The Searcher: The Original Soundtrack (Deluxe Edition)

~ Release by Elvis Presley (see all versions of this release, 3 available)

Tracklist

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CD 1
#TitleRatingLength
1Trouble / Guitar Man
live medley including a cover recording of:
Guitar Man (on 1968-06-22)
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated) and The International Music Network
live medley including a recording of:
Trouble (Elvis Presley) (on 1968-06-22)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs and Sony/ATV Songs LLC
?:??
2My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
4?:??
3Baby, What You Want Me to Do (First ‘Stand‐Up’ Show)
cover recording of:
Baby What You Want Me to Do
lyricist:
Jimmy Reed (blues musician) (until 1952-08-07)
composer:
Jimmy Reed (blues musician) (until 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music and Tristan Music Ltd.
?:??
4Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
5?:??
5That’s When Your Heartaches Begin?:??
6That’s All Right
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-07-05 until 1954-07-06)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05, from 1954-07-05 until 1954-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 112)
cover recording of:
That’s All Right (on 1954-07-05)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
cover recording of:
That’s All Right (from 1954-07-05 until 1954-07-06)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
3.25?:??
7Blue Moon of Kentucky
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05, on 1954-07-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05, on 1954-07-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05, on 1954-07-07)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 49)
cover recording of:
Blue Moon of Kentucky (on 1954-07-05)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3.5?:??
8Fool, Fool, Fool
cover recording of:
Fool, Fool, Fool
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Unichappell Music and Unichappell Music, Inc.
3.7?:??
9Tweedlee Dee
cover recording of:
Tweedlee Dee
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
?:??
10Baby, Let’s Play House
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-01-30 until 1955-02-04)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-01-30 until 1955-02-04)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
phonographic copyright (℗) by:
BMG Music (in 1953, in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
cover recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
3.8?:??
11Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
5?:??
12Trying to Get to You?:??
13Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-08-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-08-19) and Elvis Presley (“The King of Rock and Roll”) (on 1954-08-19)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-08-19)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.5?:??
14When It Rains, It Really Pours
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-11)
drums (drum set):
Johnny Bernero (in 1955-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-11) and Elvis Presley (“The King of Rock and Roll”) (in 1955-11)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-11)
cover recording of:
When It Rains It Pours (from 1955-08 until 1955-10)
lyricist and composer:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) and Riverline Music
?:??
15Blue Christmas
cover recording of:
Blue Christmas
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of "Blue Christmas")
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
?:??
16Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.7?:??
17Lawdy, Miss Clawdy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-02-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-02-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
3.85?:??
18Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
4?:??
19Hound Dog
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 19) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 318)
cover recording of:
Hound Dog
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
?:??
20(There’ll Be) Peace in the Valley (for Me)
engineer:
Thorne Nogar
producer:
Steve Sholes
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-13)
drums (drum set):
D.J. Fontana (on 1957-01-13)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1957-01-13)
background vocals:
The Jordanaires (on 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
vocals:
The Jordanaires (on 1957-01-13)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
There’ll Be Peace in the Valley for Me (on 1957-01-13)
publisher:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.65?:??
21Crawfish
cover recording of:
Crawfish (on 1958-01-15)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co. and Erika Publishing
5?:??
22Trouble?:??
23Farther Along
cover recording of:
Farther Along
lyricist:
Rev. W.A. Fletcher (in 1911)
writer:
[traditional] (special purpose artist)
composer:
J.R. Baxter and W.B. Stevens
publisher:
Carlin Music Corporation
?:??
24Mona Lisa
recorded in:
Bad Nauheim, Hessen (Hesse), Germany (in 1959)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1959)
recording of:
Mona Lisa (in 1959)
lyricist:
Raymond B. Evans (American songwriter)
writer:
Livingston & Evans (songwriting duo)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
?:??
25Hide Thou Me
cover recording of:
Hide Thou Me
writer:
Fanny Crosby and Robert Lowry (1826-1899)
publisher:
Bridge Building Music
?:??
26Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
4?:??
27Lonely Man
guitar:
Tiny Timbrell (on 1960-11-07)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
cover recording of:
Lonely Man (on 1960-11-07)
writer:
Bennie Benjamin and Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
?:??
28Power of My Love
recording of:
Power of My Love
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Elvis Presley Music Inc. and R&H Music
?:??
CD 2
#TitleArtistRatingLength
1Milky White Way
cover recording of:
Milky White Way (Elvis arr.)
writer:
Landers Coleman
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation
arrangement of:
Milky White Way
Elvis Presley3.85?:??
2A Mess of Blues
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
choir vocals and additional performer:
The Jordanaires (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
cover recording of:
A Mess of Blues (on 1960-03-20)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
Elvis Presley?:??
3Fame and FortuneElvis Presley?:??
4Witchcraft / Love Me Tender
recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
cover recording of:
Witchcraft
writer:
Dave Bartholomew and Pearl King
Elvis Presley?:??
5Like a Baby
recording engineer:
Bill Porter (engineer) (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Like a Baby (on 1960-04-03)
lyricist and composer:
Jesse Stone
publisher:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Unichappell Music
Elvis Presley3?:??
6Are You Lonesome Tonight?
cover recording of:
Are You Lonesome Tonight?
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley?:??
7It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.7?:??
8Wooden Heart
bass:
Ray Siegel (on 1960-04-28)
drums (drum set):
D.J. Fontana (on 1960-04-28)
guitar:
Neal Matthews (on 1960-04-28), Scotty Moore (American guitarist and recording engineer) (on 1960-04-28) and Tiny Timbrell (on 1960-04-28)
piano:
Dudley Brooks (on 1960-04-28)
tambourine:
Jimmie Haskell (on 1960-04-28)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-28)
vocals:
The Jordanaires (on 1960-04-28)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (on 1960-04-28)
writer:
Bert Kaempfert (German orchestra leader, producer and songwriter), Kay Twomey, Ben Weisman and Fred Wise
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Elvis Presley2?:??
9Swing Down Sweet Chariot
recording of:
Swing Down Sweet Chariot
writer:
[traditional] (special purpose artist)
version of:
Swing Low, Sweet Chariot
recording of:
Swing Down Sweet Chariot (trad. arr. Elvis)
writer:
[traditional] (special purpose artist)
arranger:
Elvis Presley (“The King of Rock and Roll”)
arrangement of:
Swing Down Sweet Chariot
Elvis Presley3?:??
10Reconsider Baby
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Reconsider Baby (on 1960-04-03)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
cover recording of:
Reconsider Baby (in 1960-04)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Elvis Presley4?:??
11Bossa Nova BabyElvis Presley?:??
12C’mon Everybody
cover recording of:
C’mon Everybody
lyricist and composer:
Joy Byers
Elvis Presley?:??
13Tomorrow Is a Long Time
cover recording of:
Tomorrow Is a Long Time
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Elvis Presley5?:??
14Take My Hand, Precious Lord
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-13)
drums (drum set):
D.J. Fontana (on 1957-01-13)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer)
membranophone:
D.J. Fontana
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1957-01-13)
additional background vocals:
The Jordanaires
background vocals:
The Jordanaires (on 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
cover recording of:
Take My Hand, Precious Lord (on 1957-01-13)
lyricist and arranger:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
Elvis Presley4?:??
15Run On
recording of:
God’s Gonna Cut You Down
writer:
[traditional] (special purpose artist)
Elvis Presley?:??
16Baby What You Want Me to Do (version 1)
cover recording of:
Baby What You Want Me to Do
lyricist:
Jimmy Reed (blues musician) (until 1952-08-07)
composer:
Jimmy Reed (blues musician) (until 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music and Tristan Music Ltd.
Elvis Presley?:??
17Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley3?:??
18Baby, Let’s Play House
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-01-30 until 1955-02-04)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-01-30 until 1955-02-04)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
phonographic copyright (℗) by:
BMG Music (in 1953, in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
cover recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
Elvis Presley3.8?:??
19WordsElvis Presley?:??
20That’s All RightElvis Presley?:??
21Never Been to Spain
cover recording of:
Never Been to Spain
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music and Rondor Music (London) Ltd.
Elvis Presley?:??
22An American Trilogy
cover recording of:
An American Trilogy
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
Elvis Presley?:??
23You Gave Me a Mountain
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
You Gave Me a Mountain (on 1973-01-14)
lyricist and composer:
Marty Robbins
publisher:
Mariposa Music Inc. (publisher) and Mojave Music Inc.
Elvis Presley?:??
24Burning Love
cover recording of:
Burning Love
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
Elvis Presley?:??
25Separate Ways
recording of:
Separate Ways
writer:
Richard Mainegra and Red West
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Elvis Presley?:??
26Hurt
cover recording of:
Hurt
writer:
Jimmie Crane and Al Jacobs
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. and Miller Music Corp.
Elvis Presley with Myrna Smith, Kathy Westmoreland & J.D. Sumner & The Stamps?:??
27If I Can Dream
recording of:
If I Can Dream
lyricist and composer:
Earl Brown (composer and arranger)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Steve Peter Music (ASCAP), Universal Music Corporation (USA, affiliated with ASCAP), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley?:??
CD 3
#TitleArtistRatingLength
1Dissolution 2
Mike McCready?:??
2Satisfied
The Blackwood Brothers Quartet?:??
3That’s All RightArthur “Big Boy” Crudup?:??
4She May Be Yours (but She Comes to See Me Sometime)
Joe Hill Louis?:??
5Mystery Train
producer:
Sam Phillips (founder of Sun Records)
double bass [bass]:
Kenneth Banks (in 1953-10)
drums (drum set) [drums]:
John Bowers (drummer) (in 1953-10)
guitar:
Floyd Murphy (in 1953-10)
vocals:
Junior Parker (in 1953-10)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1953-10)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
recording of:
Mystery Train (in 1953-10)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
Little Junior's Blue Flames3?:??
6Smokestack Lightnin’
recorded in:
Chicago, Illinois, United States (in 1956-01)
double bass:
Willie Dixon (in 1956-01)
drums (drum set):
Earl Phillips (in 1956-01)
guitar:
Willie Johnson (American electric blues guitarist) (in 1956-01) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1956-01)
harmonica and lead vocals:
Howlin’ Wolf (in 1956-01)
piano:
Hosea Lee Kennard (in 1956-01)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 285)
recording of:
Smokestack Lightning (in 1956-01)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf5?:??
7Rock‐A‐My Soul
The Blackwood Brothers Quartet?:??
8Just Walkin’ in the RainThe Prisonaires?:??
9Rocket 88
baritone saxophone:
Jackie Brenston (on 1951-03-03)
bass guitar:
Jesse Knight (on 1951-03-03)
drums (drum set):
Willie Sims (on 1951-03-03)
guitar:
Willie Kizart (on 1951-03-03)
piano:
Ike Turner (on 1951-03-03)
tenor saxophone:
Raymond Hill (on 1951-03-03)
vocals:
Jackie Brenston (on 1951-03-03)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1991)
recording of:
Rocket “88” (on 1951-03-05)
lyricist and composer:
Jackie Brenston (until 1951-03-03)
writer:
Ike Turner
Jackie Brenston & His Delta Cats4?:??
10Write Me a Letter
The Ravens?:??
11Blue Moon of Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Blue Moon of Kentucky (on 1946-09-16)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe & His Bluegrass Boys?:??
12Ain’t That Right
Eddie Snow?:??
13Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray4?:??
14Home Sweet Home
Gladys Presley?:??
15Blowin’ in the Wind
cover recording of:
Blowin’ in the Wind
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1962 until 1990) and Special Rider Music (from 1990 to present)
Odetta?:??
16Tomorrow Is a Long Time
Odetta?:??
17The Weight
cover recording of:
The Weight
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Staple Singers?:??
18Heartbreak Hotel
The Orlons?:??
19Wooden Heart
cover recording of:
Wooden Heart
writer:
Bert Kaempfert (German orchestra leader, producer and songwriter), Kay Twomey, Ben Weisman and Fred Wise
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Tom Petty and the Heartbreakers?:??
20Rebound
Mike McCready?:??

Credits

Release group

Wikidata:Q55610790 [info]