| # | Title | Artist | Rating | Length |
|---|
| 1 | American Pie- engineer:
- Tom Flye
- acoustic guitar and banjo:
- Don McLean (on 1971-05-26)
- bass:
- Bob Rothstein (on 1971-05-26)
- drums (drum set) and percussion:
- Roy Markowitz (on 1971-05-26)
- electric guitar:
- David Spinozza (on 1971-05-26)
- electric piano:
- Ray Colcord (on 1971-05-26)
- marimba and vibraphone:
- Mike Mainieri (on 1971-05-26)
- piano:
- Paul Griffin (on 1971-05-26)
- choir vocals:
- West 44th Street Rhythm and Noise Choir (on 1971-05-26)
- vocals:
- Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1971), EMI (in 1971) and United Artists Records (in 1971)
- partial recording of:
- American Pie (on 1971-05-26)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 5 | 4:08 |
| 2 | It's My Party- engineer:
- Nick Bradford
- producer:
- Dave Stewart
- electronic drum set [SDS V], electronic instruments [claptrap], keyboard [keyboards] and vocoder:
- Dave Stewart
- background vocals:
- Amanda Parsons
- lead vocals:
- Barbara Gaskin
- recorded at and mixed at:
- Matrix Studios in Soho, Westminster, London , England, United Kingdom (from 1981-06 until 1981-07)
- cover recording of:
- It’s My Party
- writer:
- John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
- publisher:
- A. Schroeder Music Ltd. and Chappell & Co., Inc.
- part of:
- Baby It’s You!
| Dave Stewart & Barbara Gaskin | 3.5 | 3:47 |
| 3 | What Becomes of the Broken Hearted | Colin Blunstone | 3 | 3:55 |
| 4 | I Only Want to Be With You- producer:
- John Franz
- phonographic copyright (℗) by:
- Mercury Ltd (in 1963)
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (in 1963)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 31) and Billboard: The 500 Best Pop Songs (number: 323)
- recording of:
- I Only Want to Be With You (in 1963)
- writer:
- Mike Hawker and Ivor Raymonde
- publisher:
- Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
| Dusty Springfield | 4.4 | 2:37 |
| 5 | I Don't Like Mondays | The Boomtown Rats | 4.5 | 3:47 |
| 6 | Cool for Cats | Squeeze | 3.5 | 3:10 |
| 7 | Maneater- assistant engineer:
- Bruce Buckhalter , Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Hall & Oates | 4.4 | 4:28 |
| 8 | Wouldn't It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:32 |
| 9 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:09 |
| 10 | Real Gone Kid | Deacon Blue | 4.35 | 4:06 |
| 11 | The Look of Love- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:30 |
| 12 | Perfect | Fairground Attraction | 4.35 | 3:38 |
| 13 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | | 3:54 |
| 14 | Wherever I Lay My Hat (That's My Home) | Paul Young | 5 | 4:12 |
| 15 | Groovin' (You're the Best Thing) | The Style Council | 3 | 4:28 |
| 16 | Love Is All Around | Wet Wet Wet | 3.85 | 3:54 |
Play on ListenBrainz