Great Opera Moments II

~ Release by Mozart; Bartoli, Fleming, Flórez, Janowitz, Netrebko, Von Otter, Terfel, Upshaw (see all versions of this release, 1 available)

Annotation

Original, Vienna 1786 version of Le nozze di Figaro, K. 492

Annotation last modified on 2012-10-27 17:01 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Mitridate, re di Ponto, K. 87, no. 1: “Al destin, che la minaccia”
producer:
Chris Sayer
soprano vocals:
Natalie Dessay (soprano) (in 1998-05)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (in 1998-05)
conductor:
Christophe Rousset (French harpsichordist & conductor) (in 1998-05)
balance engineer:
Jonathan Stokes (engineer) (in 1998-05)
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (in 1998-05)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) (in 1998-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
Wolfgang Amadeus Mozart6:38
2Mitridate, re di Ponto, K. 87, no. 23: “Se di regnar sei vago”
producer:
Chris Sayer
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (in 1998-05)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (in 1998-05)
conductor:
Christophe Rousset (French harpsichordist & conductor) (in 1998-05)
balance engineer:
Jonathan Stokes (engineer) (in 1998-05)
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (in 1998-05)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio) (in 1998-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act III
Wolfgang Amadeus Mozart4:21
3Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso”
bass-baritone vocals [Figaro]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-09)
orchestra:
Metropolitan Opera Orchestra (in 1994-09)
conductor:
James Levine (US conductor and pianist) (in 1994-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-08 until 1994-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:47
4Le nozze di Figaro, K. 492, no. 6: “Non so più cosa son, cosa faccio”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
mezzo-soprano vocals and mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:11
5Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:21
6Le nozze di Figaro, K. 492, no. 12: “Voi che sapete che cosa è amor”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
mezzo-soprano vocals and mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-05)
soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:10
7Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:03
8Le nozze di Figaro, K. 492, no. 28: “Giunse alfin il momento – Deh vieni, non tardar”
soprano vocals:
Dawn Upshaw (soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:23
9Don Giovanni, ossia Il dissoluto punito, K. 527, no. 7: “Là ci darem la mano”
producer:
Evans Mirageas and Christopher Raeburn (producer)
bass-baritone vocals [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Zerlina]:
Cecilia Bartoli (mezzo‐soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
10Don Giovanni, ossia Il dissoluto punito, K. 527, no. 10: “Or sai chi l’onore”
soprano vocals:
Renée Fleming (soprano) (in 1996-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1996-10)
conductor:
Sir Georg Solti (conductor) (in 1996-10)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1996-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:56
11Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino”
producer:
Michael Woolcock (producer)
baritone vocals [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1996-10-05 until 1996-10-07)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1996-10-05 until 1996-10-07)
conductor:
Solti (Sir Georg Solti, conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1997)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
12Don Giovanni, ossia Il dissoluto punito, K. 527, no. 12: “Batti, batti, o bel Masetto”
cello:
Franz Bartolomey (cellist) (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1993-04)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra) (in 1993-04)
conductor:
György Fischer (pianist and conductor) (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:49
13Don Giovanni, ossia Il dissoluto punito, K. 527, no. 21b: “In quali eccessi, o Numi” … “Mi tradi quell’alma ingrata”
soprano vocals:
Renée Fleming (soprano) (in 1995-12)
orchestra:
Orchestra of St. Luke’s (in 1995-12)
conductor:
Charles Mackerras (Australian conductor) (in 1995-12)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1995-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:00
14Don Giovanni, ossia Il dissoluto punito, K. 527, no. 23: “Crudele? – An no, mio bene!” … “Non mi dir, bell’idol mio”
soprano vocals:
Anna Netrebko (soprano) (in 2003-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (in 2003-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 2003-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:36
15Don Giovanni, ossia Il dissoluto punito, K. 527: no. 24: “Già la mensa è preparata”
producer:
Michael Woolcock (producer)
baritone vocals:
Michele Pertusi (operatic bass) (in 1996-10)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1996-10)
vocals:
Michele Pertusi (operatic bass) (from 1996-10-05 until 1996-10-07) and Bryn Terfel (bass‐baritone opera singer) (from 1996-10-05 until 1996-10-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1996-10, from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (conductor) (in 1996-10, from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1996-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:29
16Così fan tutte, K. 588, no. 10: “Soave sia il vento”
assistant engineer:
Volker Martin (engineer) and Gernot Westhäuser (Engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Alfonso, vecchio filosofo]:
Rolando Panerai (baritone) (from 1974-07 until 1974-08)
mezzo-soprano vocals [Dorabella, sorelle ferraresi, abitanti in Napoli]:
Brigitte Fassbaender (mezzo-soprano) (from 1974-07 until 1974-08)
soprano vocals [Fiordiligi, sorelle ferraresi, abitanti in Napoli]:
Gundula Janowitz (soprano) (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07 until 1974-08)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08) and Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:09
17Così fan tutte, K. 588, no. 11: “Smani implacabili che m’agitate”
producer:
Werner Mayer (classical producer)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-08)
conductor:
Karl Böhm (Austrian conductor) (in 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-08)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
live recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:56
18Così fan tutte, K. 588, no. 14: “Come scoglio immoto resta”
producer:
Werner Mayer (classical producer)
soprano vocals:
Gundula Janowitz (soprano) (in 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-08)
conductor:
Karl Böhm (Austrian conductor) (in 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-08)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
live recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:37

Credits

Release

part of:The Mozart Collection (Deutsche Grammophon) (order: 2)
ASIN:DE: B000ASAEPI [info]