Greatest Ever! Driving Songs: The Definitive Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1I Drove All Night
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrazione di:
I Drove All Night
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. e Warner Chappell Music Ltd.
Cyndi Lauper4.54:12
2Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) e WB Music Corp. (1929–2019)
Bangles43:05
3Africa
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4:26
4Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
5Convoy
registrazione di:
Convoy
paroliere:
C.W. McCall
compositore:
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall3:49
6No Particular Place to Go
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (il 1964-03-26)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra :
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (US blues/jazz saxophonist) (il 1964-03-26)
voce:
Chuck Berry (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:42
7I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.72:47
8Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves & the Vandellas3.552:38
9Dancing on the Ceiling
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1986)
registrazione di:
Dancing on the Ceiling
paroliere:
Lionel Richie
compositore:
Michael Frenchik, Lionel Richie e Carlos Rios (producer/guitarist)
editore:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music e Brockman Music (nel 1986)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie44:21
10Ocean Drive
tecnico di missaggio:
Phil Bodger (engineer)
registrazione di:
Ocean Drive
paroliere e compositore:
Paul Tucker
editore:
PolyGram Music Publishing
è stata commissionata da:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3:46
11There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:43
12Itchycoo Park
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces2:52
13California Dreamin'
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:41
14Dreadlock Holiday
tecnico:
Keith Bessey, Eric Stewart e Tony Spath
produttore:
Graham Gouldman e Eric Stewart
tecnico di missaggio:
Eric Stewart
agogô , campanaccio , congas , marimba , timbales e triangolo :
Paul Burgess (UK rock drummer)
batteria e tamburello :
Stuart Tosh
cabassa , chitarra basso e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra elettrica :
Rick Fenn e Graham Gouldman
maracas e pianoforte elettrico :
Eric Stewart
organo :
Rick Fenn e Eric Stewart
sintetizzatore [Yamaha Cs80] :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
arrangiatore:
10cc
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1978) e Phonogram Ltd. (not for release label use!) (nel 1978)
registrata presso e mixata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito
video musicali:
Dreadlock Holiday di 10cc
registrazione di:
Dreadlock Holiday
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
10cc4.654:28
15Up the Junction
produttore:
Squeeze (UK new wave band) e John Wood (UK producer)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
video musicali:
Up the Junction di Squeeze (UK new wave band)
registrazione di:
Up the Junction
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Deptford Songs
Squeeze4.53:09
16Mmm Mmm Mmm Mmm
tecnico di registrazione:
Tommy Lipnick
tecnico di registrazione aggiunto:
David Vartanian
tecnico:
Dan Harjung
produttore:
Crash Test Dummies e Jerry Harrison (Talking Heads)
tecnico di missaggio:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
chitarra acustica [acoustic guitars] , chitarra elettrica [electric guitars] e voce principale:
Brad Roberts (of Crash Test Dummies)
fisarmonica , pianoforte , tastiera [keyboards] e voce di accompagnamento [back-up vocals]:
Ellen Reid
diritti fonografici (℗) detenuti da:
BMG Music Canada Inc. (nel 1991, nel 1993) e BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 1993)
registrata presso:
DV Productions in Milwaukee, Wisconsin, Stati Uniti, Mindscape in Chicago, Illinois, Stati Uniti e Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
mixata presso:
Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
prodotta presso:
God Of Thunder Studios
video musicali:
Mmm Mmm Mmm Mmm di Crash Test Dummies
registrazione di:
Mmm Mmm Mmm Mmm
paroliere e compositore:
Brad Roberts (of Crash Test Dummies)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (nel 1993), Dummies Productions Inc. (nel 1993) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1993)
Crash Test Dummies3.953:54
17Sunshine After the Rain
registrazione cover di:
The Sunshine After the Rain
paroliere e compositore:
Ellie Greenwich
editore:
EMI Unart Catalog Inc.
Elkie Brooks3:23
2▼CD
#TitoloArtistaValutazioneDurata
1(Is This the Way to) Amarillo
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1972) e JTC Music (nel 2001)
registrazione di:
Is This the Way to Amarillo
autore:
Howard Greenfield e Neil Sedaka
editore:
Kirshner-Warner Bros Music
Tony Christie23:11
2Wake Up Boo!
registrazione di:
Wake Up Boo!
paroliere e compositore:
Martin Carr
The Boo Radleys3:37
3MMMbop
programmazione e tecnico:
Mac Quale (US composer)
produttore:
The Dust Brothers (production duo John King & Mike Simpson)
produttore aggiunto:
Stephen Lironi
registrazione di:
MMMbop
autore:
Isaac Hanson, Taylor Hanson e Zachary Hanson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Hanson3.23:56
4Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:11
5Be Young, Be Foolish, Be Happy
registrazione cover di:
Be Young, Be Foolish, Be Happy
autore:
J. R. Cobb e Ray Whitley (60s/70s songwriter)
editore:
Low Twi Music Inc (publisher) e Low‐Sal Music, Inc.
The Tams2:06
6Fantastic Day
produttore:
Bob Sargeant
registrazione di:
Fantastic Day
paroliere e compositore:
Nick Heyward
Haircut 1002.53:14
7Breakfast at Tiffany's
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:19
8Common People
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer) (dal 1995-01-18 al 1995-01-24)
assistente tecnico:
Pete Lewis (engineer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1995-01-18 al 1995-01-24)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Common People di Pulp
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 3), Indie 88: Top 500 Indie Rock Songs (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 75)
registrazione di:
Common People (dal 1995-01-18 al 1995-01-24)
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp4.75:53
9Size of a Cow
tecnico:
Al Stone (UK engineer)
produttore e tecnico di missaggio:
Mick Glossop (producer & engineer)
basso :
Paul Clifford (The Wonder Stuff)
chitarra :
Miles Hunt e Malcolm Treece
membranofono :
Martin Gilks
organo Hammond :
James Taylor (UK keyboardist)
pianoforte e violino folk :
Martin Bell (violinist for The Wonder Stuff)
voce:
Miles Hunt e Malcolm Treece
registrazione di:
The Size of a Cow
autore:
The Wonder Stuff (UK alternative rock band)
The Wonder Stuff43:14
10Staying Out for the Summer
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1994)
registrazione di:
Staying Out for the Summer
paroliere:
Nigel Clark (singer and bassist of Dodgy) e Mathew Priest
compositore:
Nigel Clark (singer and bassist of Dodgy) e Andy Miller (UK guitarist for Dodgy/Hey Gravity)
editore:
BMG Music Publishing Ltd.
Dodgy3.753:05
11Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2)
Kenny Loggins4.13:47
12A New England
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1985)
video musicali:
A New England di Kirsty MacColl
registrazione cover di:
A New England
paroliere e compositore:
Billy Bragg
editore:
BMG Music Publishing Ltd. e Chappell Music Ltd.
Kirsty MacColl43:49
13Steppin' Out
tecnico:
Michael Ewasko
co-produttore e co-tecnico di missaggio:
Joe Jackson (English musician) e David Kershenbaum
voce principale:
Joe Jackson (English musician)
arrangiatore:
Joe Jackson (English musician)
registrata presso:
Blue Rock Studio in New York, New York, Stati Uniti (dal 1982-03 al 1982-06)
registrazione di:
Steppin’ Out
dedicata a:
New York, New York, Stati Uniti
paroliere e compositore:
Joe Jackson (English musician)
editore:
Albion Music
Joe Jackson4.54:14
14Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:52
15Killer
assistente produttore:
Mark Tinley
produttore:
Adamski
voce principale:
Seal (English‐born singer and songwriter) (nel 1990)
video musicali:
Killer (music video) di Seal (English‐born singer and songwriter)
parte di:
The Downloader’s Music Source Book (numero: 198)
registrazione di:
Killer (nel 1990)
paroliere:
Seal (English‐born singer and songwriter)
autore:
Seal (English‐born singer and songwriter) e Adam Paul Tinley
editore:
EMI Virgin Music Publishing Germany GmbH & Co. KG (conclusa), Virgin Music (Publishers) Ltd. (conclusa), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing GmbH
Adamski & Seal3.44:13
16Pop Muzik
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3.53:19
17This Town Ain't Big Enough for the Both of Us
produttore:
Muff Winwood (bass player, songwriter, producer)
tecnico di missaggio:
Bill Price (UK producer/engineer)
basso :
Martin Gordon
batteria :
Dinky Diamond
chitarra :
Adrian Fisher
tastiera [keyboards] :
Ron Mael
voce:
Russell Mael
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1974)
video musicali:
This Town Ain’t Big Enough for the Both of Us (silent film version) di Sparks (US rock and pop duo, The Mael Brothers) e This Town Ain’t Big Enough for the Both of Us (version 2) di Sparks (US rock and pop duo, The Mael Brothers)
registrazione di:
This Town Ain’t Big Enough for Both of Us
paroliere e compositore:
Ron Mael
arrangiatore:
Tony Visconti
editore:
Island Music Ltd.
Sparks3.853:03
3▼CD
#TitoloArtistaValutazioneDurata
1All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:14
2Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974) e Universal Music (plain logo: “Universal Music”) (nel 1974)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
3Since You Been Gone
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:16
4You Ain’t Seen Nothing Yet
registrata presso:
Oakbrook Terrace Forum in Chicago, Illinois, Stati Uniti (nel 1974-08)
registrazione dal vivo di:
You Ain’t Seen Nothing Yet (nel 1974-08)
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive3:30
5Wild Thing
registrazione cover di:
Wild Thing
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs2:37
6Whiskey in the Jar
registrazione di:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
autore:
[traditional] (special purpose artist)
arrangiatore:
Thin Lizzy (Irish hard rock band)
editore:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
versione di:
Whiskey in the Jar (traditional)
Thin Lizzy3:42
7Hundred Mile High City
produttore e tecnico di missaggio:
Brendan Lynch (London producer), Martin Heyes (Engineer) e Ocean Colour Scene
diritti fonografici (℗) detenuti da:
Universal Music (UK) Ltd. (not a release label; see Universal Music UK annotation) (nel 1997)
registrazione di:
Hundred Mile High City
autore:
Steve Cradock, Simon Fowler (English singer), Oscar Harrison e Damon Minchella
editore:
Island Music Ltd.
Ocean Colour Scene4.354:00
8Place Your Hands
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
registrazione di:
Place Your Hands
autore:
John Bessant, Dominic Greensmith, Kenwyn House e Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:40
9Cuddly Toy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrazione di:
Cuddly Toy
paroliere e compositore:
Andrew Roachford (the man)
editore:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3.753:51
10Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso :
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
voce:
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15) e Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
esecutore:
Motörhead (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:49
11Swords of a Thousand Men
produttore:
Bob Andrews (keyboardist and producer) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1981)
registrazione di:
Swords of a Thousand Men
paroliere e compositore:
Edward Tudor-Pole
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:58
12Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:31
13Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:22
14First Time
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1988) e The Coca-Cola Company (nel 1988)
video musicali:
First Time ("concept" version) di Robin Beck e First Time (band version) di Robin Beck
registrazione di:
First Time
paroliere:
Tom Anthony (wrote "First Time") e Terry Boyle
compositore:
Gavin Spencer
editore:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Music Publishing Scandinavia AB
Robin Beck33:18
15Holding Out for a Hero
programmazione:
Phil Shenale
produttore:
Jim Steinman
produttore associato:
Arthur Pyson, Neil Dorfsman e John Jansen (US recording engineer and producer)
batteria elettronica [Simmons Drums] :
Art Wood (US session drummer/percussionist)
chitarra :
Hiram Bullock
drum machine [Linn Drums] :
Sterling Smith e Art Wood (US session drummer/percussionist)
pianoforte :
Sterling Smith
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
sintetizzatore :
Phil Shenale e Sterling Smith
tromba :
Alan Rubin e Lew Soloff
trombone :
Jim Pugh (US trombonist) e Tom Malone (US trombonist)
trombone basso :
Dave Taylor (US jazz bass trombonist)
voce di accompagnamento:
Rory Dodd, Eric Thayer e Holly Sherwood
arrangiatore ottoni [horn] :
Tom Malone (US trombonist)
arrangiatore voci:
Rory Dodd, Eric Thayer e Holly Sherwood
arrangiatore voci aggiunto:
Ellen Foley
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), SONY Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2008)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.355:50
16Jessica
tecnico:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks e Buddy Thornton
produttore:
The Allman Brothers Band e Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
basso :
Lamar Williams (nel 1972-12)
batteria e percussione :
Jai Johanny Johanson (nel 1972-12) e Butch Trucks (nel 1972-12)
chitarra [lead guitar] :
Dickey Betts (nel 1972-12)
chitarra acustica :
Les Dudek (nel 1972-12)
organo e pianoforte :
Gregg Allman (nel 1972-12)
pianoforte elettrico e pianoforte :
Chuck Leavell (nel 1972-12)
voce:
Gregg Allman (nel 1972-12)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2013)
registrata presso:
Capricorn Sound Studio in Macon, Georgia, Stati Uniti (nel 1972-12)
registrazione di:
Jessica (nel 1972-12)
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers Band4.357:30

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parte di:Greatest Ever! The Definitive Collection (numero: 17 / 97) (ordine: 40)