Dream a Dream (North American version)

~ Release by Charlotte Church (see all versions of this release, 10 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Dream a Dream
recording engineer, programming and mixer:
Ash Howes (British mixer, writer and musician)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
guitar:
John Themis
vocals:
Charlotte Church and Billy Gilman (American country music singer.)
performer:
Billy Gilman (American country music singer.)
strings arranger:
Simon Hale
vocals arranger:
Simon Hale
produced for:
Biffco Productions
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (strings) and Whitfield St. Studios (operating under this name from 1984–1989, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Whitfield St. Studios (operating under this name from 1984–1989, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Dream a Dream
lyricist:
Sam Babenia
additional composer:
Simon Greenaway and James Shearman (conductor, orchestrator, composer)
composer:
Gabriel Fauré (French composer)
publisher:
A E Copyrights Ltd.
version of:
Pavane, op. 50 (for piano and chorus)
Charlotte Church23:49
2O Come, All Ye Faithful
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
New London Children’s Choir
orchestra:
London Symphony Orchestra
conductor:
Ronald Corp and Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
translator:
Frederick Oakeley (in 1841)
arrangement of:
O Come, All Ye Faithful
translated version of:
Adeste fideles (original latin version)
Charlotte Church, Sian Edwards, Stephen Westrop, London Symphony Orchestra, New London Children’s Choir & London Symphony Chorus3:21
3The Little Drummer Boy
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Carol of the Drum (aka “The Little Drummer Boy”)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
Charlotte Church, Sian Edwards & London Symphony Orchestra2:55
4Mary’s Boy Child
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Frank Gallagher (fiddler)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Mary’s Boy Child
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd.
Charlotte Church, Sian Edwards & London Symphony Orchestra3:29
5Ding Dong! Merrily on High
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Ding Dong! Merrily on High
lyricist:
George Ratcliffe Woodward
additional composer:
Charles Wood (Irish composer)
composer:
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
is based on:
Branle de l’official
Charlotte Church, Sian Edwards & London Symphony Orchestra2:18
6Winter Wonderland
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
arranger:
Julian Smith (Welsh National Opera conductor)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
cover recording of:
Winter Wonderland
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
Winter Wonderland
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Charlotte Church3:02
7The Christmas Song (Chestnuts Roasting on an Open Fire)
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Nick Ingman
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
lyricist:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter) (from 1944 until 1945)
composer:
Mel Tormé (“The Velvet Fog”) (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell Ltd., Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Charlotte Church, Sian Edwards & London Symphony Orchestra3:27
8Hark! The Herald Angels Sing
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Hark! The Herald Angels Sing (Christmas carol)
additional lyricist:
George Whitefield (in 1753)
lyricist:
Charles Wesley (hymn writer) (in 1739)
additional composer:
William H. Cummings (in 1855)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
The New English Hymnal (hymn book) (number: 26)
Charlotte Church, Sian Edwards, Stephen Westrop, London Symphony Orchestra & London Symphony Chorus3:16
9The Coventry Carol – Lully Lullay
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Coventry Carol
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 19028)
Charlotte Church, Sian Edwards & London Symphony Orchestra2:30
10Joy to the World
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Joy to the World (Christmas carol)
lyricist:
Isaac Watts (hymn writer)
additional composer:
Lowell Mason (in 1839)
composer:
George Frideric Handel (German‐British baroque composer)
Charlotte Church, Sian Edwards, Stephen Westrop, London Symphony Orchestra & London Symphony Chorus2:12
11When a Child Is Born
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
When a Child Is Born
lyricist:
Fred Jay
composer:
Zacar
arranger:
Dave Arch (pianist, conductor, arranger and composer)
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd. and Beechwood Music Corp.
Charlotte Church, Sian Edwards, Stephen Westrop, London Symphony Orchestra & London Symphony Chorus2:29
12What Child Is This – Greensleeves
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
What Child Is This?
lyricist:
William Chatterton Dix (in 1865)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 25608)
version of:
Greensleeves (generic entry for traditional and unknown arrangements)
Charlotte Church, Sian Edwards & London Symphony Orchestra2:44
13God Rest Ye Merry, Gentlemen
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 394)
Charlotte Church, Sian Edwards & London Symphony Orchestra1:59
14Draw Tua Bethlehem – Far Over Bethlehem
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Draw Tua Bethlehem/Far Over Bethlehem
additional lyricist:
John Stoddart (American R&B/Gospel singer-songwriter)
lyricist:
W. Rhys Nicholas
composer:
Hugh Gwynne
publisher:
Cyhoeddiadau Curiad
Charlotte Church, Sian Edwards & London Symphony Orchestra3:35
15Ave Maria
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
harp:
Rhodri Davies (UK harp player)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charlotte Church, Sian Edwards, London Symphony Orchestra & Rhodri Davies2:48
16Gabriel’s Message
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
arranger:
Julian Smith (Welsh National Opera conductor)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Gabriel's Message
lyricist:
Sabine Baring‐Gould and Christina Rossetti
composer:
[traditional] (special purpose artist)
arranger:
Zachary Wadsworth
Charlotte Church, Sian Edwards & Rhodri Davies2:41
17O Holy Night
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Cappeau de Roquemaure and Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
O Holy Night
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (composer) (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
Charlotte Church, Sian Edwards & London Symphony Orchestra4:21
18Lo! How a Rose E’er Blooming
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Lo, How a Rose E’er Blooming (English version of “Es ist ein Ros entsprungen”)
additional composer:
Michael Praetorius (composer and organist)
composer:
[anonymous] (special purpose artist)
translator:
Theodore Baker (in 1894)
translated version of:
Es ist ein Ros entsprungen (Praetorius’ harmonisation)
Charlotte Church, Stephen Westrop & London Symphony Chorus2:32
19Silent Night
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 1984–1989, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
Charlotte Church, Sian Edwards & London Symphony Orchestra33:47