (von 1979-09 bis 1980-05)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Analoger Synthesizer [CS 80] und Sologesang:
Kate Bush (von 1979-09 bis 1980-05)
Balalaika:
Paddy Bush (von 1979-09 bis 1980-05)
E-Bass:
John Giblin (von 1979-09 bis 1980-05)
E-Gitarre:
Brian Bath (von 1979-09 bis 1980-05) und Alan Murphy (UK session guitarist) (von 1979-09 bis 1980-05)
Rhodes Piano [Fender Rhodes]:
Max Middleton (von 1979-09 bis 1980-05)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1979-09 bis 1980-05)
Hintergrundgesang:
Paddy Bush (von 1979-09 bis 1980-05) und Gary Hurst (von 1979-09 bis 1980-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
recording of:
Babooshka (von 1979-09 bis 1980-05)
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.553:30
8Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:24
9Feels Like I’m in LoveKelly Marie3:20
10Stomp
recording of:
Stomp!
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson und Rod Temperton
Brothers Johnson4:02
11What's in A Kiss
Gilbert O’Sullivan2:35
12Working My Way Back to You Babe
Detroit Spinners3:59
2CD
Nr.TitelKünstlerBewertungLänge
1Whatever You Want
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo3:52
2Banana Republic
recording of:
Banana Republic
Verfasser(in):
Pete Briquette und Bob Geldof
The Boomtown Rats5:02
3Johnny & Mary
Robert Palmer3:58
4Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:29
59 to 5
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:19
6Do That to Me One More Time
Captain & Tennille3:54
7All Out of Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Robie Porter
assistierende(r) Mix:
Linda Corbin
Mix:
Jim Hilton
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien und Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 290)
recording of:
All Out of Love
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:04
8Lady
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) und Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers3.43:54
9Dreamin’
recording of:
Dreamin’
Texter:
Leo Sayer
Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Cliff Richard3:39
10More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
11Funkytown
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4:00
12Rockabilly Rebel
recording of:
Rockabilly Rebel
Texter und Komponist(in):
Steve Bloomfield
Matchbox2:44

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