The Wild Side

~ Release by Lou Reed (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1I’m Waiting for the Man
recording of:
I’m Waiting for the Man
lyricist and composer:
Lou Reed
publisher:
Screen Gems and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4:43
2Vicious
co-producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
bass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Vicious (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.452:56
3White Light/White Heat (live)
live recording of:
White Light/White Heat
lyricist and composer:
Lou Reed
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd. and RCA Music Ltd. (publisher)
5:03
4Sweet Jane
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
4:01
5Heroin
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 448)
recording of:
Heroin
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music
4.47:08
6Pale Blue Eyes
recording of:
Pale Blue Eyes
lyricist and composer:
Lou Reed
5:43
7Endlessly Jealous
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Endlessly Jealous
lyricist and composer:
Lou Reed
43:57
8Sally Can’t Dance
producer:
Steve Katz (engineer) and Lou Reed
lead vocals:
Lou Reed
recording of:
Sally Can’t Dance
lyricist and composer:
Lou Reed
4.52:55
9Rock and Roll Heart
assistant engineer:
Jay Krugman
engineer:
Corky Stasiak
producer:
Lou Reed
mixer:
Jay Krugman, Lou Reed and Corky Stasiak
recording of:
Rock and Roll Heart
lyricist and composer:
Lou Reed
43:07
10Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
4.254:13
11Satellite of Love
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
drums (drum set):
John Halsey (in 1972-08)
electric bass guitar:
Klaus Voormann (in 1972-08)
electric guitar and lead vocals:
Lou Reed (in 1972-08)
piano and recorder:
Mick Ronson (British guitarist) (in 1972-08)
trumpet:
Trevor Bolder (British bassist) (in 1972-08)
tuba:
Herbie Flowers (in 1972-08)
background vocals:
David Bowie (English singer‐songwriter) (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Satellite of Love (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
4.153:39
12Rock and Roll (live)
live recording of:
Rock ’n’ Roll
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
6:07
13Lady Day
recording of:
Lady Day
lyricist and composer:
Lou Reed
3:40
14Coney Island Day
recording of:
Coney Island Baby
lyricist and composer:
Lou Reed
6:37
15Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
4.33:45
16Berlin (live)
live recording of:
Berlin
lyricist and composer:
Lou Reed
3:25
2▼CD
#TitleRatingLength
1How Do You Think It Feels?
additional recording engineer:
Robin Black (engineer) and Peter Flanagan
producer:
Bob Ezrin
arranger:
Bob Ezrin and Allan MacMillan
recording of:
How Do You Think It Feels
lyricist and composer:
Lou Reed
3.53:42
2Romeo Had Juliet
recording of:
Romeo Had Juliette
lyricist and composer:
Lou Reed
3:11
3Mistrial
recording engineer:
David Greenberg (Rockin’ Reel Studios engineer)
mixer:
Bruce Lampcov
bass guitar:
Fernando Saunders
drums (drum set):
J.T. Lewis (jazz drummer)
guitar and lead vocals:
Lou Reed
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Mistrial
lyricist and composer:
Lou Reed
43:22
4I Love You, Suzanne
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
I Love You, Suzanne
lyricist and composer:
Lou Reed
4.653:12
5No Money Dpwn
recording of:
No Money Down
lyricist and composer:
Lou Reed
3:10
6The Bells
producer:
Lou Reed
recording of:
The Bells
lyricist and composer:
Lou Reed
6:31
7New Sensations
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
New Sensations
lyricist and composer:
Lou Reed
4.55:43
8Dirty Boulevard
recording engineer:
Jeffrey Lesser
assistant engineer:
Victor Deyglio
double bass:
Rob Wasserman
drums (drum set):
Fred Maher
electric guitar:
Mike Rathke and Lou Reed
background vocals:
Dion Di Mucci (US singer-songerwriter, blends doo-wop, pop rock & R&B)
lead vocals:
Lou Reed
recorded at and mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Dirty Blvd.
lyricist and composer:
Lou Reed
3.83:32
9I Wanna Be Black
producer:
Lou Reed and Richard Robinson (producer)
recording of:
I Wanna Be Black
lyricist and composer:
Lou Reed
32:57
10Kill Your Sons
recording of:
Kill Your Sons
lyricist and composer:
Lou Reed
3:35
11Power and Glory Part II
2:58
12Temporary Thing
assistant engineer:
Jay Krugman
engineer:
Corky Stasiak
producer:
Lou Reed
mixer:
Jay Krugman, Lou Reed and Corky Stasiak
recording of:
Temporary Thing
lyricist and composer:
Lou Reed
45:13
13Video Violence
recording engineer:
David Greenberg (Rockin’ Reel Studios engineer)
drum machine programming:
Fernando Saunders
mixer:
Bruce Lampcov
bass guitar:
Fernando Saunders
guitar and lead vocals:
Lou Reed
percussion:
Sammy Merendino
background vocals:
Jim Carroll (author/poet/punk musician)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Video Violence
lyricist and composer:
Lou Reed
55:35
14Men of Good Fortune
recording of:
Men of Good Fortune
lyricist and composer:
Lou Reed
publisher:
Dunbar Music Inc. (in 1973)
44:37
15Street Hassle
producer:
Lou Reed and Richard Robinson (producer)
guest spoken vocals:
Bruce Springsteen (in 1977-10)
recorded at:
1977‐10: The Record Plant, New York City, NY, USA (1977-10) (Lou Reed studio session)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1977-10)
recording of:
Street Hassle (in 1977-10)
lyricist and composer:
Lou Reed
311:01