100 Hits of the 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1(Is This the Way to) Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972) and JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:11
2Another 45 Miles
recording of:
Another 45 Miles
lyricist and composer:
George Kooymans
Golden Earring3.54:46
3The Tears of a ClownSmokey Robinson2:59
4Question
recording of:
Question
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex (publisher)
The Moody Blues55:45
5All Kinds of Everything
part of:
Ireland in the Eurovision Song Contest (number: 1970) and Winners of the Eurovision Song Contest (number: 1970)
recording of:
All Kinds of Everything (1970 eurovision song)
writer:
Derry Lindsay (Songwriter) and Jackie Smith (Songwriter)
Dana23:01
6All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:34
7Nathan Jones
producer:
Frank Wilson (Motown singer/songwriter)
lead vocals:
Jean Terrell
arranger:
David Van dePitte and Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Nathan Jones
lyricist and composer:
Leonard Caston (father of Leonard "Lenny" Caston jr.) and Kathy Wakefield (songwriter)
writer:
Lenny Caston (son of Leonard Caston)
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (in 1971), Stone Agate Music Division (in 1971), Jobete Music (appears also as: Jobete Msc.) (in 1988) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes32:59
8Papa Was a Rolling Stone
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) and Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 168) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations46:53
9Be My Day
cover recording of:
Be My Day
lyricist and composer:
Larry Murray
The Cats3:00
10Never Marry a Railroad Man
recording of:
Never Marry a Railroad Man
lyricist and composer:
Robbie van Leeuwen
publisher:
Dayglow Music, Inc. and Nanada BV (publisher)
Shocking Blue43:04
11Soley Soley
arranger:
Giosy Capuano and Mario Capuano
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
lyricist and composer:
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:04
12Get Up I Feel Like Being a Sex Machine (Parts 1 & 2)
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:17
13Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
lyricist and composer:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo3:02
14Forever and EverDemis Roussos53:41
15Only Lies
recording of:
Only Lies
writer:
Cook and Greenfield (1960s Dutch artist)
Greenfield & Cook3:27
16Sympathy
recording of:
Sympathy
writer:
Mark Ashton (songwriter?), Graham Field, Steve Gould (English singer, bassist and guitarist) and Dave Kaffinetti
publisher:
Bienstock Publishing Company (ASCAP affiliated), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Intro (publisher), Meisel (publisher), Quartet Music Inc. and R & M Music Productions, Inc.
Family Dogg3:19
17How Do You Do
recording of:
How Do You Do (english version)
lyricist:
Harry van Hoof
composer:
Hans van Hemert
Mouth & MacNeal4:05
18I Will Return
recording of:
I Will Return (in 1971)
lyricist and composer:
Phil Cordell
Springwater43:02
19Superstar
recorded in:
England, United Kingdom
recording engineer:
Jeremy Gee, Anton Matthews, Alan O’Duffy and Stephen Vaughan (engineer)
engineer:
Tony Bridge (mastering engineer) and Martin Rushent
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
choir vocals:
The Trinidad Singers
lead vocals:
Murray Head
conductor:
Alan Doggett
chorus master:
Horace James
phonographic copyright (℗) by:
Decca Label Group (not for release label use! defunct North American label group) (in 1970) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recording of:
Superstar (in 1970)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Murray Head With The Trinidad Singers44:18
20I Saw You
The Fool2:51
2CD
#TitleArtistRatingLength
1You Are the First, My Last, My EverythingBarry White3.753:23
2Beg Steel or Borrow
part of:
United Kingdom in the Eurovision Song Contest (number: 1972)
recording of:
Beg Steal or Borrow
writer:
Tony Cole, Graeme Hall and Steve Wolfe (producer, songwriter and guitar player)
The New Seekers2:47
3Après Toi
part of:
Luxembourg in the Eurovision Song Contest (number: 1972) and Winners of the Eurovision Song Contest (number: 1972)
recording of:
Après toi (Winner of the Eurovision Song Contest 1972)
lyricist:
Yves Dessca and Klaus Munro (composer, songwriter and producer)
composer:
Mario Panas (Greek musician, composer and producer) and Klaus Munro (composer, songwriter and producer)
premiered at:
Eurovision Song Contest 1972 (1972-03-25)
Vicky Leandros23:32
4Caroline
recording of:
Caroline
writer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Status Quo3:46
5Mexico
recording of:
Mexico (in 1972)
lyricist and composer:
Jimmy Driftwood and Les Humphries
publisher:
Edition Opry Rose and Goldy-Musikverlag Hans Sikorski GmbH
version of:
The Battle of New Orleans
Les Humphries Singers3:46
6Sealed With a Kiss
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Bobby Vinton52:48
7Star Wars
Meco3:46
8Sugar Me
engineer:
Pete Coleman
producer:
Lynsey de Paul
phonographic copyright (℗) by:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
writer:
Barry Ian Green (singer, producer, and songwriter) and Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:53
9Now That We’ve Found Love
cover recording of:
Now That We Found Love
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Third World3:52
10You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.44:16
11Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:15
12When You Are a King
recording of:
When You Are King
writer:
John Roger Hill (songwriter) and Roger William Hill (versatile UK guitarist / composer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Swan Esther Ltd.
version of:
Later wordt je koningin
White Plains2:51
13Le Lac Majeur
recording engineer:
Bernard Estardy
producer:
Thierry Vincent (French composer & singer Louis Locatelli)
vocals:
Mort Shuman (US singer, pianist & songwriter) (in 1972)
conductor:
Jean‐Claude Petit (, in 1972)
recorded at:
Studio CBE in Paris, Île-de-France, France
recording of:
Le Lac Majeur (in 1972)
lyricist:
Étienne Roda-Gil
composer:
Mort Shuman (US singer, pianist & songwriter)
arranger:
Jean‐Claude Petit
Mort Shuman55:23
14Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments & Whatnauts23:09
15Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:08
16Roll Over Lay Down
engineer:
Damon Lyon-Shaw and Richard Manwaring (Producer)
producer:
Status Quo (UK boogie rock band)
arranger:
Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1973), Phonogram Ltd. (London) (company name, NOT a label!) (in 1973), Mercury Records Ltd. (not for release label use!) (in 1975) and Mercury Records Ltd. (UK) (in 1978)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom
samples from:
Hello! by Status Quo (UK boogie rock band) (in 1973)
recording of:
Roll Over Lay Down
lyricist:
Alan Lancaster, Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
composer:
John Coughlan, Alan Lancaster, Rick Parfitt (UK guitarist for Status Quo), Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing and Valley Music Ltd (publisher)
Status Quo45:40
17Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana3.94:32
18The Night Chicago Died
co-producer:
Peter Callander (from 1974 to present) and Mitch Murray (from 1974 to present)
bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
drums (drum set) and lead vocals:
Phil Wright (Lead singer and drummer of Paper Lace) (from 1974 to present)
guitar:
Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
background vocals:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
recorded at:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom (in 1974)
recording of:
The Night Chicago Died
lyricist:
Peter Callander
composer:
Mitch Murray
Paper Lace3:29
19Dirty Ol’ Man
recording of:
Dirty Ol’ Man
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Mighty Three Music (in 1973)
The Three Degrees3:14
20Cokane in My Brain
producer:
JoJo Hookim
recording of:
Cokane in My Brain
lyricist and composer:
Lester Randal Bullock
publisher:
Blue Mountain Music and Rykomusic Ltd. (Publishing company)
Dillinger42:45
3CD
#TitleArtistRatingLength
1I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:45
2I’m a Train
engineer:
Roy Halee
producer:
D. Altfeld, Roy Halee and Albert Hammond
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Sony Music Entertainment España, S.L. (not for release label use!) (in 2010)
recording of:
I’m a Train
writer:
Albert Hammond and Mike Hazlewood
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Leeds Music Corp. (in 1974)
Albert Hammond23:18
3Man of Action
Les Reed Orchestra2:22
4Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:26
5Can’t Give You Anything
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
I Can’t Give You Anything (But My Love)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Abilene Music Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:16
6Paloma Blanca
producer:
Hans Bouwens
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Paloma blanca
lyricist and composer:
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) and EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection3:27
7The Entertainer
recording of:
The Entertainer (catch-all for arrangements)
composer:
Scott Joplin (composer and pianist)
arrangement of:
The Entertainer
Marvin Hamlisch3:04
8Traffic Jam
executive producer:
Dan Loggins
producer:
Georg Kajanus
recording of:
Traffic Jam
lyricist and composer:
Georg Kajanus
Sailor3:22
9Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation23:24
10You Are Everything
producer:
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross And Marvin Gaye43:04
11Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:57
12You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:39
13100 Years
producer:
Alberto Gemerts
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1977)
recording of:
100 Years
lyricist and composer:
Josje Duister (Singer, only active 1974 to 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and New Dayglow Music (in 1975)
Joey Dyser3:10
14House for SaleLucifer4:27
15Down by the Lazy RiverThe Osmonds2:43
16Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:41
17The Elephant Song
recording of:
The Elephant Song
lyricist:
Gregor Frenkel Frank and Rogis Woddis (Writer and humorous poet)
composer:
Hans van Hemert
Kamahl3:29
18Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:37
19The Last Farewell
recording of:
The Last Farewell (1971 song)
lyricist:
Ron Webster (silversmith)
composer:
Roger Whittaker
Roger Whittaker3:40
20Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
4CD
#TitleArtistRatingLength
1Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:11
2Ich bin wie du
recording of:
Ich bin wie du
lyricist:
Christian Heilburg (songwriter and producer)
composer:
Joachim Heider (producer, composer, performer)
Marianne Rosenberg3:38
3Streets of London
producer:
Gus Dudgeon
guitar:
Ralph McTell (in 1969)
vocals:
Ralph McTell (in 1969)
recording of:
Streets of London (in 1969)
lyricist and composer:
Ralph McTell
publisher:
Essex Music International and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell4:09
4Baretta’s ThemeSammy Davis Jr.2:26
5Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:53
6002.345.709 (That’s My Number)
Trinity3:27
7Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:36
8Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:25
9Kiss and Say Goodbye
instruments:
MFSB
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:27
10Oh Lori
recording of:
Oh Lori
writer:
Billy Alessi and Bobby Alessi
publisher:
Alessi Music, Tenyor Music and 大洋音楽 (Taiyō Music)
Alessi Brothers53:21
11Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:39
12When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player) (in 1976)
drums (drum set):
Jeff Porcaro (in 1976)
electric piano:
Michael Omartian (in 1976)
guitar:
Dean Parks (American session guitarist) (in 1976)
saxophone:
George Palisky, Jr. (in 1976)
synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
13Late Again
recording of:
Late Again
writer:
Joe Egan (Scottish singer-songwriter) and Gerry Rafferty
Stealers Wheel3:13
14Cherchez la femme
recording of:
Cherchez la femme
writer:
Stony Browder Jr. and August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band55:45
15Pearl’s a SingerElkie Brooks43:38
16What Kind of Dance Is This
Veronica Unlimited4:46
17Yes Sir I Can Boogie
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4:20
18I’m on Fire
producer:
Tony Eyers
lead vocals:
Tina Charles
arranger:
Tony Eyers
phonographic copyright (℗) by:
Phonogram, Inc. (in 1975)
recording of:
I’m on Fire
lyricist and composer:
T. Eyers
publisher:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. and Intersong Musikverlag (publisher) (in 1989)
5000 Volts42:49
19Love’s Theme
engineer:
Paul Elmore (engineer) and Frank Kegmer (engineer)
producer:
Barry White
orchestra:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page and Barry White
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1973)
recording of:
Love’s Theme (instrumental version) (in 1973)
composer:
Barry White
publisher:
January Music Corp. and Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:07
20Baby Don’t Change Your Mind
cover recording of:
Baby Don’t Change Your Mind
lyricist and composer:
Van McCoy
Gladys Knight & the Pips3.653:13
5CD
#TitleArtistRatingLength
1Best of Both Worlds
recording of:
Best of Both Worlds
lyricist and composer:
Robert Palmer (English singer‐songwriter)
Robert Palmer3:52
2Baby Come Back
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
writer:
Peter Beckett (lead singer of Player) and J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player53:34
3Sing for the Day
synthesizer programming:
Dennis DeYoung and Ed Walsh (US synthesizer player & programmer)
assistant engineer:
Harry Andronis and Gary Geppert (engineer)
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
producer:
Styx (rock band from Chicago)
autoharp, guitar, mandolin and lead vocals:
Tommy Shaw (of Styx)
recording of:
Sing for the Day
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1978) and Stygian Songs (publishing company for the rock band Styx) (in 1978)
Styx3.354:57
4Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:29
5Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton3.53:35
6Too Much, Too Little Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis And Deniece Williams42:56
7Follow Me
recording of:
Follow Me
lyricist:
Amanda Lear
composer:
Anthony Monn
Amanda Lear43:52
8Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:22
9Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:38
10The Hustle
phonographic copyright (℗) by:
Amherst Records Inc. (in 1975)
recording of:
The Hustle
lyricist and composer:
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:02
11I Love the NightlifeAlicia Bridges53:08
12You and Me
producer:
Martin van Os
phonographic copyright (℗) by:
Lark Records (Belgian 1970/80s label) (in 1980)
recording of:
You and Me
lyricist and composer:
Ellert Driessen (Ellert J. M. Driessen)
Spargo4:11
13I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
14Reunited
producer:
Freddie Perren
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:43
15Ruthless QueenKayak4:52
16Ben
producer:
The Corporation (Motown songwriters)
lead vocals:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
lyricist:
Don Black (English lyricist)
composer:
Walter Scharf
publisher:
Jobette Music (in 1972)
part of:
The 45th Academy Award for Best Original Song (number: 2)
Michael Jackson3.852:46
17Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:54
18This Town Ain’t Big Enough for the Both of Us
producer:
Muff Winwood (bass player, songwriter, producer)
mixer:
Bill Price (UK producer/engineer)
bass:
Martin Gordon
drums (drum set):
Dinky Diamond
guitar:
Adrian Fisher
keyboard [keyboards]:
Ron Mael
vocals:
Russell Mael
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
music videos:
This Town Ain’t Big Enough for the Both of Us (silent film version) by Sparks (US rock and pop duo, The Mael Brothers) and This Town Ain’t Big Enough for the Both of Us (version 2) by Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
lyricist and composer:
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:06
19We Belong to the Night
Ellen Foley4:13
20Weekend
producer:
Earth and Fire and Gerrit-Jan Leenders
recording of:
Weekend (Earth and Fire)
lyricist and composer:
Gerard Koerts
publisher:
Nada Music (Dutch publisher)
Earth and Fire4.53:31