"The Pearl Fishers" Duet

~ Release by Georges Bizet, Giacomo Puccini, Giuseppe Verdi; Jussi Björling, Robert Merrill, Zinka Milanov, Licia Albanese, Renata Tebaldi (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Pearl Fishers: Au fond du temple saint
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Zurga]:
Robert Merrill (American operatic baritone) (on 1951-01-03)
tenor vocals [Nadir]:
Jussi Björling (tenor) (on 1951-01-03)
orchestra:
RCA Victor Symphony Orchestra (on 1951-01-03)
conductor:
Renato Cellini (conductor) (on 1951-01-03)
phonographic copyright (℗) by:
BMG Music (in 1951)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1951-01-03)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (on 1951-01-03)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet4:46
2Tosca: Mario, Mario, Mario!
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Zinka Milanov (soprano) (in 1957-07)
tenor vocals:
Jussi Björling (tenor) (in 1957-07)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1957-07)
conductor:
Erich Leinsdorf (conductor) (in 1957-07)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1957-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini13:24
3Don Carlo: Io l'ho perduta! Dio, che nell'alma infondere amor
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Robert Merrill (American operatic baritone) (on 1950-11-30)
bass vocals:
Emil Markow (operatic bass) (on 1950-11-30)
tenor vocals [Carlo]:
Jussi Björling (tenor) (on 1950-11-30)
orchestra:
RCA Victor Symphony Orchestra (on 1950-11-30)
conductor:
Renato Cellini (conductor) (on 1950-11-30)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1950-11-30)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1950-11-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (on 1951-01-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi10:36
4Manon Lescaut: Tu, tu, amore? Tu?
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Licia Albanese (soprano) (in 1954-07)
tenor vocals:
Jussi Björling (tenor) (in 1954-07)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-07)
conductor:
Jonel Perlea (Romanian conductor) (in 1954-07)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux) (in 1954-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini8:00
5La Boheme: O Mimi tu più non torni
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Marcello]:
Robert Merrill (American operatic baritone) (on 1951-01-03)
tenor vocals [Rodolfo]:
Jussi Björling (tenor) (on 1951-01-03)
orchestra:
RCA Victor Symphony Orchestra (on 1951-01-03)
conductor:
Renato Cellini (conductor) (on 1951-01-03)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1951-01-03)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (on 1951-01-03)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (on 1951-01-03)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini4:18
6La Forza del Destino: Solenne in quest'ora
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Carlo]:
Robert Merrill (American operatic baritone) (on 1951-01-03)
tenor vocals [Alvaro]:
Jussi Björling (tenor) (on 1951-01-03)
orchestra:
RCA Victor Symphony Orchestra (on 1951-01-03)
conductor:
Renato Cellini (conductor) (on 1951-01-03)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1951-01-03)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo) (on 1951-01-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:20
7Aida: La fatal pietra; Oterra addio
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals:
Zinka Milanov (soprano) (in 1954-07)
tenor vocals:
Jussi Björling (tenor) (in 1954-07)
orchestra:
Rome Opera Orchestra (in 1954-07)
conductor:
Jonel Perlea (Romanian conductor) (in 1954-07)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1954-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi12:04
8Turandot: Signor ascolta! Non piangere, Liu
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals:
Mario Sereni (baritone) (in 1959-07)
bass vocals:
Giorgio Tozzi (operatic bass) (in 1959-07)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1959-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1959-07)
tenor vocals:
Jussi Björling (tenor) (in 1959-07) and Piero de Palma (tenor) (in 1959-07)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1959-07)
conductor:
Erich Leinsdorf (conductor) (in 1959-07)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1959-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1959-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini7:50
9Otello: Sì, pel ciel marmoreo giuro!
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Iago]:
Robert Merrill (American operatic baritone) (on 1951-01-03)
tenor vocals [Otello]:
Jussi Björling (tenor) (on 1951-01-03)
orchestra:
RCA Victor Symphony Orchestra (on 1951-01-03)
conductor:
Renato Cellini (conductor) (on 1951-01-03)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1951-01-03)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago) (on 1951-01-03)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago) (on 1951-01-03)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:26

Credits

Release

producer:John Pfeiffer (producer and engineer)
Discogs:https://www.discogs.com/release/1443480 [info]

Release group

associated singles/EPs:The Pearl Fishers Duet by Jussi Bjoerling (tenor) with Robert Merrill (American operatic baritone)