Starke Zeiten - Die wilden 60er

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Club Edition

Annotation last modified on 2020-07-23 01:42 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:43
2The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:55
3(If Paradise Is) Half as NiceAmen Corner42:46
4Lazy Sunday
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
Small Faces3:01
5Bend It
recording of:
Bend It (in 1966)
lyricist:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
composer:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich22:30
6Wonderful World
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:05
7You Were on My Mind
cover recording of:
You Were on My Mind
lyricist and composer:
Sylvia Tyson
Crispian St. Peters2:42
8A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
9Sloop John B.
The Beach Boys2:57
10Oh Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
translated version of:
Karel (Oh Carol)
Neil Sedaka32:12
11The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
The Tokens2:40
12In the Year 2525
producer:
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Zager & Evans43:15
13Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:02
14Halfway to Paradise
cover recording of:
Halfway to Paradise
writer:
Gerry Goffin and Carole King
Billy Fury2:26
15When a Man Loves a Woman
recording of:
When a Man Loves a Woman
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge3:58
16In the Getto
engineer:
Al Pachucki
producer:
Felton Jams and Chips Moman
bass:
Tommy Cogbill (on 1969-01-21) and Mike Leech (on 1969-01-21)
drums (drum set):
Gene Chrisman (on 1969-01-21)
French horn:
Tony Cason (on 1969-01-21) and Joe D'Gerolamo (on 1969-01-21)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-21) and Reggie Young (Guitarist and songwriter) (on 1969-01-21)
harmonica:
Ed Kollis (on 1969-01-21)
organ:
Bobby Emmons (on 1969-01-21)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-21)
saxophone:
J.P. Luper (saxophonist) (on 1969-01-21) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (on 1969-01-21)
steel guitar:
John Hughey (on 1969-01-21)
trombone:
Jack Hale (trombone) (on 1969-01-21), Ed Logan (on 1969-01-21) and Gerald Richardson (on 1969-01-21)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1969-01-21), Dick Steff (on 1969-01-21) and R.F. Taylor (on 1969-01-21)
vocals:
Joe Babcock (on 1969-01-21), Donna Thatcher (on 1969-01-21), Dolores Edgin (on 1969-01-21), Ginger Holladay (American singer-songwriter) (on 1969-01-21), Mary Holladay (on 1969-01-21), Millie Kirkham (on 1969-01-21), Mary (Jeannie) Green (on 1969-01-21), June Page (on 1969-01-21), Susan Pilkington (on 1969-01-21), Sandy Posey (on 1969-01-21) and Hurshel Wiginton (on 1969-01-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969) and RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-21)
part of:
SWR1 Hitparade 2006 (Baden-Württemberg) (number: 10)
recording of:
In the Ghetto (on 1969-01-21)
lyricist and composer:
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley4.42:44